54 pages • 1 hour read
Nathaniel RichA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Content Warning: This section references existential dread, disaster and its aftermath, and emotional and psychological distress.
An unnamed college acquaintance remembers Mitchell Zukor. Mitchell is ordinary looking with blonde hair and an average build. The acquaintance characterizes Mitchell as brilliant but “mad,” obsessively studying the statistics possibilities of catastrophe.
The narrator dispels the rumor that Mitchell predicted the Puget Sound Earthquake, claiming that he was with Mitchell the day of the earthquake. He and Mitchell had class together, but the lecture was interrupted with the news that an earthquake devastated the city of Seattle. The students watched the catastrophe, and Mitchell was the only one who noticed another student, Elsa Bruner, had collapsed. Mitchell called the paramedics and explained that Elsa had a heart condition called Brugada that meant her heart could stop at any moment. Mitchell told his friend he learned this peeking in her file when they were both at the medical clinic. Mitchell had never spoken to Elsa but felt overwhelming sympathy for her condition. By alerting authorities, Mitchell saved Elsa’s life on the day of the earthquake, but they did not speak again until many years later.
Sandy Sherman, the chairman of a company called Fitzsimmons Sherman, holds a meeting at the Empire State Building in New York City. The board of directors discusses the financial impact of the earthquake in Seattle. Years after the event, companies are being sued by Seattle workers’ families, and the families are winning the cases, putting many large companies out of business. Sandy asks the board what would happen to their company if a disaster struck the Empire State Building. A nervous junior associate, Mitchell Zukor, asks why it would matter: If the Empire State Building were destroyed, they would all be dead, and there would be no one to sue. The executives do not answer Mitchell, not wanting to verbalize that the directors of the company are rarely at the Empire State Building; only the department managers and staff actually work in the building. The executives change the subject. After the meeting, Mitchell is tasked with calculating the value of every employee’s life, in dollars, in the event of a disaster.
Mitchell works late into the night at his office at Fitzsimmons Sherman. He makes his calculations, considering how this task could be a stepping stone to a better job at the company, preferably in a department called “Risk.” Mitchell gets several pop-ups on his computer from a company called FutureWorld, reading, “FIND OUT WHAT THE FUTURE WILL COST YOU” (19). Mitchell decides to respond to the pop-up with a joke. He immediately receives a response from Alec Charnoble, FutureWorld’s founder, requesting a meeting. Intrigued, Mitchell invites Charnoble to meet him at his office. Charnoble says to expect him immediately, and Mitchell gets a call from the front desk saying he has a visitor.
Mitchell is worried that Charnoble will be a “mad man,” but when he meets Charnoble he realizes he is a salesman. Charnoble is the director of a company called FutureWorld, which advises corporations on the probability of impending catastrophes and how to cope with disaster when it strikes. Charnoble explains that the company is a response to the insurance lawsuits in Seattle after the earthquake. If a company partners with FutureWorld, it indemnifies them from post-disaster lawsuits. Charnoble encourages Mitchell to present FutureWorld’s pitch to Sandy Sherman. Before he leaves, he tries to recruit Mitchell to work for FutureWorld, impressed by his anxious demeanor and knowledge of catastrophes. On the way home, Mitchell contemplates whether or not Charnoble craves disaster. Mitchell thinks of how predicting a disaster would make him prophet-like and admits that these thoughts make him think of Elsa Bruner.
Mitchell receives a letter from Elsa Bruner—his first communication with her since she collapsed in college. Elsa tells Mitchell about her Brugada, which he already knew about. She says that calling the paramedics saved her life. Her familiar tone baffles Mitchell. He expects her to ask for money, but she explains that she is homesteading a former boys camp in Maine called Camp Ticonderoga. The commune-style life sounds idyllic; Elsa tells of days tilling the earth, canoeing, dancing, and swimming with her boyfriend and friends. She signs the letter “The Fainting Girl” (34).
Mitchell goes to a Korean restaurant two blocks from his office and tries a dish called bi bim bap. Mitchell enjoys the dish and continues to visit the restaurant every day until he develops a friendliness with the waitress. One day, however, he walks to another Korean restaurant and orders bi bim bap. He feels the dish is superior and continues to eat there. He does this again with another Korean restaurant further down the block.
Mitchell eventually writes Elsa back, telling her about his life in New York City. Elsa writes back that his letter upset her and that Mitchell seems very unhappy. She feels Fitzsimmons Sherman is the problem. Mitchell feels betrayed and shocked by her letter. He is especially perturbed by a drawing Elsa included of a girl lying in a canoe with Xs for eyes.
Mitchell finishes his calculations for Sandy Sherman and requests a meeting with him. The meeting takes place in a small office, which makes Mitchell uncomfortable. Sherman praises Mitchell’s work but speaks to him in a condescending tone. He offers Mitchell a job in the Equations and Vectors department, which Mitchell does not find appealing. Mitchell requests to be assigned to Risk and tries to tell Sherman about FutureWorld, but Sherman cuts him off. He says that Mitchell does not have the social skills or salesmanship to work in Risk. He dismisses Mitchell.
Mitchell gathers his things from his office as he prepares to switch departments. He looks at photos of his parents that his mother sent him. His parents, Rikki and Tibor, own rundown apartments in Kansas City called the Zukorminiums. They are notoriously foul. Tibor is Hungarian American and Mitchell recalls his father taking him to visit the stock exchange in New York when he was a kid. Tibor was very emotional at the sight, claiming, “This is where America happens” and “Greed is good” (43). Mitchell thinks of the slums his father runs and compares himself to a slumlord whose slums are inside of him.
Mitchell returns to his apartment and considers his conversation with Sherman. He realizes that he may be stuck in Equations and Vectors for a long time. He considers FutureWorld and looks up the loophole in the law Charnoble referenced in their meeting. He sees that Charnoble is right and calls him to accept the job offer. Charnoble pays him a sign-on bonus of $11,000 and agrees to pay him $16,000 a month, plus commission.
Mitchell calls his parents about his new job. Tibor is excited about how much money Mitchell will make, and Rikki says she is happy Mitchell has found something he is excited about. When Mitchell gets off the phone, he notices how small and sad his apartment is. He goes to the Korean restaurant for bi bim bap, but it tastes rancid. He does not finish the bowl but buys a postcard from the restaurant on the way out. On the way home Mitchell stops to listen to a man preaching about Armageddon and redemption. Mitchell addresses a postcard to Elsa and writes, “By the time you get this, I’ll be a futurist” (51).
The novel introduces Mitchell through the eyes of his college acquaintance. This narrator is unnamed and therefore represents the generic public perception of Mitchell as a kind of prophet. However, in the following chapters, it becomes clear that this image is a façade created by the media to satisfy people’s desire for The Illusion of Control over the unexpected—i.e., the natural disasters Mitchell is in the business of predicting.
Mitchell is a symbol of this desire to predict and safeguard, but he himself is also vulnerable to it. It is no coincidence that the minor character Elsa Bruner is introduced alongside him. Elsa acts as a symbol of Mitchell’s obsessive fear of the unknown. Mitchell cannot accept what he does not or cannot know. Mitchell views Elsa as a worst-case scenario because her Brugada makes her uniquely vulnerable to the unknown. The disease can strike her down at any moment. Mitchell fails to recognize that this is in fact true of all people—any day could be a person’s last day—because he feels that his research and logic exempt him from this reality by allowing him to anticipate and plan for all possible catastrophes. Mitchell’s fervent calculations and planning, however, are rarely of use to him. Catastrophe, especially natural disasters, exists beyond human control. That Elsa has a Brugada attack while Mitchell is viewing the devastation of the Puget Sound earthquake represents Mitchell’s true powerlessness. However, if Mitchell cannot predict or prevent or Elsa’s collapse, he can control how he reacts. His knowledge of her health condition allows him to act and save her life, implying that there is some value in Mitchell’s efforts to arm himself with knowledge.
That value becomes literal in Mitchell’s case. Mitchell begins to learn the socioeconomics of disaster when the general partners of Fitzsimmons Sherman express their belief that their wealth and power will save them from disaster. The ego of these businessmen is apparent in the way they remove themselves from the catastrophe, creating their own false sense of control over the unknown. The climax of the novel demonstrates that wealthy people certainly have more resources to help them escape or cope with catastrophe but also shows that they are not wholly exempt from disaster’s effects. Nevertheless, the belief that money can avert or rationalize disaster has consequences. When Mitchell is tasked with calculating the value of each Fitzsimmons Sherman employee, he learns how corporate America values life in terms of dollars and lawsuits. Mitchell even calculates his own worth to Fitzsimmons Sherman, which causes him to ponder the value of his own life. As Mitchell goes through a journey of self-exploration, he finds new ways to value himself that do not depend on The Value of a Life in a monetary sense.
This character development is as yet in Mitchell’s future. When he accepts the job with FutureWorld, he and his parents are both excited about the amount of money he will make. However, Mitchell’s satisfaction also stems from the fact that the job seems very different from his work at Fitzsimmons Sherman. Mitchell is now able to make money by doing something he already enjoys doing—finding new things to fear. Distracted by his salary and contentment, Mitchell does not recognize that Alec Charnoble is very similar to Sandy Sherman: Both are examples of the wealth-driven and unfeeling corporate executives that populate the novel.
Around the time Mitchell changes careers, he strikes up a correspondence with Elsa Bruner, whose homesteading lifestyle confuses Mitchell and becomes his motivation at the end of the novel. While Elsa clearly enjoys the freedom and unpredictability of her self-sufficient lifestyle, Mitchell sees her choice as foolish—even dangerous—given her condition. He does not recognize, as Elsa evidently does, that she cannot ultimately control how long her life will be but that she can satisfy her deep emotional needs with the lifestyle she lives at Camp Ticonderoga.
Nevertheless, Mitchell’s visits to the Korean restaurants suggest that he is discontent and in search of something he cannot quite articulate. He finds a restaurant and dish he likes, but there is always something a little further down the road worth trying. Mitchell does not himself understand his actions, but they imply a desire for variety and spontaneity that is at odds with his general preference for facts, figures, and routines. By visiting new restaurants but always ordering the same dish, he can experiment with change in a controlled way—a blend of novelty and familiarity that informs his description of his routine at one restaurant as “oddly reassuring—or was it reassuringly odd?” (38).