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54 pages 1 hour read

Nathaniel Rich

Odds Against Tomorrow

Fiction | Novel | Adult | Published in 2013

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Part 2, Section 1, Chapters 1-5Chapter Summaries & Analyses

Part 2, Section 1: “Every Silver Lining Has Its Cloud”

Part 2, Section 1, Chapter 1 Summary

Mitchell learns that Elsa is in a coma because of her Brugada. Mitchell grapples with his emotions, feeling betrayed that she did not tell him about Ticonderoga’s phone and hopeless about her recovery; he blames himself, believing that her letters were actually subtle calls for help. Mitchell has trouble focusing on his work at FutureWorld.

One day he feels the desperate need for a cheeseburger but loses his appetite when he steps onto the street and sees a rat. Mitchell recognizes that the animals of New York are behaving erratically, possibly because of the drought and heat wave. Continuing to walk, Mitchell finds himself in an art museum and purchases a $29,000 piece of artwork called Psycho Canoe: a fully functional canoe that has been painted multicolored and decorated with reclaimed objects from the natural environment. When the canoe is delivered to his apartment, the doorman believes it is a coffin.

Mitchell pays the doorman to help him bring it to his room. The man breaks open the box and offers to take the wood away. Mitchell declines. Mitchell eats his dinner in the canoe and sleeps in it. He sleeps well for the first time since he heard about Elsa’s coma two weeks before.

Part 2, Section 1, Chapter 2 Summary

Charnoble expands FutureWorld, which moves its offices out of the Empire State Building. At first, Mitchell thinks that the move is a result of his request to find a safer building. However, when the company moves uptown, Charnoble says he always wanted to be where all the rich people live and work. Mitchell realizes that the company has only moved for the sake of appearances and that its new building is only slightly less dangerous.

Charnoble hires two more employees. The secretary, Mary Tewilliger, insists on being called Ms. Tewilliger. Jane Eppler, a young Princeton graduate, is hired to be another “Cassandra”—a term Charnoble and Mitchell use to describe the role of a salesperson. Jane learns from Mitchell and develops her own sales pitch, but Mitchell can tell that she does not believe in the fear she is selling. Still, she is an effective Cassandra and develops a friendly relationship with Mitchell. They jokingly come up with tag lines for FutureWorld, such as “Every silver lining has a cloud” (115).

Mitchell calls to check on Elsa every day, but he feels distant from her and begins to accept her fate as the reality of a chaotic world. The heat wave and drought continue, and people begin to lose faith in the meteorologists who continually predict rain that never comes.

One day Jane and Mitchell are looking out of the window of their office when they see a wisp of cloud. The cloud forms into a storm, and Jane and Mitchell run outside with other New Yorkers to celebrate the end of the drought. Jane dances happily in the rain, and Mitchell joins in the fun momentarily. Then he notices the water pooling on the dry soil. He pulls away from Jane, who urges him to “live” for a change. Instead, he returns inside and Jane finds another person to dance with.

Part 2, Section 1, Chapter 3 Summary

The media and weather stations celebrate the rain. A lone weatherman tries to warn the public that the heavy storms they are now experiencing are a danger, and he even warns people in coastal areas to evacuate. The news anchor cuts him off abruptly. Mitchell does the research and realizes that the dry soil will not be able to absorb the amount of water that the storm dropped and that the pattern of the storm suggested an impending hurricane. Jane returns from partying, and Mitchell tells her they need to review their research on floods. Charnoble interrupts their conversation, telling them that the company’s phones are ringing with concerned clients; he is happy about the opportunity to make money.

Part 2, Section 1, Chapter 4 Summary

The next day, New Yorkers’ attitudes about the storm have altered. They are annoyed by the rain, and the streets begin to flood. Mitchell becomes fearful. He blames himself and also Elsa, whose optimism he feels misled him. Mitchell gets held up on his way to work because the subways have flooded and he can’t find transportation. Mitchell calls into FutureWorld to tell them he will be late. Ms. Tewilliger patches him through to Charnoble, who insists that Mitchell get to work: The storm has the company’s phones ringing off the hook, and Mitchell has a full day of appointments. When Mitchell arrives at work, the weather stations are reporting that a large hurricane, Tammy, will soon sweep the East Coast. Mitchell speculates on the places the storm could hit, the worst being Atlantic City. Charnoble becomes excited and hopes that the storm will land in Atlantic City.

Part 2, Section 1, Chapter 5 Summary

Mitchell goes to his first meeting of the day. He pitches FutureWorld to the head of the company, who sells perfume. The CEO, an elderly woman whom everyone seems to fear, tells Mitchell that she is not persuaded by his warnings about an impending hurricane. Mitchell becomes overwhelmed by the reality of the impending catastrophe and tries to convince her to evacuate a coastal company factory. She tells him that the cost is too great. Mitchell, increasingly anxious about the threat the storm poses, attempts to reassure himself by detailing aloud the disastrous consequences of such a storm and then telling himself—and everyone listening—that the odds of it hitting New York are low. Overwhelmed, he then faints. When the executives revive him they are fearful, having sensed the panic underlying Mitchell’s pitch about everything returning to normal. They abruptly begin plans to evacuate the factory.

Mitchell goes to the rest of his appointments and repeats his assurances that everything will go back to normal. No one believes him, and they all take action to evacuate their businesses. Charnoble is very happy that Mitchell has caused such a stir. Mitchell tries to explain to Jane that he is telling the truth and suggests that FutureWorld evacuate as well. Jane makes light of the storm, saying a small Category 4 hurricane will not hurt them.

Part 2, Section 1, Chapters 1-5 Analysis

Elsa falls into a coma right before the climax of the novel, heightening Mitchell’s imminent personal crisis. Elsa’s illness has always symbolized powerlessness for Mitchell, so her fate seems to affirm that all his anxieties and fears were correct. He loses The Illusion of Control he felt with FutureWorld just before the hurricane hits, and the personal betrayal he feels at Elsa having concealed the existence of Ticonderoga’s phone becomes entangled with resentment of her entire worldview. He suspects that she avoided calling him because she knew he would challenge her life choices, and he recriminates himself for going along with this. Similarly, as the hurricane approaches, he blames Elsa for clouding his judgment with her optimism—and himself for allowing himself to let his guard down.

At the same time, Mitchell remains drawn toward the idea of a more impulsive lifestyle. His spur-of-the-moment purchase of Psycho Canoe demonstrates this. The artist’s statement challenges the logic that Mitchell holds so dear, blaming it for facilitating rather than mitigating suffering (implicitly, in the form of climate change-fueled natural disasters): “Rationality has made a mess of this world […] We want to trust our impulses more” (98). Sure enough, Mitchell’s instinctive purchase of the canoe proves life-saving when the hurricane hits.

The tug-of-war between reason and emotion also plays out in Mitchell’s relationship to Jane. Unlike Mitchell, Jane’s agency and outlook are not wholly informed by the fear of disaster. She both illustrates the kind of life he could be living and serves as a potential love interest; her desire to see him enjoy himself when they both dance in the rain suggests she feels something for him, but Mitchell rejects this opening to pursue her, returning to his forecasting of disaster.

The central irony of the rain—that an event everyone has been hoping for in order to avert disaster merely causes a different kind of catastrophe—underscores the futility of Mitchell’s efforts. It simply isn’t possible to anticipate every contingency. This does not, however, prevent people like Charnoble from exploiting the situation. His callous enthusiasm in the face of the threat the hurricane poses furthers the novel’s critique of The Business of Fear, as does Jane’s response to Mitchell’s warning. Jane has become so used to manufactured scares that she assumes Mitchell is using reverse psychology on his clients rather than expressing his own fears. This inability to recognize immediate danger is as maladaptive, the novel suggests, as Mitchell’s hyperawareness of every conceivable threat.

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