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W. Somerset MaughamA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Throughout the novel, Philip often feels lonely and isolated. Philip’s loneliness makes him vulnerable to being exploited and manipulated because he craves connection and becomes desperate to achieve it. As a young boy, Philip’s innate shyness and awkwardness are exacerbated by the fact that he is sometimes teased and bullied due to having a disability. He has few friends but nonetheless craves connection: “[T]hough he did everything to alienate the sympathy of other boys he longed with all his heart for the popularity which to some was so easily accorded” (67). Even when Philip does eventually form a close friendship with a boy named Rose, he sabotages the friendship because of his jealousy and need for control.
This pattern of Philip acting against his own best interests due to his desperate loneliness and belief that he is unworthy of love appears most prominently in his relationship with Mildred. Mildred quite transparently manipulates and uses Philip: “[I]t was only when he gave her anything that she showed any affection” (293). Philip cannot stop himself from abasing himself and indulging Mildred’s every whim; even when she confides that she is in love with his friend Griffiths, Philip goes so far as to give her money so that the two of them can go away together. Philip indulges in a form of masochism: “[H]e wanted to know how abominably they could behave towards him” (376). Philip’s loneliness and alienation leave him so vulnerable that he begins to assume everyone will eventually hurt and betray him and self-protectively begins to take pleasure in this mistreatment.
Eventually, Philip overcomes some of his loneliness and achieves true connection through his relationship with the Athelny family. Thorpe Athelny and his wife and children genuinely love each other, and thus they are able to model for Philip what true love and affection look like. They also unquestioningly welcome Philip into their family; while Philip will eventually become Thorpe’s son-in-law when he marries Sally, he is welcomed into the family long before that. The Athelny family acts unselfishly by taking Philip in when he is homeless, even though they have very little money for their own needs. Philip’s reaction shows that his past wounds around alienation and rejection are finally healing: “He never expected people to be kind to him, and when they were it surprised and moved him” (504).
Being accepted into the Athelny family gives Philip the opportunity to truly be himself, and this leads to the love between him and Sally. Sally will later confide to Philip that his vulnerability was what moved her: “I knew I liked you that day when you came when you’d been sleeping out and hadn’t had anything to eat” (600). Despite all of his alienation, loneliness, and struggle to find connection, Philip ends the novel with the prospect of a happy and stable marriage. While Maugham describes all of the suffering that Philip has to go through, the plot eventually leads to Philip finding true and meaningful happiness because he never stops seeking connection, thereby affirming the worth of genuine relationships.
As a very young man, Philip focuses on choosing a career based on what he finds interesting and largely disregards the financial consequences of his choices. However, as the plot develops, the experiences of both Philip and other characters reveal that financial instability can be utterly ruinous and should be avoided even if sacrifices are required. Philip’s decision to stop pursuing a career as an accountant and go to Paris to study art reflects his desire to pursue a satisfying life without considering the cost. During his time in Paris, Philip’s encounter with Fanny Price leads him to reassess these values and consider a more stable career.
Philip sees how Fanny’s desperate poverty eventually drives her to take her own life, and he becomes nervous about his own fate if he tries to make a living as an artist. When Philip consults with an experienced French art teacher, the older man cautions him, “Money is like a sixth sense without which you cannot make a complete use of the other five. Without an adequate income half the possibilities of life are shut off” (246). Philip’s growing unease about living in poverty, coupled with his doubts about whether or not he is talented enough to become a successful artist, drive him to abandon art and focus on a more stable career as a doctor.
However, Philip’s reckless expenditures—particularly driven by his relationship with Mildred—and attempt to generate money on the stock market eventually leave him in a dire financial state. At his lowest point, Philip has to drop out of medical training, has nowhere to live, and contemplates taking his own life (as Fanny did). In the days he spends aimlessly wandering London, Philip experiences the loneliness and abjection of poverty: “He had very little food and began to feel weak and ill, so that he had hardly enough energy to go on looking for the work which seemed so desperately hard to find” (499). Even once he is able to get help from Thorpe Athelny and finds a job at a shop, Philip detests his life and fixates on the money he will receive when his uncle dies. Financial instability corrupts Philip to point that he actively anticipates his uncle’s death and even fantasizes about killing the older man himself. There is nothing glamorous about Philip’s experiences.
While Philip is eventually able to return to financial stability thanks to the generational wealth he accesses after his uncle dies, Mildred’s fate provides an example of another character who is destroyed by poverty. Mildred is persistently unhappy with her life as a lower-middle-class woman and gets herself into difficult situations with men like Miller and Griffiths because she tries to leverage her appearance and sexuality into economic profit. As a woman, Mildred has even fewer options than Philip, and when she becomes destitute, she has to resort to sex work in order to survive. Mildred laments to Philip, “Oh, you don’t know what it is. Nobody knows till they’ve done it” (447). Mildred eventually contracts (and, by implication, will die from) a sexually transmitted disease, and even after this diagnosis, she continues trying to earn money. The experiences of Fanny Price, Mildred, and Philip all reveal that financial instability causes misery and can even cost someone their life.
Beginning as a young boy, Philip hones a keen appreciation for art and beauty. At first, his aesthetic sensitivity leads to disappointment and frustration for Philip, but he eventually comes to see that his appreciation for art and beauty will be a source of comfort and inspiration to him, even as he encounters obstacles in life.
As a young man, Philip yearns for life to be as beautiful as he imagines it to be. This gap between idealization and reality is presented particularly acutely when Philip has his first romantic relationship. Philip has an affair with an older and rather homely woman named Miss Wilkinson, but he loses himself in reveries, imagining that he is wooing a young girl with “a skin which [i]s like ivory and sunshine, and her cheek [i]s like a red, red rose” (148). When Hayward responds with an ecstatic letter congratulating Philip on the romantic affair he is enjoying, Philip feels bitterness that “reality seem[s] so different from the ideal” (153).
Philip’s experiences studying art in Paris both affirm his love of art and beauty but also humble him, forcing him to realize that he lacks the true talent to ever distinguish himself as an artist. When Philip goes back to England, his uncle scolds him for wasting time and money, but Philip insists that he benefited from the experience, even if he will never work as an artist. Later he will reiterate the same sentiment to Hayward, marveling at the beauty around him and explaining, “[L]ook at that sky—why, I should never have seen that sky if I hadn’t been to Paris” (311). Philip will continue to feel this joy throughout his life: Later, he will admire the beauty of the English countryside, reflecting that “he [i]s thankful for the beauty of England […] he [i]s very glad that he fe[els] its loveliness” (592).
Philip’s sense of beauty and creativity benefits him when he works in other fields as well. As a doctor, he brings a sense of creativity to his work with patients, and when he works at a clothing shop, he is able to slightly advance his position by proposing new designs. As Philip matures and grows up, he comes to be much more self-accepting and is able to appreciate that his skills and talents can be applied in a number of ways. Philip even comes to see that growing up with a disability has given him “his keen appreciation of beauty” (607), and he is able to appreciate how many aspects of his personality and experiences converge to make him into a man who can look ahead hopefully to the future.
By W. Somerset Maugham