50 pages • 1 hour read
Casey McQuistonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Much of the novel takes place along the Q line of the New York metro. August rides it every day to get to Billy’s and to school, and it’s on the Q that she meets Jane, who is literally tethered to the route. However, “in her first month in the apartment on corner of Flatbush and Parkside above the Popeyes, August learns that the Q is a time, a place, and a person” (38). At first, it’s just the train she takes every day at 8:05am, making it a specific time in her day and her life. It’s also where she gets a break while hustling from school to work and can relax. Finally, it's where she always sees Jane, with whom she quickly falls in love long before she has any sense that Jane is a temporal anomaly.
In addition, the Q is a major place where August learns to be confident in herself and her abilities. Riding the Q with Jane forces August to use her investigative skills, which she’d long wished to push down in hopes of leaving her Uncle Augie’s case behind. She has no intention of solving it or being involved further; the fact that Jane knew Augie is serendipitous. However, in the process, she comes to value her investigative skills. She begins to become more confident. When Jane convinces her to jump between cars one day, she thinks:
She trusted Jane and her time on this train and that cocky grin to get her there safely. Why can’t she do the same for herself. She’s learned this train backward and forward. The Q is home, and August is the girl with the knife picking its stops apart one by one (163).
She comes to know the route more intimately than she ever expected, and she takes a leap of faith. Finally, Jane’s ability to emerge from the Q signifies the end of both her and August’s heroic journeys. They emerge from underground to live their lives together, recognizing that a new chapter is beginning. Jane becomes disconnected from the Q, and when she first doesn’t appear to stay in August’s time, August has to be okay with what happened, thinking that Jane is in the 1970s. Being okay with this fact and still trudging on is major for August, who once thought that she wouldn’t know what to do without Jane. Instead, she remains the confident New Yorker that she has become. When Jane does appear at Billy’s, she too must wrestle with what life will be like after finally getting off the Q.
August doesn’t believe in magic when One Last Stop begins. She’s eminently practical, living her life with its bare bones. However, moving to New York opens her up to many possibilities and, via Jane, impossibilities as well. From the first page, she must confront with the inexplicable: a psychic—her soon-to-be roommate, Niko. Her mother, Suzette, was skeptical of psychics after a negative experience, so August steered clear. However, she needs somewhere to live. She doesn’t lend a lot of credence to Niko’s abilities, and not until she’s feeling desperate does she ask for him to use his abilities to determine whether Jane is a ghost. Seeing Niko in his element and the way that he seems to know things that he shouldn’t—coupled with the craziness of Jane’s circumstances—makes August a little more of a believer.
Billy’s itself gives off a magical vibe, as August immediately senses: “‘The thing is, August gets the sense that this isn’t exactly a normal diner […] It’s something adjacent to magic” (14). She has a similar thought when she talks to Jane about Billy’s for the first time, and Jane concurs: Something about the diner is magical. Although August doesn’t do magic, when she meets Jane for the first time, “August thought she’d do anything this girl said, and alarmingly, that doesn’t seem to be changing” (35). Jane immediately draws her into a magical mentality, and Billy’s as a magical place seems to pay off since it’s the first place where August realizes that Jane isn’t from the present. Spotting the picture of the first day that Billy’s was open and seeing Jane there sends August down a long spiral of being willing to contend with the impossible. More than that, August herself becomes magic in how her life interconnects with Jane’s story and her memories.
Electricity is what stuck Jane on the Q, and it’s what shocks her off it. The question of how this came about permeates the novel, and August “can’t believe Jane had the nerve, the audacity, to become the one thing August can’t resist: a mystery” (113). The novel gives hints along the way that Jane is connected to electricity in some way. When she gets mad or excited, the lights on the Q flicker. When it looks like she and August can’t have sex, her energy overwhelms the train, and it stops because she overcharges it. Once August and Myla realize that Jane is attached to the electricity, the mystery seems to be solved. However, McQuiston continues to build tension after Myla shuts down the line and nothing happens to Jane. August realizes that Jane has power too, and she decides to trigger it by kissing Jane despite the danger it poses to her.
By Casey McQuiston
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