logo

41 pages 1 hour read

Edward Said

Orientalism

Nonfiction | Essay Collection | Adult | Published in 1978

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Index of Terms

Hegemony

Content Warning: The source text uses terms that are now considered outdated and offensive such as “the Orient,” “Orientalism,” and “oriental.” Said uses these terms to critique these concepts, and this study guide reproduces them in that critical context.

Said describes the relationship between the Occident and Orient as “a relationship of power, of domination, of varying degrees of complex hegemony” (5). While Orientalist works may present the idea of a passive imagination about the Orient, Said believes that Western ideas, when formalized through academic study, have political ramifications. Thus, Orientalism and the relationship between the Occident and the Orient belongs to a complicated network of power.

Drawing from Antonio Gramsci’s idea of hegemony—one group’s authority or dominance over another—Said argues that this network of power constitutes not only Western literature but also other modes of knowledge production verified by academic institutions and other governmental structures. For Gramsci, hegemony speaks to the ways power is distributed and managed through cultural forms as well as more overt modes, such as militaristic force. Said applies the concept of hegemony to Orientalism to examine how cultural production is tied to the creation of public policy regarding the Orient. With this, Said asserts that writing about the Orient is part of shaping the power relations between the West and the East, fortifying the former through the latter’s subjugation.

Textual Attitude, Strategic Location, and Formation

Said introduces the concept of textual attitude as a method of analyzing the power of the Orientalist lens in Western works about the Orient. The textual attitude of Orientalist projects refers to the level of authority with which the author writes about the Orient and the expertise granted to him by his Western audience. Said finds the automatic authority granted to Orientalist writing suspect. He writes, “There is nothing mysterious or natural about authority” and that it is, in fact:

formed, irradiated, disseminated; it is instrumental, it is persuasive; it has status, it establishes canons of taste and value; it is indistinguishable from certain ideas it dignifies as true, and from traditions, perceptions, and judgments it forms, transmits, reproduces (20-21).

Thus, Said must critique not only the style and narrative devices of Orientalist works but also how works become canonized or achieve cultural status. By examining the textual attitude of Orientalist works, he identifies their influence on the page as well as in the historical and social circumstances surrounding the production of such knowledge.

As part of Said’s critique of textual attitude, he applies two methodological devices to his study: strategic location and formation. He describes strategic location as “the author’s position in a text with regard to the Oriental material he writes about” (20). This approach examines a text for the author’s bias, attitude, and investment in the Orient. It is coupled with strategic formation, which is a “way of analyzing the relationship between text and the way in which groups of texts, types of texts, even textual genres, acquire mass, density, and referential power among themselves and thereafter in the culture at large” (20). This method considers how the Orientalist imagination is propagated through social engagement with the text. It is especially invested in the power of the text’s material, persuasive influence, and the ways its ideas can accrue in the public sphere over time. Strategic location and formation are both essential methods for analyzing the textual attitude of Orientalist works as they challenge the naturalization of ideas and power imbued in Western projects.

“Latent” and “Manifest” Orientalism

Drawing from the psychoanalytic terms of latent and manifest content, Said applies their concepts and workings to Orientalism. Developed by the Austrian founder of psychoanalysis Sigmund Freud, latent and manifest content refer to, respectively, the unconscious and conscious ways of meaning-making in the human mind’s dream state. While manifest content or conscious thought reveals what is on the surface, latent or unconscious thought is always hidden or repressed from waking view. The latter is never apparent to the dreamer.

Applied to Orientalism, latency and manifestation refer to unconscious and conscious attitudes about the Orient that the West possesses. Latent Orientalism consists of Western ideas of dominance over the Orient, a sense of Eastern inferiority, and anxiety over the Orient’s threat to Western political stability. Meanwhile, manifest Orientalism represents the material and physical actions taken by Orientalists who are unaware of their unconscious imperatives. Manifest Orientalism is the production of knowledge about the Orient and the creation of administrative policies over the East.

“Latent and Manifest Orientalism” is the title of the first section of the third chapter of Orientalism. Said’s application of psychoanalytic theory to Orientalism in this section illustrates how Orientalist values remain unchanged over time, as notions of the Orient are always latent in the Western imagination.

Simulacrum

The postmodern concept of simulacrum was developed by French theorist Jean Baudrillard. A simulacrum is a form of the hyperreal where the representation of an object is not based upon reality but that the idea of it is reality itself. Said applies the concept of the simulacrum to Orientalist production of the Orient. He states that:

regulatory codes, classifications, specimen cases, periodical reviews, dictionaries, grammars, commentaries, editions, translations […] together formed a simulacrum of the Orient and reproduced it materially in the West, for the West (166).

In this statement, Said expresses that the idea of the Orient supersedes its identity as a place. The amalgamation of different cultural texts about the Orient is enough to generate a real Orient for the West. The attempt to locate an authentic idea of the Orient is and always has been an Orientalist project.

blurred text
blurred text
blurred text
blurred text