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41 pages 1 hour read

Edward Said

Orientalism

Nonfiction | Essay Collection | Adult | Published in 1978

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IntroductionChapter Summaries & Analyses

Introduction Summary

Content Warning: The source text uses terms that are now considered outdated and offensive such as “the Orient,” “Orientalism,” and “oriental.” Said uses these terms to critique these concepts, and this study guide reproduces them in that critical context.

In Edward Said’s introduction to Orientalism, he begins by defining Orientalism as the intellectual and political dominance of Western countries (the Occident) over non-Western countries (the Orient). Throughout the book, he makes three crucial arguments about how this power differential emerged. Firstly, he argues that while Americans and Europeans have different notions of what constitutes the Orient, he is interested in the combined US and European intellectual and political investment in the Middle East and Asia. While US and European investments vary, Said proposes looking at Western patterns and attitudes toward the Middle East and Asia over time to better understand the impact of Orientalism. He argues that to gain a comprehensive history of Orientalist activity, one must view not only Western material interest in the Orient but also Western academic and literary imagination of the East.

Secondly, Said argues that the juxtaposition of the Occident against the Orient creates a “relationship of power […] of varying degrees of complex hegemony” (5). This power emerges not only through the domination of ideas but also through the production of policy and colonial administration. He gives the example of author Benjamin Disraeli’s novel, Tancred, in which the author describes the East as a “career” for Westerners. While Westerners are afforded economic mobility and access to the East, those who reside in the East are not granted the same ease.

Lastly, Said explains that his methodology for Orientalism is a comparative textual analysis of the “style, figures of speech, setting, narrative devices, historical and social circumstances” of works by Western scholars, governmental administrators, and writers about the East (21). He notes that while common sentiments mark a “distinction between pure and political knowledge” (9), he hopes that a comparative textual analysis will show how intellectual and political activity are intertwined projects for Western interests in the East. His methodology centers on the idea that a close study of cultural production matters despite a long literary tradition of evading political analysis in cultural work. The goal of his work is to erode the binary of the Orient and the Occident entirely and create a new way of understanding global cultures, politics, and relations.

Said also clarifies that while the scope of Orientalism’s impact on non-Western countries is broad, his focus will be on Western interests in Islam in the Middle East with less emphasis on Asia. He shares that this emphasis has to do with his investment in the subject of Orientalism as he is “Oriental” himself as a Palestinian who grew up in Egypt.

Introduction Analysis

Following the structure of traditional academic texts, Said’s Introduction gives an overview of the main ideas that he explores further in the following chapters of his book. These ideas support his central thesis, which is that Orientalism encompasses the relationship between intellectual production and political activity regarding the Orient. This connection is a recurring premise as the link between the two persists through many cultural texts about the Orient over time. Despite the evolution of history and time, this relationship remains integral to Western ties to and ideas about the Orient.

According to Said, the relationship between the West and the Orient is dictated by power differentials: the West always dominates the Orient. The connection between intellectual production and political activity ensures this hierarchy over time. Citing Antonio Gramsci’s idea of hegemony, Said emphasizes the political significance of examining cultural texts produced by Orientalist thinkers and writers to better understand this power imbalance. The “complex hegemony” (5) that Said refers to is a form of Western power that is maintained not only by forceful political intervention but also by well-intentioned and sympathetic intellectual projects.

Said also discusses his methodology for analyzing Orientalist texts. His use of comparative textual analysis draws not only from close readings but also considers the historical and social contexts surrounding those texts. This critical method varies from other types of literary analysis such as New Criticism, which privileges close readings without regard for the political circumstances surrounding its production and dissemination. Thus, Said makes clear that as much as he describes the “style, figures of speech, setting, [and] narrative devices” of Orientalism, he also analyzes the “historical and social circumstances” surrounding the texts in discussion (21).

With this, Said also acknowledges the specific scope of his project; while he incorporates historical and political details and lenses in his analysis, his focus is primarily on literature. Likewise, he limits his focus to the Middle East rather than including East Asian cultures in his critique. While some scholars have critiqued Said’s limited focus, he writes from his own cultural experience and area of expertise as a Palestinian literary scholar. In his hope that his project extends beyond this volume, Said implicitly invites other scholars to apply his findings to other parts of the world and other disciplines.

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