61 pages • 2 hours read
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Content Warning: This section discusses racism and colorism, forced transition and gender dysphoria, discrimination and violence toward transgender people, child abuse, domestic violence, sexual violence, anti-gay bias and discrimination, and suicide.
For the purposes of character analysis, this section will refer to the character formally known as Perfect as Paul and will use the masculine pronouns that are used to refer to Paul throughout the latter half of the novel. Paul is the protagonist of the novel and is raised as a girl by his mother, Emma Jean, despite the fact that he is assigned male at birth. Growing up with the name Perfect, he enjoys a close relationship with his mother that the social norms surrounding feminine gender identity allow him to develop. At age eight, Perfect’s mother tells him that he is a boy and needs to “act like” a boy. At this point, Perfect’s pronouns and gender presentation are changed without his consent, and he is forced to fit into society’s gendered expectations of how a young man should act and look.
As Perfect transitions into Paul, he is forced to endure aggressive treatment from his brothers and judgment from his community. As Paul becomes a teenager, the expectations placed upon him become harsher and more demanding. Paul survives sexual assault and domestic violence, and he finds support from two of his brothers, Bartimaeus and Mister, as well as his close childhood friend, Eva Mae. The support that he feels from his brothers and Eva Mae allows him to persevere through the adversity that he faces. Paul constantly questions what is wrong with him and constantly asks God for answers. His spiritual crisis encourages contemplations of the role that God and Christianity play within the story, and the novel delves into deeper definitions of faith.
Paul grows into a handsome young man and begins to question his sexuality, highlighting The Fluidity of Gender and Sexuality and the impact that this topic has on social norms. When he was raised as a young girl, Paul was expected to one day fall in love with a gentleman and marry. However, this social expectation becomes complicated by Paul’s forced transition. He realizes that he only has platonic feelings for women and that he still wants to fall in love with a man. With this plot development, the author suggests that sexuality and gender are more complex than simply embodying one term or another, as gender and sexuality exist on a spectrum. Despite his many emotional hardships, Paul’s future is finally bright and filled with hope and contentment. After Paul is accepted by his community and by himself, he realizes that he wants to become a fashion designer. With the full force of his brothers’ support, Paul becomes extremely successful, earning national acclaim and wealth in the process. As Paul begins to accept himself, he becomes more confident and content.
Emma Jean functions as the main antagonist in the novel, but her role is complicated by the abuse that she experienced as a child and how it shaped her motives. Emma Jean’s mother, Helen Mae, would verbally and physically abuse her because her skin was darker than her sisters’. As a girl, Emma Jean was often overlooked by her mother and treated differently than her sisters, causing her to develop a deep need to be loved. These elements cause Emma Jean to feel as though she “needs” to have a daughter and to give her daughter the things that she always wanted to experience, such as a birthday party, nice dresses, and an education. Ultimately, she desperately wants to prove to herself that she is a better mother than Helen Mae was to her. When her seventh son is born, she blackmails the midwife, Henrietta, into announcing that the child is a girl.
Over the years, Emma Jean reaps the consequences of her actions. After Emma Jean reveals her deception to Paul and the wider community, she is constantly judged by those who once accepted her. As Paul grows older and experiences bullying and alienation from his community for having lived as a girl for several years, Emma Jean’s guilt grows more and more intense. The members of Emma Jean’s church constantly tell her that God will punish her for her actions. Shortly after revealing the truth about Paul, Emma Jean accidentally catches her dress on fire and is left with permanent scars; the narrative does not clarify whether God really did punish her or if the fire is a coincidence. Eventually, her guilt overwhelms her. Deciding that Paul needs a nice suit for the dance, she asks Henrietta to sew him a suit. Henrietta agrees on the condition that Emma Jean will work for her for the rest of her life. This arrangement leads to the rapid deterioration of Emma Jean’s mental health. Immersed in her unresolved guilt, she personifies her negative self-talk into a scolding figure that she calls Silence.
Emma Jean dies by suicide at the end of the novel, allowing the rapid current of the Jordan River to whisk her away. The Jordan River is a significant motif in the novel and is tied to purity and a connection to God. Emma Jean’s decision to surrender herself to the river suggests that in her mind, she is giving herself over to God and understands the parts of herself that she has always refused to acknowledge. It is significant that the reaction to Emma Jean’s death receives only a cursory acknowledgment in the novel—about a page and a half; this stylistic choice implies that her community did not value her very highly after her lie about Paul.
Mister is the penultimate Peace child. He constantly challenges his older brothers’ ideas about gender roles, questioning why he is not allowed to play with Perfect or her doll, Olivia. Mister is a compassionate and loving person. Every time Paul is hurt, Mister is the first person by his side. Mister is also an active advocate for civil rights and racial equality. On one occasion, he witnesses his father being scammed by a group of white men into selling his crops for half their worth, and he feels that he needs to do something about it. He and Johnny Ray Youngblood found the Swamp Creek chapter of the NAACP. He spends days trying to convince members of his community to register to vote, hoping to help Swamp Creek earn its own township.
Mister’s primary function within the novel is to serve as a reminder that a person’s sexuality is often not visible via outward appearances or mannerisms. Toward the end of the novel, Mister reveals to Paul that he is gay and is in a romantic relationship with Johnny Ray. With this development, the author stresses the importance of refraining from assuming the nature of a person’s sexuality based on appearances. Because Mister fits into his community’s expectations of masculinity, his relationship with Johnny Ray shows that a person’s sexuality does not define their behavior or gender expression.
Bartimaeus is the third-youngest child in the Peace family. Having been born blind, Bartimaeus is treated differently than his other siblings, and he is largely free from the constraints of gendered expectations for self-expression. Consequently, Bartimaeus and his father, Gus, have a special relationship. Gus has unresolved childhood trauma due to his father’s harsh admonition that men should never express their emotions, so he shares his emotions openly with Bartimaeus since the boy cannot see him cry. The two make trips to the Jordan River during every rainy season to “cleanse” themselves of the emotions that they have been holding back. Bartimaeus is the first sibling to reassert his support of Paul after he is forced to transition. Bartimaeus also marries Caroline, a woman who is sure that her appearance will prevent her from finding love.
Bartimaeus is the first character to discover the truth about Perfect. From the first time that Bartimaeus holds Perfect as a baby, he can tell that there is something “eerie” going on. When Bartimaeus accidentally discovers that Perfect has a penis, he panics and forces Perfect to promise not to let anyone see her genitalia. Bartimaeus always fights to protect his siblings, even at the cost of his own integrity; in this instance, he considers not telling Perfect or his brothers the truth about Perfect’s physical characteristics to be a lie by omission. However, Paul and Bartimaeus’s relationship is not injured by this lie because Paul knows that his brother always has his best interests at heart.
Sol is the third-oldest child in the Peace family. He is a kind and intelligent young man who loves to learn and read. After Paul transitions, Emma Jean decides to remove Sol from school so that Paul has the chance to attend. This shift causes extreme tension between Sol and Emma Jean and between Paul and Sol. However, Sol proves himself to be extremely resilient by finding a way to collect enough books to create his own personal library. As Sol grows older, he becomes more resentful toward Emma Jean for taking away his opportunity for education. He eventually goes on to apply to Howard University, the college that his aunt Gracie attended.
Sol ends up being accepted into Howard University after being forced to prove his intelligence and worth to the president of the university. He earns his bachelor's degree in psychology because he wants to understand people like Emma Jean, and he also earns a graduate degree. Sol’s journey and the struggles that he faces in pursuing his education are representative of some of the struggles faced by the Black community in the mid-20th century. Sol is not given the same resources or education as white Americans, and he faces additional questioning and testing to prove his intelligence. The president’s remark about “taking a chance” on Sol further emphasizes the racial discrimination that Sol endures in the pursuit of his education.
Gus is the father of Paul, Mister, Bartimaeus, Sol, Woody, Authorly, and Earl James, and he is also Emma Jean’s husband. Gus is characterized by his stubborn beliefs about how a young man should look and act. After learning that Emma Jean has deceived him into thinking that Perfect was his daughter, Gus begins to treat Perfect differently, going so far as to rename him Paul. Gus is prone to outbursts of violence despite being a very religious man. After finding Paul playing with a young woman named Eva Mae—one of Perfect’s old friends—Gus physically abuses Paul. Horrified by his actions, Gus tries to understand what pushed him to harm Paul. Later, after Paul becomes sick and almost dies, Gus promises God that he will never harm Paul again. Paul’s survival proves to Gus that Paul can be strong too.
Gus’s character arc revolves around his gradual acceptance of Paul as his son after having spent eight years referring to him as his daughter. Gus often has “conversations” with God in the pouring rain near the Jordan River—a place in the novel that symbolizes a closeness with God and one’s true self. He tells God about why he was tricked by Emma Jean and asks what to do to help Paul. Gus tries to force Paul into becoming more masculine by compelling him to do farm work and dress in boys’ clothing. When he discovers Paul dressing up in Emma Jean’s old clothing, he rips the clothes from Paul’s body, symbolically ripping away Paul’s former identity as a girl. However, Gus soon comes to the realization that he genuinely likes and loves his son even if Paul doesn’t conform to social norms and expectations surrounding how boys and men should act and dress. This shift in Gus’s perspective takes place over several years as Gus learns that Paul’s gender expression does not change who he fundamentally is as a person, nor does it change the fact that he is a man just like the rest of his brothers.
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