51 pages • 1 hour read
E. L. DoctorowA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Doctorow uses the color white to symbolize power, idyllic America, and privilege. White clothing, cars, and accessories are often linked to the police, military, and upper class characters. White is found in the novel’s first chapter several times, cementing its importance and prominence as a symbol. In establishing the atmosphere of early 20th-century American life, Doctorow says: “Women were stouter then. They visited the fleet carrying white parasols. Everyone wore white in summer” (3). On the next page, Mother’s Younger Brother wears a white linen suit, and later in Chapter 1, Evelyn Nesbit wears white underclothes. Notably, all of these characters are white, upper class Americans with overwhelming privilege. They are ignorant of the United States’ xenophobia, racism, and sexism. As Doctorow points out in Chapter 1, to these members of American society, “[t]here were no Negroes. There were no immigrants” (4).
This description of upper class blindness follows several mentions of the color white. This symbol takes on a racial component, linking to the white supremacist ideology of early 20th-century America. The country is divided between the privileged, ignorant few and the many laborers who are routinely exploited.
Coalhouse’s Model T is not only a prized possession, but a symbol that indicates his place in society. When the novel introduces Coalhouse, it is through his car: “One afternoon, a Sunday, a new Model T Ford slowly came up the hill and went past the house. [...] The driver [...] was a Negro. His car shone. The brightwork gleamed” (155). Coalhouse’s pristine car reflects the pride he has in both his race and class. However, a proud upper class Black man is the ultimate threat to early 20th-century American society, which was organized through white supremacist ideology. White fire fighters—who are employees of the state and symbolize America—destroy Coalhouse’s Model T.
Coalhouse’s position in society and his car represent threats to the dominant power structure. Coalhouse stakes his life on his car’s restoration: It is not simply the restoration of an object, but his very identity.
Ragtime music represents the energy, modernity, and interconnectedness of early 20th-century America. Ragtime has a specific rhythm and layered quality, reflecting the interrelations between the novel’s characters. It was particularly popular from the 1890s to 1919 and important to the historical moment of the novel. Ragtime has its roots in the Black American community. One of the most famous ragtime composers was Scott Joplin, a Black Texan. The novel cites Joplin several times. Coalhouse plays Joplin’s compositions when he is invited to afternoon tea at the family’s New Rochelle house. As Coalhouse plays, “a vigorous music hat roused the senses and never stood still a moment” (160). This mirrors the fast-moving pace of modernity. When Coalhouse plays, the family is thrilled and moved by music that they, as upper class white Americans, have never heard before. The playing of ragtime in this specific scene reflects the coming together of two sides of American society—represented by Coalhouse and Sarah and the family themselves—that typically did not interact. In Ragtime, music has the power to draw people together and help them discover common joys despite their differences.
By E. L. Doctorow