43 pages • 1 hour read
Blake CrouchA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Slade tells Helena that the human experience of time is just an evolutionary mechanism to help people respond to the world. Linear time is an illusion. Slade confirms he always planned to pursue time travel.
He says that he already met Helena in a previous timeline. In that timeline, she was working for a company called ION in San Francisco. He was 46, a drug addict, and ION hired him as Helena’s lab assistant. She had built a MEG microscope, deprivation tanks, and other equipment they now have on the rig. They made a breakthrough on November 2, 2018—nine years in the future from their current timeline.
On this day, Helena was running a memory reactivation on a subject named Jon Jordan. The memory was of Jon’s wife dying in a car accident. During the reactivation, Jon died of cardiac arrest. When he died, everyone in the lab suddenly appeared in different positions, with nosebleeds and some headaches. Jon, and all documentation of him, had vanished. The team discovered he had died in the car accident with his wife 15 years earlier.
Slade figured out that they had inadvertently sent Jon back in time. He worried Helena would realize this and destroy the chair. He tells Helena that three days later, he snuck into the lab, loaded one of his own memories from when he was 20, and injected himself with potassium chloride. He woke up in his younger body, starting the timeline they now inhabit. Slade thinks that when they catch up with the other timeline, on November 5, 2018, Helena will regain those alternate memories.
Helena is angry and believes she’s in danger. She asks Slade what comes next, and he says he doesn’t have a plan, which Helena does not believe.
Back in his New Jersey house, Barry finds Julia in their bedroom. He lies next to her, remembering their divorce in the other timeline. He starts to panic that this timeline might vanish, but he forces himself to relax.
In the morning, Barry wakes up next to Julia. He goes to Meghan’s doorway and watches her sleep. He begins to feel like the other reality was a nightmare, and this one is real. Later, he wanders around the house. He throws out his cigarettes, does chores, and tries not to panic. He begs the world not to take this reality away.
Helena has been feeling very strange about what they’re doing, but she has gone back to working, exercising, and socializing on the rig. They’re about to run their ninth test on Reed, but Slade announces the test is off. He says they already ran the test today, trying to send Reed back to the memory of getting his tattoo, but Reed died in the process. Slade pulled them back in time, before they completed the test, with a memory of cutting himself shaving that morning.
Helena realizes that Reed died because the tattoo memory wasn’t from this timeline. He couldn’t return to that moment because it had never happened. She guesses that Slade did this intentionally. He shrugs it off, saying he’s curious about dead timelines.
They catch up to that timeline. Everyone gets headaches and nosebleeds, remembering the failed test. Reed remembers dying. He saw his whole life, including a very loving memory of being an infant with his family on the Jersey Shore. He begins crying and says they shouldn’t have brought him back.
Barry is integrating into his prior life. He talks to Meghan about college and boys. He cries a lot but blames it on quitting smoking. Every day, he’s afraid it will all dissolve, but it never does.
Slade visits Helena after dinner and tells her Reed has hung himself. He says he will “get him back” by traveling back to another memory. Helena says they should respect Reed’s choice to die, but Slade says, “Not while he’s still under my employ” (121).
That night, Helena thinks about her distrust for Slade. She realizes she’ll never use the chair to help her mom, but she can’t just leave. If she did, Slade could travel back in time and imprison her. She reflects that there’s only one way off the rig.
Barry is working hard, exercising, drinking less, and spending more time with his family. He is trying to be in love with Julia again.
He sees his mother, who he knows will die in the coming years. He is grateful to know this will happen, because he is able to say goodbye. He wonders if Déjà vu is the shadow of alternate timelines.
Helena is sitting at her old desk in Palo Alto across from Jee-woon, who is offering her the job on the rig. At 3am that morning, she had used the memory chair to return to this moment. Jee-woon offers Helena the job for the second time, and she accepts.
Barry’s life continues, and he starts to feel normal.
After accepting the job, Helena gets into her Jeep, drives home, packs her possessions, and closes her bank accounts. She gets on the highway, throwing out her credit card, and she flips a coin to decide where to go. She stays the night at a motel, thinking about calling her parents, but she decides against it in case Slade uses them against her. She crushes her phone.
A few weeks later, she makes it to northern Canada. Using a fake name, she rents a room over a tavern in Haines Junction. She considers killing Slade, but she concludes she doesn’t have it in her.
Two years later, she gets a fake ID and moves to Anchorage, where she volunteers as a neuroscience research assistant working with Alzheimer's patients. She keeps potassium chloride tablets with her in case Slade captures her and she needs to kill herself.
Three years after going into hiding, Helena visits her mom in her elder care facility. She’s sure Slade is looking for her by now, and he likely has spies in the facility. She’s prepared to take the tablets if she’s found.
Helena enters Dorothy’s room. It smells like cleaning products, pee, and cafeteria food. Dorothy doesn’t recognize Helena, even when Helena explains who she is. Helena tells Dorothy that she built her chair, but she apologizes for failing in her work. They talk a little more, although Dorothy still doesn’t understand who Helena is. Suddenly, Dorothy appears lucid. She says she’s always been proud of Helena. Helena hugs her mom. When she pulls back, the moment of lucidity is over.
Meghan graduates high school and goes to college. Julia and Barry separate. Barry’s mother dies. Years later, Barry is driving home and finds the street is closed due to an FMS-related suicide. Barry discovers the woman who committed suicide was Ann Voss Peters.
On Meghan’s 26th birthday, Barry is very conscious he’s reliving the day. At 3am, Julia bangs on Barry’s door, crying, convinced she has FMS. Barry realizes they’ve caught up with the original timeline, and now Julia, Meghan, all their friends have gained the memories of Meghan’s death.
They rush to Meghan’s apartment. She’s collapsed on the floor. Barry tells her and Julia about Hotel Memory.
Barry skips work, waking to numerous messages asking about Meghan. He meets Julia and Meghan at a bar. Meghan’s nose starts bleeding, and Julia and Barry get headaches. On TV, the newscaster’s nose bleeds. The TV cuts to footage of a huge building that has suddenly appeared in Manhattan.
They drive to the building—which, they remember, is called the Big Bend. Barry discovers an alternate memory of taking Meghan for dinner in the Big Bend after she finished her degree.
Two hours later, Barry meets Gwen and explains everything. On TV, a reporter announces Amor Towles, the Big Bend’s architect, has been murdered. Meghan sends Barry an alarming text saying she doesn’t know who she is. Barry rushes out.
Meghan’s building is on fire. A firefighter tells Barry that Meghan committed suicide with pills and accidentally started the fire. Barry sees her body under a sheet and collapses.
Two hours later, at the entrance of Hotel Memory, Barry is considering calling Gwen and forcing their way in. A short, red-headed woman calls him by name, shouting not to call Gwen. She says she’s Helena Smith and that storming the hotel would be disastrous.
Book Two provides information about character motives and how time travel works in the Recursion universe. Slade reveals that they are not in the original timeline, that Helena already created the chair once, and that he has been tricking Helena into working on a project she didn’t understand. Helena fully pivots to thinking of Slade as an enemy, and she commits to working against him rather than with him.
This section features Barry’s discovery that timelines “catch up” with each other, and that when this happens, the alternate memories appear in the minds of anyone whose lives were changed by the alternate timeline. Barry begins to understand the nature of time travel, but in his eagerness to settle back into life with his family, he tries to avoid thinking about it. Desperately trying to hold onto his life with Meghan and Julia, Barry attempts to repress his memories of the previous timeline, and he even feels gratitude to Slade for giving Barry another chance to save his daughter’s life. His gratitude underscores the morally gray nature of time travel, with which Helena will continue to struggle. After Meghan commits suicide, however, it becomes increasingly clear that time travel is unlikely to end in a positive solution.
In Book Two, both Helena and Barry encounter strong, evocative scents. Scent is a powerful reminder of certain memories, and Crouch uses references to certain smells to make some scenes particularly visceral. When Helena visits her mother in the facility, she smells cleaning products, urine, and cafeteria food. These scents communicate a great deal of information about Dorothy’s life and the environment where she now lives: it houses many elderly or incapacitated people, and although the staff take care of the residents, the facility is fairly impersonal. Similarly, when Barry reenters his memory of the day Meghan was hit by a car, scent plays a major role in signaling that the transition is occurring. He first recognizes his family’s home in New Jersey through its distinctive scent, followed by remembering the taste of beer and sight of the TV.
By Blake Crouch