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62 pages 2 hours read

Ji-li Jiang

Red Scarf Girl

Nonfiction | Autobiography / Memoir | Adult | Published in 1997

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Key Figures

Jiang Ji-li

Ji-li is 12 years old when the book begins and 14 when it ends. According to the subtitle, it is her “memoir of the Cultural Revolution,” but it is also a story about a girl growing up into a young woman, losing her innocence and finding purpose in her mature commitment to her family. In the two and a half years the book chronicles, Ji-li goes from being an enthusiastically good student—both academically and politically speaking—to being a subdued and devoted daughter who sees her “job” (263), in the end, as protecting and taking care of her family, even if it means sacrificing her own material and political wellbeing.

Like all coming of age stories, Ji-li’s path to maturity is fraught with setbacks. She has to work through her deep disappointment at having the bright future she imagined for herself snatched away because of her family’s class status, and she has to deal with her own anger towards her family that comes with this disappointment. Along with this anger and disappointment, she must negotiate the terror of having her father taken away from the family and of being put into the position of having to choose whether to protect him or save herself.

In the end, she chooses family, and the book’s dedication to Jiang’s grandmother, “who would be so happy if she could see this book” (v), and whom Ji-li describes as “truly amazing” (13), reaffirms that the commitment to her family that Ji-li makes at the end of the memoir’s narrative has not wavered in the many years since then. Although Ji-li is not the success her 12-year-old self imagines at the beginning of the book, she is the success her 14-year-old self sets out to be at the end.

Ji-li’s Family

Ji-li lives with her parents, grandmother, and younger brother and sister in a converted brownstone in Shanghai. Though it is clear that every one of her family members is important to her, Ji-li is most connected to her grandmother, to whom she dedicates the book, and whose street sweeping at the end of the narrative provides the backdrop for Ji-li’s most important insight into what kind of person she wants to be. Even though her grandmother is the only one of her family members who really knew her grandfather—the landlord who is the cause of their “black” status—Ji-li’s parents bear the brunt of her anger about their family’s situation, while Ji-li has a difficult time even imagining her grandmother as a “landlord’s wife.”

Each of the adults in Ji-li’s home, even including their housekeeper, Song Po-po, serves as a positive role model for her. Grandma’s example is the one most central to Ji-li’s academic and moral development. Ji-li relates how her grandmother graduated from high school “in 1914, a time when very few girls went to school at all,” and how “she had helped to found Xin Er Primary School […] and become its vice principal” (14). Ji-li’s own academic excellence is reflected in these key pieces of her grandmother’s biography. But Grandma also provides an important moral example for Ji-li, expressing sympathy for those who are being persecuted during the Cultural Revolution, thus providing Ji-li with some confirmation for her own feelings of empathy.

Ji-li’s father is also a role model for her academic pursuits, and his love of reading is reflected in her own. Her mother once told her that “she had her three children in three years because she wanted to finish the duty of having babies sooner, so she could devote herself wholeheartedly to the revolution” (14). The zeal behind this kind of commitment to the cause is clearly reflected in Ji-li’s own enthusiasm for being a “red scarf girl.” And Song Po-po’s example of continuing to help out the Jiang family, even though she is no longer being paid and might be persecuted for the association, reminds Ji-li that sacrifice can be a virtue borne of a generous kind of love.

Ji-li’s Friends

An Yi is Ji-li’s closest friend, so much so that much of what happens to An Yi’s family affects Ji-li almost as if it were her own. She calls An Yi’s grandmother “Grandma” and attends her funeral after she commits suicide. They also have similar experiences with their families’ class statuses: Ji-li’s father is detained, and An Yi’s mother is harassed and persecuted. In many ways, An Yi provides a mirror for Ji-li, and also a safe haven when there seems to be no one else in school she can trust.

Ji-li also makes new friends at junior high school. Lin-lin and Chang Hong seem to be opposites: Lin-lin is quiet and shy and tells Ji-li that her family’s home has also been searched. Like An Yi, Lin-lin seems to be someone Ji-li can trust with her family’s secrets. Chang Hong, on the other hand, is everything Ji-li wishes she could be—from a “red” family and a member of the Red Guard Committee at school. Even so, the girls bond with one another as if they have no political differences, and Chang Hong shows sincere concern for Ji-li even after she has been dismissed in disgrace from the Class Education Exhibition.

Finally, although Ji-li and Bai Shan do not become close friends, it is clear that he considers himself her friend—someone who wants to support her to be successful in whatever she does—which makes it that much sadder that Ji-li feels that her class status prevents them from becoming closer.

Ji-li’s Enemies

Du Hai, Six-Fingers, and Thin-Face are the persecutors in Ji-li’s life. Du Hai is the leader of the Red Successors who make Ji-li’s primary school life miserable. Six-Fingers is the leader of the neighborhood search parties, including the first one that ransacks Ji-li’s family’s home. And Thin-Face is Ji-li’s most persistent and powerful persecutor—the one who holds her father’s fate in his hands and hounds Ji-li to testify against him. Thin-Face is responsible for the most damage to Ji-li’s family, home, and school life.

Though these three people are not major characters in their own right, together their actions have a significant effect on Ji-li’s development during this critical time in her life, and they fall on a spectrum—with Du Hai on one end as a schoolyard bully and Thin-Face on the other as the terrifying representative of state-sanctioned persecution.

Teacher Zhang can also be considered an “enemy,” though his intent is probably more in line with Chang Hong’s than it is with Thin-Face’s. Ultimately, though, he aligns himself with Thin-Face, and his belief in Ji-li is based on her willingness to betray her family.

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