logo

63 pages 2 hours read

Emma Donoghue

Room

Fiction | Novel | Adult | Published in 2010

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

The Impact of Trauma

Content Warning: This section contains depictions of rape, violence, suicide, child endangerment, abuse through neglect, and imprisonment.

As Room is a novel about a woman and her son escaping traumatic confinement by a sexually abusive man, the theme of trauma and its impact weighs heavily in Room’s pages, communicating the idea that trauma can have lasting, permanent effects on people who experience it. This idea is communicated through the mental and physical experiences of Ma, as well as the mental experiences of Jack.

Ma is the primary character for the impact of trauma theme, particularly in the latter half of the novel after she and Jack have escaped Room. Physically, Ma has several indications of her time in Room. Ma’s teeth are rotten from dental neglect, so in Chapter 4, she must get them worked on. The painful process of dental work represents the painful process of healing from trauma. Likewise, Ma’s wrist, which Old Nick broke, will “probably need to be broken again at some point” (166) so it can heal properly. This painful physical recovery from the trauma of Old Nick’s violence mirrors how painful mental recovery is from trauma.

Ma’s trauma is most evident in Chapter 4 during her interactions with police and hospital staff. One example of this is Ma’s reaction to closed and locked doors. Ma expresses, “‘Don’t shut it,’ […] very fast to Officer Oh going out” (160) at the precinct, and at the clinic, when Jack asks if they are locked in, Ma “nearly barks” her “no” answer (191). Ma’s intense reaction to closed and locked doors shows how she is affected by the years she spent locked in a single room.

Ma works on processing her trauma with Dr. Clay and Noreen, who encourage her to keep journals. Ma’s conversations with Dr. Clay and Noreen revolve around things like “tachycardia and re-experiencing” (180), and “depersonalization and jamais vu” (193). Though Jack does not hear the full conversations, it is evident that Ma is experiencing the aftereffects of trauma. Ma’s residual trauma becomes too much for her when she performs her first television interview and her methods of raising Jack are called into question. Ma breaks down crying, and the following day, Jack finds, “She doesn’t switch on, she doesn’t groan or even roll over” (248) and notices her empty pill bottle, indicating Ma has attempted suicide.

Jack also experiences trauma, but he does not understand it. Jack’s trauma presents in the form of night terrors. Jack often wakes up to Ma or Grandma comforting him, implying that he is sleeping restlessly or loudly while having these dreams. Jack’s dreams reflect the trauma he went through when escaping Room, the anxieties he is experiencing in the new world, and his concerns about being able to be near Ma. Through Ma’s post-traumatic experiences and Jack’s nightmares, the idea that traumatic events leave lasting damage that is difficult to heal is developed, showing the full extent of the impact of trauma on survivors of traumatic events.

The Innocence of Childhood

The innocence of childhood is communicated exclusively though Jack’s worldview as he interprets the scary and new things that happen around him. The idea that childhood innocence can be a protective barrier against the cruelties of the world is developed through Jack’s experiences both inside and outside of Room.

The most prominent instance of this is Jack’s interpretation of Old Nick’s visits. Jack explains when Old Nick visits, “I listen and count fives on my fingers, tonight it’s 217 creaks” (37). Jack does not know that each time Old Nick visits, he rapes Ma. Jack has no concept of rape. All he knows is that Old Nick is in bed with Ma. Although implicitly Jack will eventually be old enough to understand the things he remembers from Room, Jack’s innocence protects him from being fully aware of the horrors happening feet away from him. This is why Jack is not afraid to return to Room at the end of the novel—for him, it is not a place of horrible trauma but his childhood home.

Additionally, Jack’s childhood innocence makes it easier for Ma to protect Jack from the bleak reality of their life inside Room. Because Jack does not know any better, Ma finds it easier to let Jack believe that everything outside of Room, including what he sees on television, is fake. Jack’s lack of knowledge of what he is missing comes from his childhood innocence, and this innocence, combined with Ma’s influence, protects him from knowing about the things he is missing.

Outside of Room, Jack’s innocence is evident in his interactions with others. For example, when Jack watches Deana change Bronwyn’s diaper, he observes, “it’s not like Penis” (245) and in his curiosity, “I put my finger on it and press, it’s squishy” (245). Jack has never had other people around to learn about private parts and boundaries, so he has no idea that what he is doing is inappropriate. Because Jack has been sheltered from people who might be inappropriate with him (and Old Nick was only interested in Ma), Jack does not understand that there are bad ways in which someone can be touched. Additionally, when Jack is accosted by true crime fans at the store with Grandma, Jack is too innocent to understand the ramifications of signing autographs for them. He does not understand that he should not be feeding the frenzy of people dying to get a piece of him and Ma after their case exploded in true crime media.

Overall, Jack’s childhood innocence protects him from recognizing many of the evils he encounters in the world, both inside and outside of Room, making it an essential part of his story arc as he works to learn about the world through a lens of wonder and not cynicism.

The Ability to Adapt

The ability to adapt is an important part of what keeps Ma and Jack going, and it is illustrated through their story arcs as the novel progresses. First, inside of Room, Ma has adapted her life with Jack to their limited resources and found ways to give Jack things normal kids have through her creativity. Outside of Room, Jack must learn to adapt to the real world, which is full of scary sounds and feelings.

The ability to adapt as a survival mechanism is developed in the first three chapters primarily through Ma’s influence on Room. Ma and Jack cannot just get new toys, so they have created new ones. Jack also has Fort and Spaceship—two more toys made of cardboard—as well as Eggsnake, a long snake made of blown eggshells and held together with string. These toys, while not what a kid would traditionally play with, are a representation of Ma and Jack’s ability to adapt. With limited items in Room, they have found ways to convert some of their garbage into fun, enriching toys for Jack.

Ma’s adaptations are not all positive. Ma’s behavior toward Old Nick is an adaptation she has made to survive her time in Room. Though she resents him, she is cordial with him, thanking him for the items he brings and allowing him a slice of Jack’s birthday cake. This behavior is Ma’s way of placating Old Nick so that he does not make things worse for her and Jack.

Once Ma and Jack shift to the outside, Jack is the one who must learn to adapt. He struggles with sensory issues when it comes to things like shoes, the bright sun, and sand. Jack complains his shoes are “too heavy” and “make my feet sore” (193) after a short time wearing them. Every time someone puts his shoes on, he takes them off again. Jack finding a pair of shoes that works for him is an important development in his sensory issues and shows that he can adapt when life expects him to. Being outside is also an obstacle for Jack. At first, Jack struggles with the brightness and feeling of the wind on his skin, explaining, “Too much horrible shine and air freshing” (197). His heart pounds and he ends up breathing into a bag to self-regulate. However, on their second attempt at going outside, Noreen helps Jack adjust by narrating his walk outside. With the slowed pacing of Noreen’s narration, Jack is able to slow down and handle the sensory overload in measured pieces. After this, Jack can go outside without issues, as he has adapted his way of dealing with the outside.

Throughout the novel, both Jack and Ma show a remarkable ability to adapt, which aids in their survival both inside and outside of Room.

blurred text
blurred text
blurred text
blurred text