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Elizabeth GaskellA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
When Ruth first comes to Eccleston, she has long, flowing, and beautiful hair; Sally is immediately suspicious of the story that Ruth is a young widow and manifests her suspicion by insisting on cutting Ruth’s hair and requiring her to wear an unflattering and uncomfortable widow’s cap. As Sally grumbles, “whether widows wear wedding-rings or not, they shall have their hair cut off” (107. Ruth’s hair symbolizes her innocence and purity, and cutting and concealing it symbolizes how she has permanently lost those things. The cutting of the hair also symbolizes how concealment and deception will be a permanent part of Ruth’s life henceforth; just as how she will cover up her hair, she will have to cover up parts of her past and identity.
Before her relationship with Bellingham, Ruth was free and at one with nature, reflecting her loose hair that did not have to be controlled and constrained. As an adult woman who will soon be a mother, all her actions and choices must be controlled, disciplined, and aligned with social norms and expectations. While cutting her hair symbolizes Ruth moving from youthful innocence to an adult world of secrecy and shame, the episode also allows Gaskell to hint at Ruth’s virtuous inner nature. Because Ruth is so meek and submissive, Sally becomes more sympathetic toward her, noting that Ruth “was as quiet as a lamb” (112). Sally also tucks Ruth’s shorn hair away in a drawer rather than throwing it out, symbolizing how Ruth’s sweetness and innocence can never be completely lost and will always be visible to people who come to know her.
Since many characters fall sick at various points in the plot, illness is a significant motif in the novel and also reflects health and hygiene in the Victorian era. Bellingham’s illness in Wales marks the turning point in his relationship with Ruth, Ruth falls seriously ill after she is abandoned, Leonard and Mary Bradshaw both experience childhood illnesses, and the plot climaxes with first Bellingham and then Ruth contracting typhus during an epidemic in the town. Illness is a significant motif in the novel because it reflects themes of interconnectedness, influence, and vulnerability. Many of the illnesses depicted in the novel are contagious, and caring for others during illness can pose significant risks; when Ruth volunteers to nurse typhus patients, she is described as going “into the very jaws of the fierce disease” (318). Therefore, illness reveals how the fates of individuals are tied up with one another; just as an individual might die if someone does not risk infection by nursing them, Ruth’s life would have been ruined if Mr. Benson had not taken on the social risk of caring for her. Some individuals, such as Ruth and Mr. Benson, are shown taking significant personal risks for the greater social good, while others are much more concerned with protecting their own health or reputation.
The illness motif also reflects the notion of moral contagion, which lay at the heart of why fallen women were often ostracized in Victorian society. Mr. Bradshaw is horrified to learn that Ruth has been spending time with his daughters because he worries they might be infected by her and become fallen themselves, just as someone might contract a virus from a contagious patient. He blames Ruth for “the corruption this wanton has spread in my family” (252), using explicit imagery of contagion and illness, and he later lashes out at Mr. Benson for allowing his “innocent children to be exposed to corruption” (259). Because Ruth is accused of being a source of contagion and infection, she can only fully complete her arc of redemption when she voluntarily exposes herself and becomes a victim of infection rather than a source of its spread.
Finally, the motif of illness creates vulnerability and the opportunity for compassion. When Faith first comes to Wales and learns Ruth’s story, she is initially judgmental, but she develops concern and affection for Ruth while nursing her during her illness. Likewise, Ruth rejects Bellingham when he asks her to resume their relationship but feels compelled to go to him when she learns he is dangerously ill. As she explains to Mr. Davis, “I don’t think I should love him, if he were well and happy –but you said he was ill—and alone—how can I help caring for him?” (326). Despite all the pain he has caused her, Ruth finds compassion in her heart for Bellingham in the face of his vulnerability. Most poignantly, Ruth’s final illness and death lead others to lose any last traces of judgment toward her and fully celebrate how kind and caring she was during her lifetime.
When Ruth and Bellingham reunite, they meet twice on the beach near the house where Ruth has been staying at the seaside. The setting of the beach and the nearby ocean creates important symbolism, reflecting Ruth’s tempestuous inner world despite her typically reserved exterior. Gaskell depicts the seaside setting with vivid imagery of “the hard, echoing sands, and […] the ceaseless murmur of the salt sea waves” (217) and evokes the sense of the sublime associated with the vastness of the ocean. The seaside setting reflects stormy emotions, showing that Ruth’s inner world is animated by regrets, longings, and strong feelings. Just as a storm can bring up suddenly, the meeting with Bellingham abruptly thrusts Ruth into a new state of heightened emotion.
The symbolism also provides an appropriate sense of danger for a moment when Ruth encounters moral temptation. Just as the sea can easily wreck ships, Ruth could be driven off her course of redemption through her love for Bellingham. The symbolism of the seaside reflects this sense of changefulness and precarity, such as when Gaskell writes, “the waves were slowly receding, as if loth to lose the hold they had, so lately, and with such swift bounds, gained on the yellow sands” (217). The rhythms of the tides, the motion of water, and the erosion of rocks and sand all suggest instability and constant change, revealing that Ruth will never be entirely free of the erratic emotions that Bellingham can arouse within her.
By Elizabeth Gaskell