51 pages • 1 hour read
Catherine NewmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
It’s summertime in an idyllic Cape Cod beach town. A rusty silver Subaru travels along the coastline. Rocky, a woman in her mid-fifties, rides in the passenger seat alongside her husband Nick. They’ve been married for many years and are now navigating their children’s transition into early adulthood and their parents’ transition into old age. The family has vacationed on Cape Cod each summer for the last 20 years, and Rocky is happy to have their children along with them on this trip, even though they’re now adults themselves. As the car speeds toward their destination, they discuss poetry, race, and the politics of abolition, although the tone is lighthearted and the conversation pleasant.
The small, cape-side home where Rocky, Nick, Willa, and Jamie have vacationed each summer since the children were small is quaint but rustic. The plumbing is old, and although the family knows not to “overwhelm the ancient septic system” (a small sign in the bathroom says as much), they immediately clog the toilet (8). Rocky and Nick try to unclog it with a plunger while Willa and Jamie inquire from the hallway about the severity of the issue. Willa asks where the bag of swimsuits is, and Nick tells Rocky he might have accidentally left it at home. Rocky, who is going through perimenopause, is instantly irritated with him, and the two begin to bicker but quickly resolve the disagreement and unclog the toilet.
Rocky, Nick, Willa, Jamie, and Jamie’s girlfriend, Maya, who came along for the trip, head to a local store to buy swimsuits (after confirming their bag of swim stuff got left at home). Rocky reflects on how much time the family has spent in these small Cape Cod businesses over the years. Family vacations aren’t just sun, sand, and surf. They’re trips to the pharmacy and the grocery store. They’re emergency doctor visits and supply runs. They are, Rocky thinks, a reflection of life itself. As the family picks out swimsuits, Rocky marvels at how beautiful the younger generation is. Willa casually hits on the salesgirl, and Maya wears her bralette as a top. Rocky is “here for” the younger generation’s revealing clothing and wishes that she had been able to dress that way when she was young. Rocky no longer feels comfortable in her own body and struggles to find a suit that is both flattering and comfortable. In the dressing room, she’s overcome by nostalgia. It seems only yesterday that her grown children were toddlers, and she wonders how so much time passed in what feels like the blink of an eye.
The family stops by the candy store, another yearly ritual. Maya asks Rocky if parenting Willa and Jamie was always as easy as it looks, and Rocky carefully considers her answer. She responds that for Nick it was probably easier, that during the busy years of Willa and Jamie’s childhood, she often felt overwhelmed, but that in general they were a happy family. Maya asks if Rocky ever considered having more than two children. Rocky answers untruthfully that she didn’t. She knows that Maya has four siblings and is the middle child and that she thinks that her childhood was less idyllic than Jamie’s. Rocky asks if Maya wants to have children, and although Jamie overhears and is exasperated with his mother’s lack of boundaries, Maya happily answers that she does.
In line at the bakery, Rocky and Nick have a disagreement. Rocky is upset that Nick, after so many years of marriage, failed to remember that she doesn’t enjoy sweets first thing in the morning. She tells him that she feels “unseen.” He doesn’t seem to grasp why she’s upset, but she reflects that perhaps this is a blessing: She attempts to explain away her behavior, (she’s tired, having a hot flash, and is perhaps also a tad hungover) and is grateful that Nick forgets (and forgives) the spat quickly. They move on to reminiscing about vacations in years past: There was a time when the children were the first to rise, and Nick and Rocky would wake to find them dressed and ready to head to the bakery even before it opened. These days, Nick and Rocky are the first to wake, and their children often sleep long past noon. Back at the house, they distribute pastries to everyone and then prepare for their day at the beach. After Rocky makes elaborate sandwiches (each person prefers different ingredients), they all head to the beach.
Rocky sits on the beach while the others swim. She relishes her potato chip-stuffed sandwich and a can of ice-cold beer but recalls how stressful lunch at the beach was when the children were young. They always got sand in the food, and managing them was draining. Willa comes in from her dip in the ocean, and the two begin to engage in witty banter. Willa and her mother throw contemporary slang around, and Rocky is amused by “it slaps” as a way to express admiration. She recalls how conscious she was of her body when the children were young. She wore coverups and tried to hide her hips and thighs. Now, as middle age and perimenopause further alter her body, she has finally come to accept it. She no longer cares what people think of her and values comfort more than style or modesty.
Willa notices more algae this year than in years past, and Rocky recalls how much her young children enjoyed exploring the flora and fauna in and around the beach’s tide pools. Willa even wrote her college admissions essay about the tide pools. Rocky and Willa reminisce, and Willa admits to Rocky that as a young girl, she always wanted more siblings. Wistfully, Rocky tells her daughter that she knew that Willa wanted additional sisters and brothers.
Rocky searches through the medicine cabinet for a tube of poison ivy cream and notices how many toiletries are relics from summers past. The sunscreen, cough medicine, soaps, and various other items have been in the medicine cabinet for decades. She can’t find the cream and once again thinks back to summers past. She recalls how draining it was to parent young children but also how each new stage of Willa and Jamie’s childhood brought more time, freedom, and opportunity. Now that Willa and Jamie are grown, Rocky relishes each moment she gets to spend with them. She realizes that if someone had told her long ago how good life would be with adult children, she might not have believed them. They all make dinner together, commenting on various changes in the cottage. They all feel a sense of quasi-betrayal when new pieces of furniture appear. Rocky realizes that they’re united in their desire to keep the cottage the same as it always was. Maya seems to be under the weather, and Rocky observes her carefully to see if she’s drinking alcohol. She idly wonders if Maya is pregnant.
The novel begins as Rocky and Nick head to Cape Cod for their yearly vacation with their grown children, Willa and Jamie, and Jamie’s girlfriend, Maya. The text introduces the characters through the framework of family, and the novel establishes itself early on as a domestic drama. Because families and familial relationships are a key feature of Newman’s writing, the novel is immediately contextualized within the broader framework of her oeuvre. Sandwich will focus on the micro-world of the nuclear family, and Rocky notes how long the family has been vacationing on Cape Cod and her happiness that her grown children still want to accompany their parents on these trips, introducing the theme of Shifting Family Dynamics as they navigate their changing relationships while enjoying their memories of past vacations.
The novel’s form also reflects these themes: It unfolds in a series of seven sections, each named for one day of the family’s week-long vacation. This provides a detailed window into the many small moments of each particular day and connects to the family’s history in a broader sense: Each day brings memories of vacations past. Each year they rent the same cottage and also go to the same restaurants, cafes, stores, and small shops. Each day is both unique and a representation of days past.
Rocky is the novel’s protagonist and narrator, and this first set of chapters is important in building her characterization. In addition to the framework of family, Rocky introduces herself through the framework of age: She’s in her mid-fifties and struggles to manage the difficulties of perimenopause. Newman doesn’t shy away from difficult subjects in her writing and seeks to give middle-aged female characters a voice and representation. In a literary landscape chock full of young female protagonists, Newman chooses to write about women as they transition out of youth. In both her memoirs and fiction, Newman is known for her frank, often humorous representation of health issues, and she does so through Rocky, who is honest and open about how destabilizing she finds hot flashes and the other symptoms of perimenopause. The way that perimenopause impacts her self-esteem and relationships becomes a focal point in the novel as it explores issues related to the theme of Women’s Reproductive Health.
The impact of menopause on Rocky’s relationship with her husband is immediately apparent: The two bicker more often than they did when they were younger. Rocky is frustrated with both her temper and her husband: At times she’s sure that her overreactions stem from hormonal shifts, but at other times she’s sure that Nick is in the wrong. Rocky resents that a bodily change over which she has little control is causing discord within her family life, but she, Nick, and even her children (sometimes) treat her volatility with grace and humor. Her children, at one point, diffuse a tense situation by asking their parents if they’re “having a meta-fight about the way that you’re fighting” (9), and it’s apparent that this family can joke about difficult situations to cope with them. This trait, which Rocky considers one of Nick’s finest, is an example of how characteristics pass down from one generation to the next.
Generational differences also become a focal point. Rocky reveals herself as modern in her orientation toward societal change and tolerant in her opinions of the younger generation. Noting Maya’s revealing clothing, Rocky posits, “I am here for all of it, the young people and their bodies. I wished I dressed like that at their age” (13). Rather than passing judgment on her son’s girlfriend for wearing a top that in Rocky’s youth would have been considered an undergarment, she wholeheartedly embraces how societal expectations around gender and the female body have shifted.
Nostalgia and the Passage of Time is one of the novel’s most overt and important themes, and this set of chapters establishes that the family’s vacation cottage is an important symbol of family life itself: Rocky sees the space as containing all of the past versions of her family that she remembers and often becomes nostalgic as she looks at a particular spot and remembers her children there in years past. At the beach, Rocky notes, “I remember standing here with Jamie when he was four. I was pregnant and he was afraid of the water” (16). Many such moments occur during this portion of the text, and in addition to helping the author explore themes related to time’s passing, they help to characterize Rocky: She’s reflective and prone to reminiscing about her family.
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