logo

69 pages 2 hours read

Shelby Mahurin

Serpent & Dove

Fiction | Novel | YA | Published in 2019

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 1, Chapters 1-3Chapter Summaries & Analyses

Part 1

Part 1, Chapter 1 Summary: “The Bellerose: Lou”

Content Warning: This section contains references to self-inflicted bodily harm, witch burning, rape, violence, forced incarceration, suicide, and sexual activity.

Louise’s (or Lou’s) story begins in a brothel (The Bellerose) as she and her friend Coco wait for Babette, a sex worker. Disguised as men, they’re eager to find out if Pierre Tremblay, a dealer of illegal-market magical objects, has a magical ring that once belonged to Lou’s ancestor Angelica. Tremblay is nervous and wants to get rid of the ring. His eldest daughter was recently killed by witches as a warning not to exploit witches or their objects. In Belterra, witches are hunted as outlaws, which is why Lou is hiding her real identity as one. As a Dame Blanche, Lou can easily blend into society. Dames Rouges—witches like Coco and Babette—must hide the scars they receive when doing blood magic.

Babette arrives and demands more significant payment to let Lou spy on Tremblay. Lou resentfully agrees to a higher sum. The madam of the brothel, Hélène Labelle, arrives to escort Tremblay upstairs. Babette, Lou, and Coco follow, going into an adjoining chamber where they can overhear the conversation. Andre and Grue, two brutish thieves hired for security, enter. Lou dislikes them because they’ve infringed on her territory in the East End, often botching her robberies and causing her physical harm.

Tremblay reveals he still has the ring, and Hélène offers to buy it. She points out that he has another daughter whom the witches could target. Lou is convinced Hélène sees her through the peephole, but she forgets her fear when Tremblay agrees to sell. Hélène tells him she will arrive at his house at dawn to collect the item.

Part 1, Chapter 2 Summary: “The Chasseur: Lou”

In Johannes Pan’s patisserie in the East End, Lou and Coco plan to steal the ring with Bas, Lou’s former lover. An adept thief, Bas is also a baron’s cousin and thus familiar with the elite area in which Tremblay lives. Bas wants to know why Lou needs the ring, and she explains that the ring can protect her from a mysterious and dangerous woman (later revealed to be Lou’s murderous mother, Morgane le Blanc). Outside the shop, a crowd prepares to enjoy a parade welcoming the king’s son, Beauregard, home. A ball in his honor will occur the next night. All the aristocracy will attend, including Tremblay, creating a perfect opportunity for the heist.

A commotion occurs as the Chasseurs, arrayed in blue uniforms, stride up the street. They are a holy order of guardsmen who protect Belterra from the occult, especially witches. To that end, they use swords called Balisardas which can cut through magic. Lou notes that Belterra once belonged to the witches who are now seen as villains and persecuted by the Church.

Lou, Coco, and Bas split up after agreeing to meet later in the evening. As Lou leaves the patisserie, a large man (later revealed to be Reid Diggory) blocks her way. He accidentally hits her as she tries to scoot through. She notices that Reid is extraordinarily handsome but then realizes he’s an undercover Chasseur. Lou’s false mustache has come loose, and Reid notes in surprise that Lou is a woman. When she swears, he is taken aback and wonders aloud if she might be a courtesan. He starts questioning her but is distracted when the royal carriage comes into view.

Lou escapes and climbs up to the rooftops. There, she observes King Auguste Lyon and his family. As she contemplates the royals, she suddenly feels a change in the air—magic. Suddenly, people start screaming.

Part 1, Chapter 3 Summary: “Wicked Are the Ways of Women: Reid”

Reid readies himself for strife as his fellow Chasseur, Jean Luc, goes to alert the others. Pandemonium ensues as the parade-goers realize witches are in their midst. In the chaos, Reid nearly tramples an old woman and then helps her up. She blesses him with a peculiar smile. As she disappears, he realizes she was a witch. Three witches stride up the street, blatantly enchanting people with their magic as they go. Reid wonders at their public display since witches usually work in secrecy. Recalling some of the hideous enchantments he has seen witches place on people, he half hopes these victims are simply dead. From the rooftop of the patisserie, he surveys the crowd and observes the old woman creeping up to the carriage.

Swinging down, he manages to tackle her just before she reaches Beauregard.

He digs his blade into the woman’s throat, but she shapeshifts into a beautiful woman who tries to kiss him. He then observes she is pregnant and backs away as she turns into a hag. The witch, later revealed to be Morgane le Blanc, warns the king that the witches will reclaim their homeland. She then disappears in a cloud of smoke.

When the Archbishop and Reid meet for debriefing later, Reid can’t stop berating himself for not killing Morgane. The Archbishop explains to Reid that Morgane is La Dame des Sorcières, the Queen of the Witches, and even the most strong-willed men have succumbed to her seduction. However, he wonders if Reid should take a wife to deal with his sexual feelings. This makes Reid think of Célie Tremblay, who ended their budding romance after her sister’s murder, to his great regret. He assures the Archbishop that he’s through with love.

The men are interrupted by an initiate named Ansel, who delivers a letter from someone he describes as a beautiful redheaded woman. The letter is a tip that a witch will be at Tremblay’s that evening. The Archbishop seems unduly disturbed and throws the woman’s letter into the fire; Reid notices that the seal on it is shaped like a rose. He orders Reid to get the Chasseurs ready but insists they bring any witch they find back alive.

Part 1, Chapters 1-3 Analysis

Mahurin sets up the world of Belterra in the opening chapters. The kingdom consists of several stratified groups common to early modern European monarchies: the impoverished, the middle class, the aristocracy, the clergy, and royalty. There are also witches in Belterra, whom the other classes view as little more than animals, shunning the “wretched violent creatures” (6). Those without magical powers commonly refer to witches with the pronoun “it” rather than “she.”

The religious persecution of witches is intertwined with institutional misogyny, as the Archbishop’s blatant sexism makes clear. As he puts it, “wicked are the ways of women—and especially a witch” (38). His biases are obvious as he explains that the witches align themselves with a different trinity than Father, Son, and Holy Ghost, believing instead in Maiden, Mother, and Crone. He tells Reid, “Tis blasphemous, of course. As if God could be a woman” (39). Here, Mahurin associates magic and witches with femininity and “proper” hierarchical authority with masculinity. However, there is also an element of imperialism in the relationship between witches and the monarchy/Church. Mahurin establishes that the royal family were long ago the conquerors of the witches, who had an older claim to the land. This lays the foundation for the territorial fight between the witches and the royalty.

This fight is personalized through the two main narrators: the witch Lou and the Chasseur (“hunter”) Reid. Lou’s driving force as the book begins is her quest for survival, while Reid is trying to subordinate his need for love to his duty as a witch-hunter. Both must therefore suppress important aspects of themselves. As a witch, Lou must hide her real identity to navigate Belterra safely; as a Chasseur, Reid must disavow physical and emotional connection to be holy. On the surface, however, the two seem completely dissimilar. When they meet in Chapter 2, Lou’s irreverence clashes with Reid’s strict morality. This foreshadows both future clashes and the theme of Opposites Attract.

The minor characters help to establish a contrast between deep and superficial Loyalty Within Friendship, which will play an essential role in the narrative. Coco is incredibly loyal and will help Lou in any endeavor. Bas, her former lover, says he’s protective but hasn’t really proved himself to be. Tremblay’s greed has jeopardized his family. Reid worries constantly that he is failing in his role as Chasseur and disappointing the Archbishop, whom he sees as a father.

Mahurin also introduces the most powerful witch: Morgane le Blanc. Under her direction, the witches have killed innocent people, which shows that the witches are both persecuted outcasts and capable of villainous deeds. Through the Archbishop and Morgane, the labels of serpent and dove—initially associated with witches and the Church, respectively—develop from simplistic labels to terms that describe human complexities.

blurred text
blurred text
blurred text
blurred text