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47 pages 1 hour read

Mary Kubica

She's Not Sorry

Fiction | Memoir in Verse | Adult | Published in 2024

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Background

Authorial Context: Mary Kubica

Mary Kubica is the New York Times bestselling author of nine psychological thriller and mystery novels. Her 2024 novel She’s Not Sorry was preceded by the publications of The Good Girl, Pretty Baby, Don’t You Cry, Every Last Lie, When the Lights Go Out, The Other Mrs., Local Woman Missing, and Just the Nicest Couple. Across her fiction catalog, Kubica explores complex psychological and emotional themes within the context of suspenseful narratives. Kubica established herself on the literary stage with her debut The Good Girl, which “was an Indie Next pick in August of 2014, received a Strand Critics Nomination for Best First Novel, and was a nominee in the Goodreads Choice Awards in Debut Goodreads Author and in Mystery & Thriller for 2014” (“About.” Mary Kubica, 2023). Her 2021 novel Local Woman Missing received similar attention and accolades and was also named an Indie Next pick and nominated for the Goodreads Choice Awards.

Kubica writes about the places and circumstances that she knows best. For example, Kubica lives in Chicago, Illinois, where She’s Not Sorry takes place. The novel’s primary conflicts are inspired by this narrative setting. Kubica uses precise descriptions of the place to authenticate the relationship of her protagonist, Meghan Michaels, with the city over time. Kubica’s personal intimacy with the setting therefore facilitates Meghan’s vivid descriptions on the page. Also key to the novel is Meghan’s complex, loving, and protective relationship with her 16-year-old, Sienna, and like Meghan, Kubica is the mother of a daughter. Kubica thus draws on her own experiences even when crafting duplicitous characters, resulting in complex and empathetic portrayals.

Genre Context: Contemporary Psychological Thrillers

She’s Not Sorry is a contemporary psychological thriller—a genre heavily concerned with character and suspense. The Prologue of the novel, for example, lays out the primary narrative tensions by depicting the day that an unknown perpetrator pretends to have kidnapped Sienna to scam Meghan out of money. Placing this event at the forefront of the novel invites the reader into Meghan’s perspective and establishes the narrative mystery. Throughout Part 1, the novel then focuses on introducing a network of new conflicts. Meghan’s mysterious relationship with her patient Caitlin Beckett, the unresolved “string of break-ins in the neighborhood” (19), and Meghan’s complicated dynamics with Nat Cohen, Ben Long, and Luke Albrecht trouble the narrative atmosphere and keep the reader guessing at the novel’s primary stakes and antagonists. Kubica thus uses the psychological thriller form as narrative scaffolding.

True to the psychological thriller genre, She’s Not Sorry answers the primary narrative mysteries while ending on an ambiguous note. Kubica does not resolve all of Meghan’s questions and conflicts by the novel’s end, allowing the reader to decide what Meghan’s fate should and might be. This formal technique echoes the narrative content of She’s Not Sorry, in which Meghan is perpetually escaping consequences. Her story therefore raises questions about justice and morality that Kubica challenges her readers to answer for themselves.

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