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46 pages 1 hour read

Patrick Carman

Skeleton Creek

Fiction | Novel | YA | Published in 2009

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Literary Devices

Juxtaposition

Ryan and Sarah are characterized to create a juxtaposition, or comparison, between the two hybrid forms of media in the vook: print and digital technology. Their friendship demonstrates that despite their differences, these forms may work together and complement each other in the same way as the characters who embrace their individual forms of storytelling so emphatically.

Ryan’s love of writing makes him a representation of the print form. Early in the novel he notes that despite the danger, he will “write or die trying” (5). This demonstrates Ryan’s dedication to recording the story. His journal appears in a traditional format; he writes everything by hand in a notebook that he hides under his mattress and other places throughout the novel. At the same time, he is unafraid and even eager to access his computer and other digital media as a “link to something not boring, not dull, not dreary” (23). Notably, Ryan attributes this to Sarah, who is “constantly making videos, posting them, and asking [Ryan] to take notice” (23). They contrast and complement each other to tell a hybrid story.

Foreshadowing

Part of Skeleton Creek is written as a flashback, as Ryan records the events leading up to his accident at the Dredge. In these entries, Ryan uses foreshadowing to create an atmosphere of suspense and mystery that illustrates his growing fear and paranoia as they continue to investigate the mystery behind Old Joe Bush. For example, as the librarian helps the teens access the various newspapers that reveal the history of the town, she warns them to forget what they learn, since following the thread of their research will lead them into danger. Her ominous warning sets the initial tone for their investigation. When Ryan reflects that following the new trail of research “would lead [them] to trouble of a kind [they] hadn’t anticipated” (13), he is foreshadowing the danger they ultimately find themselves in without elaborating on what that danger is exactly. Written as a reflection of a past event, or a narrative flashback, Ryan’s journal offers the benefit of knowing the types of dangerous encounters the pair will face as their investigation progresses. Instead of immediately sharing these encounters, he withholds that information and increases the tension of the narrative.

Allusion

The novel makes several references to works of fiction, such as Edgar Allan Poe’s short stories “The Tell-Tale Heart” and “The Fall of the House of Usher.” These literary allusions help create atmosphere through the genres they evoke. Rather than using action and descriptive language to establish a setting that heightens fear and suspense, Ryan’s journal frequently reveals the plot and connections to Sarah’s access passwords, which are all literary allusions to psychological thrillers or Gothic horror narratives with intensely macabre settings.

The first four passwords, “houseofusher,” “theraven,” pitandpendulum,” and “amontillado,” are all works by Edgar Allan Poe, an American poet and author recognizable for his mysteries and macabre, supernatural fiction. Ryan often makes these allusions explicit in the narrative. For example, he notes that “The Cask of Amontillado” is a “ghastly story about deception and revenge” where the main protagonist is “tricked … [trapped] underground” (90). This foreshadows the ending of the novel, when Ryan and Sarah are trapped in the secret room at the Dredge by Henry as Joe Bush. Importantly, Ryan also notes that he is sure that Sarah has never read the story, noting that “maybe if [he tells] her the story, she’d stop picking such ghastly passwords” (90). This shows that literary allusions are not always recognizable to an audience, and Ryan’s prompt helps provide context for readers who are unfamiliar with the work.

Ryan makes the connections between some passwords explicit, though he does not always explain the thematic links. For example, Henry’s character is similar to the Robert Louis Stevenson character Dr. Jekyll and his alter ego, Mr. Hyde. He seems harmless, even upstanding, but is actually a villain in disguise. The password “drjekyllandmrhyde” foreshadows Henry’s guilt, but neither Ryan nor Sarah possesses the knowledge to understand the literary allusion. This creates dramatic irony, giving readers a clue that the protagonists lack.

Cliffhanger

A cliffhanger is the abrupt ending of a story in which the major plot elements are not fully resolved. Cliffhangers are used to grab readers’ attention and encourage them to pursue the ending in the story’s next installment. As a vook, Skeleton Creek ends with cliffhangers in print and video.

While Ryan references his intent to leave his journal behind for someone to discover and read, the cliffhanger at the conclusion of the vook is the first time he explicitly requests that a reader “go to sarahfincher.com” and use the password (185). Vook readers might expect that the print cliffhanger will be resolved in the video, but this is not the case. Sarah’s final video takes the protagonists even deeper into the mystery before Henry traps them in a secret room of the Dredge. The video ends with a second cliffhanger, in which the protagonists desperately plead for help from whomever might find the video. Cliffhangers work because by the end of a narrative, readers are invested in the fates of the protagonists and are used to narrative conventions that resolve a plot arc by the story’s end. When that doesn’t happen, the desire to complete the novel’s arc combines with genuine interest in the characters’ fates to make readers want to read the next book in the series.

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