51 pages • 1 hour read
Pam Muñoz RyanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Solimar’s shoes reflect the personal changes she undergoes on her journey as she comes of age. Solimar starts the novel in her trusty hiking boots, which reflect her outdoorsy, down-to-earth nature and dislike of ostentation. She is unwilling to give them up for the silver-heeled shoes that will mark her transition to womanhood. The silver heels feel “wobbly,” and it seems “like a lot of work” to learn to walk in them (75). These sentiments mirror Solimar’s feelings about her “over-the-top” quinceañera and about becoming a powerless royal figurehead. Solimar’s plan to change back into her familiar hiking shoes after the symbolic father-daughter dance shows her reluctance to accept her new tradition-bound adult role.
When Solimar gives up her beloved boots for the river sandals, she shows her commitment to her quest. The “practical, if not fashionable” sandals reflect her growing girl power: They are made “for sloshing in water, hiking, and rock climbing,” activities that Solimar must courageously perform on her dangerous journey (113, 112).
Solimar leaves behind her royal persona to fulfil a heavy responsibility. The handmade, rustic sandals represent a 180-degree change from the impractical, expensive silver princess shoes. Berto recognizes this when he comments: “I bet the last time you had a pair of new shoes they weren’t like these” (113). The sandals, with the danger, change, and pressures they represent, also help Solimar gain a new perspective on her quinceañera. She recognizes that the tradition is significant, and that her life is more complex. She faces more adult challenges and decisions. Her comment that now she would “be happy to wear the silver shoes” shows a wistful wish that things could be simple again (113).
Solimar switches from the sandals into male boots as part of her disguise in Puerto Rivera, marking another moment of self-growth. Although the boots are too big for her, Solimar wears them and proves she is as brave and resourceful as any male hero. She tamps down her fears, finds her family, and devises a plot to save the kingdom.
Solimar incorporates her newfound confidence and sense of self into her quinceañera with a final shoe change. Instead of the impractical heels, she changes into a wedge-heeled “all-terrain sandal” that embodies all aspects of her life: her courage, independence, and royal status (187). Solimar’s footwear mirrors her coming of age journey.
The monarch butterflies symbolize the mystery and magic of nature. When the butterflies arrive, Solimar experiences a sense of awe, calling their journey a “miracle.” Nature, as represented by the monarchs, is positive and wondrous. It enhances the happiness and wellbeing of Solimar and the people of San Gregorio, inspiring them to honor and protect the butterflies.
The monarchs also represent the responsibility which humans have towards nature, illustrating the novel’s emphasis on The Importance of Conservation. On an individual level, Solimar protects the weakened butterflies in the rebozo. On a larger scale, she strives to protect the monarch’s migratory habitat for future generations of butterflies. Muñoz Ryan illustrates that nature conservation is the ethical choice, one that is beneficial to both nature and humanity.
Like the monarch butterfly, the rebozo is a Mexican cultural icon and functions as one of the magical elements in the story. The traditional long woven shawl symbolizes Mexican culture. It is both pretty and functional, used in ceremony and in daily life; it can provide warmth, shade from the sun, and can carry goods or babies. As a traditionally female accessory, Solimar’s rebozo highlights not only her connection to her heritage, but her femininity and girl power.
The rebozo represents Solimar’s adult responsibilities. Solimar is “inseparably” bound to the rebozo until the last butterfly is strong enough to leave. Doña Flor calls the rebozo a “swaddle for the butterflies,” likening them to infants (62). In this way, Solimar becomes the monarchs’ determined, protective, caring mother.
The Río Diablo represents a rite of passage for Solimar, reflecting her coming of age. The river propels change in Solimar’s life. It takes her from her isolated, remote mountain kingdom down to the bustling city of Puerto Rivera, where she becomes part of the larger adult community and broadens her world view. As she traverses the river, Solimar conquers deadly obstacles from rapids to rocks, and learns about herself and her values. The Devil’s River forces Solimar to find her inner strength, testing her determination and courage. It marks her transition from childhood to adulthood.
A sword is only mentioned briefly at the start of the novel. However, Solimar herself becomes a living sword as the title suggests: “The Sword of the Monarchs.” When first crossing the river to see the butterflies, Solimar discovers a stone with a sword-shaped crevice. To help steady herself, she places her hand through the porthole, located where the pommel of a real sword would be. In doing so, Solimar shows her courage. She symbolically takes up the sword to help herself, and then to help the monarchs. Her promise to protect them is answered by a sunbeam that “pierced through the swordlike crevice […] spotlighting her” (6). The monarchs choose Solimar as their knight—their courier and guardian—and Solimar pledges her loyalty to them.
Traditionally, a sword represents violent combat, but it also symbolizes power, strength, and courage. Solimar acts as the monarchs’ sword, braving challenges to defend them. As she does with other traditions, Solimar adds her own personality and values, and uses nonviolent means to protect her charges.
By Pam Muñoz Ryan