42 pages • 1 hour read
William StyronA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Sophie tells Stingo the history of her early life. She was born in Cracow and experienced an idyllic childhood. Her parents both worked at the university. Her father was a law professor, and her mother taught music. The family was multilingual, and Sophie spoke German, Russian, and French as well as Polish. As a teenager, Sophie expected her happy, peaceful life to continue. She married a mathematics student named Casimir, and the two dreamed of studying in Vienna as Sophie’s parents had done. Shortly after Germany invaded Poland, Sophie’s world collapsed. Both her father and husband were taken to concentration camps and later shot as part of Hitler’s campaign against intellectuals. Sophie tells Stingo that she felt tremendous guilt for never having said goodbye to either one.
Sophie eventually ended up in a concentration camp, which was liberated by the Russians at the end of the war. She was resettled in America with no family, no friends, and no money. Stingo observes, “She was feeling her way. In every sense of the word having experienced rebirth, she possessed some of the lassitude and, as a matter of fact, a great deal of the helplessness of a newborn child” (97).
A kindly chiropractor hires her as a part-time receptionist. She quickly learns Yiddish so she can speak to his patients and gradually improves her English skills as well. During her early months in America, Sophie reestablishes her connection to music, which had been such a big part of her early life. Though physically malnourished, she makes progress regaining her health as well.
All these improvements suffer a severe setback during a subway blackout when Sophie is sexually molested by another unknown passenger. Her physical health and mental outlook both take a downturn. Despite her depression and ill health, Sophie struggles along and continues taking English classes at Brooklyn College. While at the college library searching for a book of poetry, Sophie suffers a fainting spell. The man who comes to her rescue is Nathan. Stingo says, “She regretted that the one thought she had expressed to him, when she had first opened her eyes, had been the impossibly foolish Oh, I think I’m going to die” (113-14).
A few weeks after Stingo settles into his new living arrangement, he receives a letter from his father. A family friend has recently died and left Stingo’s father his peanut farm. Having retired from farming 40 years earlier, Stingo’s father proposes that his son should manage the property instead. Stingo considers the proposition. He would no longer have to worry about a place to live and could get on with writing his novel. After giving the matter some thought, he decides to reject the offer.
As Stingo tells the reader, his reasons are threefold. First, inspiration has finally struck regarding a topic for his first book. He intends to write about the suicide of his first love, Maria Hunt. He says, “In my career as a writer I have always been attracted to morbid themes—suicide, rape, murder, military life, marriage, slavery. Even at that early time I knew my first work would be flavored by a certain morbidity” (118). Now that he has come up with a plot, Stingo writes the first 50 pages of his book.
His second reason for staying in New York is his newfound fascination with Sophie and Nathan. He says, “There in Brooklyn I had come to the point where I sorely needed friends, and I had found them, thus soothing my pent-up anxieties and allowing me to work” (121). His final reason for staying is the prospect of a sexual relationship with a girl named Leslie Lapidus. Stingo meets Leslie among the usual crowd at the beach where Sophie and Nathan like to go on Sundays. Leslie is a highly educated, freethinking young woman who has hinted that she might have sex with Stingo. He devotes a fair amount of time to fantasizing about their imaginary encounter even though Stingo is still infatuated with Sophie.
Sophie tells Stingo the story of her initial meeting with Nathan. After her fainting spell in the library, she wakes up in her own apartment with a concerned Nathan hovering by her side. He asks her innumerable questions about her health and dietary habits. At first, Sophie thinks he is a doctor until he insists on making an appointment with his brother, who is an actual doctor.
Nathan prepares a nourishing meal, and the two spend the evening listening to classical music on the radio. After a while, Sophie begins to talk about her time in a concentration camp. She was sent there for stealing a ham. Because Sophie’s mother was gravely ill, she thought meat might help her recover even though this food is forbidden to anyone except German soldiers. Sophie later finds out that her mother died several months after her arrest. At the end of this narrative, Nathan leaves so that Sophie can sleep.
The story continues from Stingo’s perspective as he gives more details of Sophie’s time in the camp. He believes that there are some events in her past that she can’t bear to tell Nathan. Stingo says, “I think that quite unbeknownst to herself she was questing for someone to serve in place of those religious confessors she had coldly renounced. I, Stingo, handily filled the bill” (159).
Sophie admits to Stingo that her main duty in the Auschwitz labor camp was to help with the incineration of the gassed Jewish corpses from nearby Birkenau. The commandant of Sophie’s camp is named Rudolf Höss. He is later tried for war crimes and executed. Stingo discusses Höss’ Nazi career at length and concludes that real evil isn’t theatrical or dramatic. It is committed by civilian bureaucrats like Höss instead. Stingo says, “Real evil, the suffocating evil of Auschwitz—gloomy, monotonous, barren, boring—was perpetrated almost exclusively by civilians” (163).
This set of chapters offers Stingo an initial glimpse into Sophie’s mind when she talks about her idyllic childhood. It won’t be until much later in the story that Stingo learns that much of this history is a fabrication. Sophie loathes her father, but she paints an initial picture of a caring paterfamilias rather than the cold anti-Semite that he is. Sophie’s subterfuge can be explained by her misplaced sense of guilt. She wants Nathan and Stingo to think well of her because she can’t think well of herself. As the reader will learn much later, she blames herself for helping her father with his verbal attack on Jews and his adulation of all things German.
Just as the first segment introduced the reader to the characters through Stingo’s eyes, this set introduces Nathan through Sophie’s eyes. She describes the initial encounter between the two. Her loving description of Nathan bears no trace of the monster he became when Stingo witnessed Nathan’s paranoid attack on Sophie. At this stage, we are left to wonder which version of the man is true.
Language arts are emphasized when we learn what an accomplished linguist Sophie is. On another front, Stingo engages in correspondence with his father that gives him the theme for his debut novel. His first love has tragically committed suicide, and Stingo wants to fictionalize the tale. He shares a chilling insight with the reader when he admits that he’s always been attracted to morbid material like murder and suicide. At this point in time, Stingo doesn’t realize that he will tell exactly that kind of story 20 years later in Sophie’s Choice.
This segment also defines the nature of the Holocaust through the lens of Höss’ history. The commandant hardly fits the role of a typical villain. He is a coldly efficient bureaucrat. This character profile allows Stingo to conclude that the Holocaust wasn’t perpetrated by larger-than-life monsters. It was the province of bloodless civil servants who blindly followed orders.
By William Styron