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34 pages 1 hour read

Robert Louis Stevenson

The Strange Case of Dr. Jekyll and Mr. Hyde

Fiction | Novella | Adult | Published in 1886

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Themes

The Split Nature of Man

Jekyll declares in his confession in Chapter 10: “I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two” (Page 111).

Man is constantly aware of conflicts within himself; of being pulled in different directions by his desires. From an early age, Jekyll feels the pull between good and evil—the latter of which he describes as “a certain impatient gaiety of disposition” (110) which makes him seek illicit “pleasures.” Jekyll seeks to heal this division, to separate out the bad part so that man will no longer be tormented by the conflict between good and evil. This desire comes from a good impulse in Jekyll. However, there is already evil in his soul, which means that part of him longs to taste evil in the guise of another person and live a sinful life with impunity. Therefore, in trying to separate evil from good, he proves that it can’t be done, at least not without severe consequences. Jekyll was a split and divided man even before he took the potion, thus showing that good and evil are both present, indissolubly, in man’s soul.

The spiritual split between Jekyll and Hyde is signaled in a subtle yet dramatic way at the bottom of Page 125. Jekyll, in his narrative, shifts from the first to the third person when referring to Hyde: “He, I say—I cannot say, I. That child of Hell had nothing human; nothing lived in him but fear and hatred” (126). He no longer thinks of himself as Hyde, even though in both instances it is he who is thinking, feeling, and acting.

The Limits of Science

During Stevenson’s lifetime, science underwent a period of intense development, particularly the quest to discover the biological origins of humanity. In 1859, Charles Darwin published On the Origin of Species, which is considered to be the foundation of evolutionary biology. The idea that one species could evolve into another fed fictional speculation about human beings changing or reverting into another species. Meanwhile, the technological changes caused by the Industrial Revolution led writers and thinkers to speculate on the future impact of science and technology. These trends gave inspiration to the newly developing genre of science fiction, as can be clearly seen in The Strange Case of Dr. Jekyll and Mr. Hyde. In the words of Encyclopedia Britannica, “Never before had fantastic events of seeming scientific plausibility erupted right in the midst of humdrum daily life.” The strange figure of Hyde, who appears “troglodytic” (i.e., belonging to a more primitive species of animal), appears in the midst of the modern city. This may reflect the fears of many common people who had read Darwin and were disturbed by the idea that humans had evolved out of primates. Jekyll uses the license of scientific research to create a drug that alters his personal nature and wreaks havoc both on himself and those around him. Stevenson warns of the destructive possibilities of a science divorced from sound moral instincts.

Through his research Jekyll discovers that the human body “in which we walk attired” is not so “solid” as it appears, but that it has a “trembling immateriality,” a “mist-like transience” and can be “dethroned” by a powerful drug (112). Stevenson cautions that if we are not careful, we can use science to violate human nature. He suggests that the human body and our “fortress of identity” (113) are fragile and must be safeguarded from inhumane forces that would seek to destroy them. 

The Necessity of Evil

Jekyll states in his confession: “…I have been made to learn that the doom and burthen of our life is bound forever on man’s shoulder, and when the attempt is made to cast it off, it but returns upon us with more unfamiliar and more awful pressure” (Page 112).

Jekyll starts out with the noble desire to better mankind through his scientific experiments. Instead, he releases his evil self and wreaks havoc on the world around him. He ends up infinitely worse off than he was when he started, because now his private woe has been projected in the world around him and he has also destroyed himself. While first he was troubled by his inner conflict, now that conflict has been magnified tenfold: “This, then, is the last time, short of a miracle, that Henry Jekyll can think his own thoughts or see his own face (now how sadly altered!) in the glass” (129). Through his experiences Jekyll learns that man’s struggle with evil is a necessary part of existence. It is impossible to create a perfect life free from evil, because doing so will alter human nature for the worse. Man’s destiny is to fight against evil within his own soul and in the circumstances of his life. Jekyll’s consolation is that his tragedy will serve as an example to humanity to avoid this error in the future. 

Evil Hides in the Midst of the Everyday

The novel’s chilling quality comes from the fact that the evil of Jekyll and Hyde bursts forth in the ordinary world of London. Stevenson emphasizes this through his vivid descriptions of the city, its neighborhoods and inhabitants (e.g., Page 49, Page 58, Pages 70-71). There is nothing outwardly suspicious about Jekyll’s activities, at least at first; he is a respected member of the learned community of doctors, scientists, and lawyers. Likewise, Hyde appears at first to be a regular, if odd-looking, member of the lower classes of London. It is not until violent incidents occur (the trampling of the little girl, the murder of Carew) that the public becomes aware of something wrong. Likewise, a wayward scientist like Jekyll can hide under the seal of privacy in his study without any accountability to the public. Such secrecy can provide a cover for enormous evil, as Jekyll proves when he concocts his identity-altering drug within the confines of his laboratory.

This eruption of the bizarre in the midst of everyday life is emphasized in such passages as the beginning of Chapter 4. While enjoying a meditative evening at home, the maidservant is shocked to see a sudden and senseless murder on the street outside her window. In Chapter 2, Utterson is struck by the ominous transformation of Jekyll’s cozy parlor, a change that mirrors Jekyll’s transfiguration into Hyde. Hyde’s door functions as a symbol of the ordinariness of evil: Although unnoticeable in the midst of a row of houses, it nevertheless conceals great heights of depravity. 

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