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96 pages 3 hours read

Toni Morrison

Sula

Fiction | Novel | Adult | Published in 1973

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Part 1, Chapters 4-6Chapter Summaries & Analyses

Chapter 4 Summary: 1922

By the time Nel and Sula were 12, they had legs like stalks and necks like cords, which drew the attention of old male passersby who remembered “the taste of young sweat on tight skin” (49). A 21-year-old named Ajax looked at Nel and Sula and said what was on the minds of the other men: he called the girls “pig meat.” The girls walked through this cordon of men to get to Edna Finch’s Mellow House, an ice-cream shop.

The girls bonded over their solitariness, over being the only child in their respective families. When they met, it seemed as though they had always been friends. They were both the “[d]aughters of distant mothers and incomprehensible fathers” (51). With each other, they found the intimacy they craved.

It was 1922. Four Irish boys, around 13 or 14, entertained themselves by harassing Black schoolchildren in the early afternoons. They had come with their parents, believing that America was a welcoming promised land. Instead, they were met by aversions to their accent, to their Catholicism, and to their wishes to find work. Only Black people didn’t scorn them. But, to belong to the wider white community, the Irish “echoed the old [Medallion] residents’ attitude toward blacks” (53). Once, these boys got hold of Nel, got into a circle, and pushed her around until they grew tired of the game. She and Sula managed to stay out of their way by taking other routes home, until one cool day Sula announced that they would walk home the quickest way.

Once Sula and Nel arrived at the bend in Carpenter’s Road, they spotted the boys. When they were only several feet away from the bullies, Sula “reached into her coat pocket and pulled out Eva’s paring knife” (53). The boys became eager for what they thought was going to turn into an interesting fight. Then, Sula squatted down in the road, put her things down, held the knife in her right hand and pressed her left forefinger down on her slate. Pressing her finger onto the slate, she sliced off the tip of her finger. The four boys stared in astonishment. Sula then looked up at them. In a quiet voice, she told them that, if she could do such a thing to herself, what might she have been capable of doing to them? The boys moved away quickly.

Despite this act of self-mutilation, neither girl was tough; they were adventurous. They gawked at one-eyed chickens, examined the labels on Tar Baby’s wine bottles, watched men fight with razors, and observed workers tarring roads. Nel still obediently pulled her nose at home, but she did it hopelessly. She was no longer interested in the smooth hair that the hot comb gave her.

In the summer, the girls wandered around town barefoot. One day, Nel waited on Sula’s front porch while Sula ran into the house to use the toilet. Hannah sat in the kitchen with her friends, Patsy and Valentine. They were talking and, by the time Sula passed to leave, they were on the subject of raising children. All the women agreed that childrearing was a pain. Hannah shared that she loved Sula. She just didn’t like her. Hannah’s words sent Sula back up the stairs. She felt “a sting in her eye” (57). Then, she heard Nel’s voice, which pulled her away from her thoughts and back out into the summer sun.

The girls ran toward the river. When they arrived at its banks, they laid in the grass. Their budding breasts caused some discomfort when they rolled onto their stomachs. They made clearings and holes in the grass before tossing trash into the holes. They then covered the holes, as though they were graveyards for discarded objects.

A small boy “in too big knickers” walked toward Sula and Nel before stopping to pick his nose (59). It was Chicken Little. Sula beckoned him, saying that she would show him how to climb a tree. She helped him up. When they got as high as they could, she pointed toward the river. When it was time to come down, Chicken refused. Afraid that he would be unable to climb back down himself, he relented and followed Sula down. He was excited to have gotten so far by himself and said that he’d tell his “brovver” the news. Sula and Nel mocked his speech impediment. Then, Sula picked Chicken up by the hands and swung him until he flew out over and into the river. The water closed quickly over the boy. Nel and Sula watched, expecting that he would reemerge, but he didn’t.

Nel broke the silence between them, worrying that someone had seen what had happened. The only house across the river was Shadrack’s. Sula ran toward the shack. She knocked on the door, but no one answered. She pushed it and discovered that it was open. She was inside, alone. She was startled by the neatness of Shadrack’s abode. This did not seem to be the home of a man who walked around flashing women and girls. This did not seem to be the house of the man who got drunk and shouted at people in the street. It was a charming little cottage with a “made-up bed […] rag rug and wooden table” (62).

A sound startled her. It was Shadrack, looking at her from the doorway. She looked away from him, embarrassed. When she finally looked up, she saw his hand resting “in a graceful arc” in the door frame (62). No one with such graceful hands, she thought, could harm her. She walked past him and toward the door. She turned once, as though to ask him something. He smiled, nodded, and said, “Always.” His pronouncement caused Sula to flee. When she got back to Nel, she began to weep. Nel tried to soothe her. Sula told her what Shadrack had said. The promise of his answer to a question she had not asked “licked at her feet” (62).

Later that afternoon, a bargeman found Chicken Little’s body. The bargeman had initially thought that it was the body of an old Black man, which made him want to leave it there. When he saw it was a child, he fished it out. He shook his head, disgusted with Black people for being capable of drowning their own children. He put Chicken into a sack and tossed him next to some egg crates and boxes. Later, while sitting and thinking about “the terrible burden his own kind had of elevating Ham’s sons,” he worried about what the summer heat would do to the body (63). He hooked Chicken’s body to the side of the boat, where it dipped in and out of the water. The bargeman then reported his finding to the sheriff at Porter’s Landing, who said that the boy must have come from Medallion because there were no Black people in their county. The bargeman didn’t want to travel the two miles to Medallion. The sheriff advised him to throw the body back into the river, while the bargeman cursed himself for fishing it out in the first place. Finally, they got the ferryman to take it to Medallion in the morning.

For these reasons, Chicken Little had been missing for three days. By the time he got to the embalmer’s on the fourth, he was barely recognizable to his own mother. It was only when she saw his clothes that she knew. Nel and Sula went to Chicken Little’s funeral. They stood beside each other, but they never touched or looked at each other. Nel made herself very still, expecting the sheriff or Reverend Deal to point her out at any moment. Sula cried soundlessly. After the service, they lowered Chicken Little’s body into a plot in the cemetery’s Black section. He rested between his grandfather and an aunt. The girls stood away from the grave. They held hands—first, tightly, then in a gentle clasp as they walked back home.

Chapter 5 Summary: 1923

The second strange thing that had happened was Hannah going into Eva’s room with a bowl and some green beans, asking if Eva had ever loved her and her siblings. Eva admitted that she probably didn’t, not in the way that Hannah was thinking anyway. She then chastised Hannah for the question, saying that if she hadn’t cared at all, Hannah would have been long dead. Hannah clarified her question, asking if Eva had ever played with them. Eva told her that no one had any time to play in 1895. Her children were sick and the family was poor. Then, Hannah asked why Eva killed Plum if she had loved them. Eva thought back to the night in the outhouse. The memory caused Eva to shiver even on the hottest day of the year. She then remembered how difficult it had been to give birth to Plum, as though he wanted to remain in her womb. She said that she couldn’t bear to have Plum—a grown man—crawl back into her womb, after all the effort it took to bear him. Hannah became hazy through Eva’s tears.

Through the window, they overheard the Deweys playing. Hannah set the green beans that they called Kentucky Wonders over the fire and took a nap. She had a dream about “a wedding in a red bridal gown” (72). Then, Sula entered the room and woke her.

The first strange thing had been the wind, which had arrived the night before and became so strong that it shook everything. People were hopeful, thinking the wind would bring ran, but none came.

On Thursday morning, Hannah brought Eva breakfast and mentioned her dream. They matched the dream to its number, which both women knew: 522. Eva said that she would play the number. Later, Eva remembered the red dress in the dream as “the third strange thing” (74).

Sula was 13 now and had become sulking and irritable. The birthmark was darkening. She threatened to give the Deweys a bath, which sent them into a stampede around the house. By that afternoon, all was quiet. Neither the Deweys nor Sula were around. All around the Bottom, people were busy canning. Eva had been looking out the window, where she saw Hannah bending over to light a fire in the yard. Then, she wheeled over to her dresser for her comb, which she couldn’t find for some reason. She found it in a drawer then rolled back to the window, where she saw Hannah burning. The flames made Hannah dance. Eva heaved herself up, smashed the windowpane, and threw herself out the window, attempting to land on her daughter. She missed and landed about 12 feet away from Hannah, who, by then, had lost all of her senses and bobbed around the yard “like a sprung jack-in-the-box” (75).

Mr. and Mrs. Suggs had been soaking tomatoes in a tub of water when they saw her. They threw the water onto the burning woman, which made steam, peeling away her skin and leaving “a mask of agony so intense” that people remembered it sadly for years (76). Someone arrived and covered Hannah’s legs with a shirt. Another put her head rag on Hannah’s bare shoulder. Someone else called for an ambulance. Another bystander remembered to check on Eva. They found her near bushes, calling Hannah’s name. Both women were hoisted onto stretchers. The blood in Eva’s eyes made her unable to see. She only “[smelled] the familiar odor of cooked flesh” (77).

Hannah died en route to the hospital. At her funeral, the coffin remained closed. The women who washed her body wept for her lost beauty, as though they, too, had been her lovers.

When Eva arrived at the hospital, everyone forgot about her, as they were so preoccupied with Hannah. If not for the orderly, Old Willy Fields, wondering about the blood staining his freshly mopped floors, Eva might have bled to death. From then on, Willy “boasted that he had saved Eva’s life,” and she agreed that he had (77). Lying in her hospital bed, Eva marveled “over the perfection of the judgement against her” (77). She knew then that the red gown from Hannah’s dream had symbolized fire. She also remembered seeing Sula standing on the back porch staring at her mother, while Eva dragged herself toward Hannah. Many would have thought that Sula was simply in shock, but Eva had always been convinced that Sula watched Hannah burn “because she was interested” (78).

Chapter 6 Summary: 1927

Nel had gotten married. The wedding put Helene at unusual ease. She was indifferent about the drinks that guests spilled on her rug and the cake that rested on the arm of her sofa. All her hard work had paid off. The ceremony, which had been expensive, took place in a church. There was a reception afterward. Most had never been to a wedding, but assumed it would be much like a funeral.

The bridegroom, Jude Greene, was only 20 at the time, while Nel was 17. He had not really been looking to marry, but he was eager to feel like a man.

Word spread that the town was constructing a new road. There was also going to be a bridge, connecting Medallion to Porter’s Landing. Jude went down to where they were hiring for construction jobs. Three old Black men had been hired to run errands and pick up after people. No young Black men who could do actual work, like Jude, were hired. Instead, Jude stood in line for six straight days and watched “thin-armed white boys from the Virginia hills and the bull-necked Greeks and Italians” take the laboring jobs (82). He was enraged. It was this rage that made him ask Nel about marriage. It was easy with her, for Nel had displayed no aggression at all. She reserved the bit that she had for Sula, when she occasionally took on a leadership role.

Throughout their girlhood, Nel and Sula had never quarreled or competed with each other. They were one and the same. However, Jude’s need for her took Nel away from Sula. Suddenly, too, Nel recognized that she was beautiful because Jude said so.

Sula had also been excited about Nel’s wedding and insisted on being a bridesmaid. She handled most of the details, which culminated in a wedding held “on the second Saturday in June” (84). The Deweys were there, each standing only 48 inches tall, the height they had been for years without any growth. For their honeymoon, Nel and Jude were going to stay in the housekeeping room of one of Jude’s aunts. This was to avoid making love in Helene Wright’s house. At the wedding, they danced, Nel rested her head in her husband’s shoulder. When she looked up, she saw Sula—“a slim figure in blue, gliding, with just a hint of a strut”—toward the road (88). Nel knew, even while looking at her from behind, that Sula was smiling. It was another 10 years before the friends saw each other again. Their next meeting was “thick with birds” (88).

Part 1, Chapters 4-6 Analysis

This section covers Nel and Sula’s adolescence. Morrison also narrates the power shifts in Medallion that resulted from immigration. The Irish immigrants answered the problem of being outcast by the white Protestant community by learning to be hateful toward Black people. Morrison’s comment about the price of equal American citizenship—or, “the price of the ticket,” in the words of James Baldwin—indicates that white identity was predicated on racist affiliation. This is reiterated by the inclusion of Greeks and Italians into the local labor force, while Jude and other Black men are forced to stand by idly.

Meanwhile, Nel and Sula bonded through a shared curiosity about everything in the world. This thorough engagement with the outside world made them unconcerned with how they looked or what others thought about them. Morrison likens the growth of the girls to that of young plants. This image of something green and burgeoning will contrast with the destruction of youth and beauty that ensues during Hannah’s death. Morrison also shows the reader the difference between how the girls regard themselves and how men observe them. Men who watch the girls pass reduce them to “young sweat on tight skin” and, most crudely, “pig meat.” These observations are reminders to the reader of the pervasiveness of misogyny and how quickly developing girls, especially Black girls, are sexualized. The scene is a subtle acknowledgement of the way in which Black children are not given the honor of innocence.

In a similar vein, Morrison distinguishes between adventurousness and toughness. Black girls are often stereotyped as tough, and Sula’s act of slicing off a sliver of her finger was likely regarded as such by the Irish boys, though it was truly an act of self-preservation. Adventurousness meant that Sula and Nel could be curious and not worry about the trouble the world might bring. Therefore, this is the freest period in both of their lives. However, this sense of boundless freedom goes too far when they encounter Chicken Little. His accidental death becomes a moment in which the girls confuse freedom and adventure with carelessness and cruelty.

It is significant, too, that Chicken Little’s death occurs shortly after Sula overhears her mother, Hannah, saying that she doesn’t like her daughter. She and the other women admit to feeling that motherhood is a burden. It is, then, possible that the shock of those words made Sula defiantly careless toward the small boy.

Chicken Little’s name comes from the folktale of the same name (the story is sometimes called “Henny Penny”). Warning other animals that the sky is falling, Chicken Little is a harbinger for doom. In Sula, Chicken Little anticipates all of the fears that those at the Bottom will later project onto Sula. More significantly, the treatment of his body by the bargeman and the sheriff reiterate the disregard that white people often had for Black children. Finally, Chicken Little’s his death secures a sacred bond between Sula and Nel, who, for the rest of their lives, protect this secret between them.

The shocking denouement of this section—Hannah’s burning—could be interpreted as a moment of divine retribution, particularly because it occurs after Hannah and Eva discuss Eva’s intentional burning of Plum. However, it is also possible to read the event, which coincides with the darkening of Sula’s birthmark, as a necessary sacrifice—an event that is necessary for Sula to achieve selfhood and without which she may have been consumed by her mother’s expectations, like Nel. This may mean also adapting Hannah and Eva’s dependence on validation from men. Nel, after all, comes to depend on Jude’s regard—that is, his belief in her beauty. This is a regression from her younger self, which recognized who she was in the mirror without being told. What characterizes Sula is her uncompromising selfhood, which may have been impossible in Hannah’s presence.

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