96 pages • 3 hours read
Toni MorrisonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Sula came back to Medallion and brought with her “a plague of robins” (89). The birds flew around in droves, then dropped dead. Sula disembarked from the Cincinnati Flyer and hiked toward the Bottom. She was dressed like a movie star and carried a small, “red leather traveling case,” designed in a style that no one had ever seen before—not even those in town who had traveled (90). A few people greeted her, but most stared. When Sula arrived at Eva’s, she saw four dead robins lying on the sidewalk.
When Sula walked into the house, Eva looked at her as she had at BoyBoy during his visit. Eva then told her that the birds must have been a portent of Sula’s arrival. After asking if Sula had a proper coat, Eva got to the business of asking when Sula would marry and have children. When Sula said that she had no intention of doing either, Eva called her selfish. She then proceeded to tell Sula what she needed to do, prompting Sula to tell her grandmother to shut her mouth. Sula then set about accusing her of sticking her leg under a train for insurance money, then burning Plum alive. Eva reminded Sula that she had also watched Hannah burn. When Sula threatened to do to Eva what Eva did to Plum, Eva began to lock her bedroom door. Then, in April, two men arrived with a stretcher, tied Eva down, and carried her out. Sula had declared herself Eva’s guardian and had the old woman carted off to a rest home.
Sula then went to visit Nel, who was excited for the return of her old friend. Nel missed how Sula made her feel. In Sula’s presence, Nel saw “old things with new eyes” and felt “clever, gentle, and a little raunchy” (94). Sula scratched at the screen door and entered. Immediately, Nel felt less self-conscious about the pile of dishes in the sink and the dust on the lamps.
Sula and Nel started gossiping straight away. One of Nel’s children entered while Nel was bent over in laughter. The child asked what was so funny. Sula started telling the child the dirty story before Nel reentered the kitchen where they were. Nel then asked Sula to tell her all about her life in big cities. Sula assured her that big cities weren’t as special as people made them out to be. Furthermore, she had gone away for college, not to hang out in nightclubs. Nel said that Sula couldn’t have been in college for 10 years. She then asked why Sula never wrote to anyone. Sula reminded Nel that she hadn’t written either. Nel mentioned that she had asked Eva about Sula, but Nel was never able to get a sensible answer out of her. Nel then asked how Eva was doing. Sula told her that Eva was very ill, so she sent her off to be looked after. Nel realized that Sula was talking about Sunnydale—a home run by “the white church” (100). She admonished Sula for putting her grandmother there, saying that it was a place for the very poor and those with no family. Sula told Nel that Eva frightened her. She also reminded Nel that Eva had burned Plum, but Nel insisted that was only a rumor. Sula refuted that, telling her that she had seen Eva do it and sensed that Eva planned to do the same to her.
Sula admitted that she probably should have talked to Nel before sending Eva away. In the past, when Sula was frightened, Nel always put her at ease, always knew what to do. Nel thought to herself that Sula had always been rash and incapable of making good decisions about serious matters. Sula asked if she should let Eva back in the house and go back to sleeping with her door locked. Nel told her that they might as well leave Eva where she was, but work out a plan to ensure that she received proper care in the rest home. Nel offered to go to the bank with Sula, figuring that they could use the funds that Eva saved to provide her with comforts.
Just then, Nel’s children ran inside to announce Jude’s arrival. Sula noticed that Jude was still handsome. Now, he had a “thin pencil mustache under his nose, and a part in his hair” (102). He talked about his day—the insults he had suffered from his boss and a customer. He ended the story by reminding them of how hard it was for Black men in the world. His conclusion was intended to inspire commiseration, which Nel dutifully provided. Before she could offer it, however, Sula interrupted and argued that Black men were the world’s most beloved people. White men, she insisted, were so obsessed with Black men’s penises that they forgot their own. White women thought about them constantly, looking for them under their beds. Black women worried themselves sick over Black men and did all they could to hold onto them. Children, too, she insisted, hungered for the love of Black men. In sum, she argued, Black men were “the envy of the world” (103). Jude and Nel laughed, with Jude deciding that, if the only way that white people could show him love was to castrate him and imprison him, he’d rather they leave him alone. He then looked Sula over, thinking that she was funny and “not that bad-looking” (104).
Not long thereafter, Nel found the two of them “down on all fours naked, not touching except their lips” (104). They reminded Nel of dogs. Jude looked up at Nel as though she had rudely interrupted them. Then, he got up and put on his clothes. Sula sat on the bed, nude, resting her chin on her hand. Jude then walked past Nel, saying he would return for his things.
Nel went into the bathroom to be alone. She thought about the women at Chicken Little’s funeral, how easy it was for them to convey their grief. Back then, she had found their displays embarrassing. Now, they felt appropriate. Nel wished that she could stay in the bathroom forever. She wanted something to stay the same because, for her, Hell was change—even misery wasn’t permanent. She waited for the cry to emerge from her, but it didn’t. She left the bathroom.
That summer, she focused on her children. When they saw horror films at the Elmira Theater and, still frightened, asked to sleep with her, she welcomed them. Being with them kept her mind off of the thoughts that haunted her. She still thought of Sula, still wished that she could talk things over with her. What was really too much for Nel was that she had lost Jude and didn’t have Sula to talk to about it.
When the people in the Bottom heard that Sula had put Eva in Sunnydale, they called her a roach. When they found out about her taking Jude, then left him, they called her a bitch. They then remembered how a “plague of robins [had] announced her return” and that she had watched her mother burn to death (112). It was the men, however, who levied the worst accusation against her—that she slept with white men. The thought of Sula lying under a white man filled them all with loathing and disgust. Everyone forgot that their skin colors were evidence that the same had occurred in their own families. They also overlooked how Black men were sometimes willing to sleep with white women. The conclusion was that all unions between Black women and white men had to have been rape; no Black woman could ever be willing.
To protect themselves against the evil they were sure Sula had brought, “they laid broomsticks across their doors at night and sprinkled salt on porch steps,” but no one ever tried to harm her (113). Then, they watched her closely. Soon, things happened. First, five-year-old Teapot knocked on her door to ask if she had any empty bottles. When the child turned to leave, emptyhanded, he tripped. His drunken mother, Betty, was stumbling home when she saw Sula bending over to help him. Frantic, Betty took Teapot home. At the urging of others, Betty had the boy examined at the county hospital. Teapot, she learned, had a fracture, which the doctor attributed to a poor diet. The news, coupled with the idea that Sula had hurt her child, turned Betty into a devoted mother.
Then, Mr. Finley was on his porch sucking on chicken bones, something he had done every day for 13 years. One day, he “saw Sula, choked on a bone and died on the spot” (114). She infuriated the women in town by bedding their husbands and discarding them indifferently. Unlike her mother, she seemed disinterested in men. This made the women hold their men closer to soothe their wounded pride and vanity.
People also whispered about how Sula didn’t look her true age. She was almost 30 but hadn’t yet lost teeth or suffered bruises. She was still slim and, except for the strange-looking finger, she had no scars. Dessie, a neighbor, told a story about how Shadrack, who was never civil to anyone, one day tipped his hat to Sula. She and the listener, Cora, concluded that Sula and Shadrack were both devils. When asked what Sula did in response to Shadrack’s gesture, Dessie said that she “put her hand on her throat for a minute” then ran away (117). She then told Cora that, when she got home, she saw that she had a big stye on her eye, despite not ever having one before. Cora insisted that it was because Dessie had witnessed evil.
The community agreed that “evil was something to be first recognized, then dealt with, survived, outwitted, triumphed over” (117). Sula, meanwhile, had not intended to cause Nel pain by sleeping with Jude. All their young lives together they had shared boys and compared notes about them. Marriage, clearly, made things different. However, Sula had no understanding of marriage and had been raised in a house in which the women thought all men were available to them. Sula and Nel had both known why women worried about those like Sula and Hannah: They were “afraid of losing their jobs” (119). They worried that their husbands would discover that nothing remarkable existed between their legs. Now, Nel was like those fearful women. She was like everyone else in town. This fact saddened and surprised Sula. Nel, after all, was one of the reasons why Sula had gone back to Medallion. She was also bored by all the major cities she visited, finding the same people in each of them. She also hadn’t met any worthwhile men in any of the places in which she stayed. What she really wanted was a friend. It took her some time to discover that “a lover was not a comrade and could never be—for a woman” (12).
Conversation with those in Medallion, particularly the women, was difficult because Sula lacked the ability to lie. She could not tell women that they looked good “when she saw how the years had dusted their bronze with ash” (121). Sula knew that most of them were still living only for their children. She also knew that the women loathed her but made it about her easy ways with men.
It was true that Sula liked sex—"the sootiness of sex and its comedy” (122). She laughed a lot during the act, but she also liked to think it was wicked, at first. Then, when she collected many experiences, she realized that it was not at all wicked and that she didn’t need to make it so to be interested.
Now, at 29, she became reacquainted with Ajax, who was 38. He stood on the other side of her screen door on the porch, holding two glass bottles of milk. He said that he had been looking for Sula, intending to give her the bottles. She opened the door. She watched as he drank milk from one of the bottles. When he had had his fill, he poured the rest down the sink, rinsed it out, and handed it to her. Sula accepted the gift with one hand and pulled him into the pantry with the other.
Soon, Ajax began to visit regularly, always bearing gifts. He gave her freshly-picked blackberries, a can of Old Dutch Cleanser, a page of Tillie the Toiler comics, more bottles of milk, and other things.
They were curious about each other. While Ajax had heard things about Sula, Sula had heard nothing about him or from him since he had called her “pigmeat” so many years ago. Soon, she found herself enjoying his conversations with her. He never condescended to her, asked her dull questions about her life, or gave long monologues about himself. Believing that she was brilliant, as his mother was, “he seemed to expect brilliance from her, and she delivered” (127). So, he listened more than he talked. He also liked to take baths in her clawfoot tub.
While making love to him afterwards, Sula regarded Ajax’s face. She wondered what would happen if she took her chamois and rubbed his cheekbone hard. She wondered if the blackness of his skin would disappear and reveal gold leaf underneath. She sensed that Ajax was golden beneath his skin. She then thought that if she took a nail file or a paring knife and scraped away the gold, she would find alabaster, figuring that stone gave his face “its planes, its curves” (130). After chiseling away the alabaster, she pondered, she was sure that she would find loam, which she would keep “rich and moist” (130). Loam, she thought, must have given him his earthy smell.
Not long thereafter, Sula discovered what possession felt like. The feeling surprised her. She began to wonder if Ajax would come by. She also started examining herself more, wondering if she was attractive. She solved the problem by tying a green ribbon in her hair. When Ajax arrived that particular evening, Sula greeted him with a kiss. Ajax asked if she had heard about Tar Baby, who had been in jail since last Saturday. He had stumbled drunk into New River Road and was nearly hit by a car driven by the mayor’s niece. When the police arrived and recognized the woman, they arrested Tar Baby. Ajax went with two other men to the police station. When they were finally allowed to see him, they saw that Tar Baby had been beaten up and was wearing “nothing but extremely soiled underwear” (132). Ajax and the other men admonished the police for his condition. The attending policeman said that if Tar Baby didn’t like living in shit, he should have come down into the valley and “[lived] like a decent white man” (132). The three men argued with the police, and the whole affair ended with the three Black men being arraigned. Ajax and the others were due to appear in civil court the following Thursday. Ajax, however, wasn’t bothered, just annoyed. He had had enough run-ins with the police to know that they were just “natural hazards of Negro life” (132).
Sula tried to comfort Ajax. She ran her fingers through his hair and encouraged him to lean on her. Ajax was startled. He looked up at her and saw the green ribbon in her hair. He also noticed how clean the house was and that the table had been set for two. Soon, he thought, she would start asking him about his whereabouts after he arrived. He went upstairs with her, but his mind was on the upcoming “air show in Dayton” (133). He made love to Sula with intensity, knowing he would soon leave her.
When she realized that he was gone for good, she felt his absence everywhere. One day, in a dresser drawer, she found his driver’s license and learned that his name was Albert Jacks; his nickname was A. Jacks—not Ajax. It dawned on her that she was missing a man whose name she didn’t even know.
These chapters focus on Sula, particularly on what makes her distinct and, therefore, intolerable, to others in the Bottom. Morrison also begins to show how Nel’s embrace of traditional domesticity and Sula’s disavowal of it inevitably makes them foils.
When Sula returns to town, she is chic and appears to belong to a different social and economic class—a fact that is suggested by her unique-looking purse. The sight of her is so jarring that Eva is immediately prompted to tell her granddaughter how she ought to be. The urge to conform, which is anathema to Sula, causes her to demand her grandmother’s silence. This is an important act because Eva had spent much of her life directing others on how to live. Sula’s decision to put Eva into a retirement home after this defiant conversation makes her expressions of concern, shared with Nel, seem like lies. She had, instead, refused to allow her grandmother to determine the outcome of her life, as Eva had so decisively with others, having killed Plum rather than watch him suffer through heroin addiction.
There are other things that illustrate eschewal of domesticity. Her willingness, for example, to share a dirty bit of gossip with one of Nel’s children reminds the reader about her absence of decorum. Having grown up witnessing her mother’s easy expressions of sexuality and her grandmother’s flirtations, the business of sex did not seem to Sula like something that a small child should not know much about.
It is her allegory about Black men that stirs Jude’s curiosity. The story has the effect of putting Jude at ease; she makes obsessive hatred sound like love. Whereas Nel can commiserate with her husband, sharing in his bitter anger, Sula gives him a new way to think about the white world’s feelings toward him. When Jude leaves, the reader sees how years of repression make Nel unable to react adequately to the losses of her husband and friend, though her conditioning focused her more on the loss of the former. To achieve some semblance of feeling close to Jude again, and to get the affection she craves, she demands too much from her children.
The community’s accusations against Sula, meanwhile, expose that their aversion to her rests mainly in her unwillingness to make men the focus of her concern. All of their accusations are full of judgment with no attempt at understanding, as their complaints about her are designed to feel better about the narrowness of their own lives at the Bottom.
Sula’s relative indifference toward men, however, is what makes her appealing to Ajax. He knows that she will demand no extravagant romantic displays. Thus, his gifts to her are practical and simple. Her contemplation of his beauty reflects her desire to know and feel him deeply. Sula’s fantasy that Ajax’s innards are loam that she sought to nourish suggests a feeling that is the antithesis of possession . At this point, she wanted to nourish him and to discover what lies deep beneath his layers. That effort requires her full self, whereas the desire to possess another involves the abandonment of self. His interest shifts, predictably, after she falls in love with him. This is the first instance, aside from her relationship with Nel, in which Sula takes deep interest in another.
By Toni Morrison