61 pages • 2 hours read
John GrishamA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Lucien spends time with Ancil in the hospital, playing cards and talking about Clanton and the mystery surrounding Sylvester Rinds’s death. Ancil eventually admits who he is and learns Seth left him $1 million. Lucien informs Jake, but advises not telling Judge Atlee yet, since Ancil can’t leave Alaska. Jake’s team debate amongst themselves about whether the jury should be told the value of Seth’s estate. Harry Rex and Lucien think it will cloud their judgment, but Jake argues for transparency. Jake gets a tip that a man on the jury, Frank Doley, has a prejudice he withheld. His cousin’s daughter was kidnapped and assaulted by a group of Black teenagers and later killed herself.
On the second day of trial, both Jake and Lanier give convincing opening statements. Jake presents his case first, calling various witnesses who establish the facts surrounding Seth’s death by suicide and final written communications. Jake introduces the burial instructions found at Seth’s home, the letter Seth wrote to Jake, and the holographic will as evidence. Copies are given to every juror and displayed on a large screen as they’re referenced. During a recess, the foreman and another juror agree that Seth seems to have known exactly what he was doing.
Ancil’s recovery takes a turn and Lucien worries he won’t regain consciousness. Lucien’s having a drink at his hotel bar when Ancil shows up, admitting he’d faked his worsened condition as part of an escape plan.
Jake puts several members of Seth’s church on the stand, then Seth’s oncologist, followed by his office manager, Arlene. Their testimonies support Seth’s testamentary capacity in his final days by refuting a portrayal of Seth as being doped up on pain medications. However, Lanier leads Arlene to reveal a man named Monk always cleaned Seth’s office, meaning there was no need for Lettie to do it. This fuels suspicion that Lettie was using the opportunity to manipulate Seth. Lanier’s jury consultant deems the day a draw between the two lawyers, based on juror reactions.
Lucien sneaks Ancil to a law office in Juneau and helps him record a deposition for the trial. Then Lucien heads to the airport with the video. Ancil takes Lucien’s offer to use his hotel room, but finds a detective waiting for him there.
Lettie takes the stand Wednesday morning. She does well answering Jake’s questions, but is tripped up by Lanier, who gets her to lie about who she’s worked for and whether she’s ever been fired. Without revealing the significance of his questions, Lanier reserves the right to recall Lettie as a witness later in the trial. Jake says the proponents rest, and Lanier calls Fritz Pickering as his first witness. When Lanier tells the judge how Fritz’s testimony will prove Lettie lied under oath, the judge overrules Jake’s objection. Fritz’s testimony about firing Lettie after finding his mother’s handwritten will leaving her $50,000 is devastating to Jake’s case.
Jake and Harry Rex talk over lunch, agreeing that their hopes for winning the case are lost. After the lunch recess, Herschel lies on the stand about how close he and his father were. Jake’s cross examination makes it clear Herschel was lying. Ramona annoys the jury with her fake crying. Lanier then calls Julina Kidd, the woman who sued Seth for sexual harassment. He interprets the significance of her testimony for the jury, saying, “Seth had a propensity to seduce women who worked for him, regardless of color. This weakness led him to make decisions that were not financially sound” (407). Privately, Portia tells Jake he got a phone message threatening to burn his house down again and referring to Lettie’s family with racist slurs.
Lucien gets so drunk during his flights back from Alaska that he’s arrested in Memphis. When Jake learns about the video Lucien has of Ancil’s deposition, he sends Sheriff Ozzie to Memphis to get him released. Jake requests the judge declare a mistrial so they can start over properly once Ancil can be there. The request is denied. Lanier calls medical experts who testify that anyone taking Demerol at the dose Seth was prescribed would lack testamentary capacity. A probate expert explains how Seth’s newer will doesn’t take advantage of tax codes like the prior one, resulting in a loss of $3 million and suggesting Seth wasn’t making sound financial decisions. Witnesses privy to Seth’s business dealings in his last days testify to Seth seeming confused and making mistakes that cost his company a lot of money.
Sheriff Ozzie has trouble getting Lucien out of jail in Memphis and calls on Booker Sistrunk, who helps because Jake winning the case is the only way Lettie will be able to repay the $55,000 she owes him. Jake, Harry Rex, and Ozzie watch Ancil’s deposition, then show it to Judge Atlee. Lanier objects to the jury seeing it, but Atlee decides to admit it.
In his deposition, Ancil calls his father, Cleon Hubbard, mean and abusive. He describes his father’s feud with the Rinds family over their land, which Cleon felt rightfully belonged to the Hubbards. Part of that land, a small settlement where enslaved individuals had once been housed, was called Sycamore Row. As children, Ancil and Seth witnessed Cleon and other white men beat Sylvester Rinds there and lynch him from a sycamore tree.
Cleon then forced Sylvester’s wife Esther to deed the property to him for a few dollars. He promised her she could still live there, but two days later he and the sheriff told Esther and all the Rinds families living on the land to get out immediately. They families grabbed what they could carry and watched from the woods as their homes and church were burned down. The survivors camped in the woods, nearly starving, until they were run off. Ancil later learned some were shot, and some of the kids he played with drowned in the creek. Ancil eventually ran away from Clanton at age 16 and had no further contact with his family.
Jurors’ reactions to the video during a recess show how impactful it was. Willie Traynor, journalist and owner of the Hocutt House, tells Jake that Mississippi has had more lynchings than any other state, and no perpetrators have ever been charged. Jake and Lanier give closing statements. Jake’s is brief and effective. Lanier’s is long and grasping. The jury deliberates on five aspects of the case, as directed. They rule in favor of the handwritten will—and therefore in favor of Lettie—on all five.
Jake worries the verdict will be overturned on appeal because the admission of Ancil’s deposition video violated rules of discovery. Judge Atlee meets with Jake and Portia and suggests a settlement to avoid that outcome. His proposition assumes starting with $12 million after taxes, giving $500,000 each to Ancil and Seth’s church, and putting $5 million in a foundation to benefit relatives of the Rinds. He suggests foundation funds should be used only for education and managed by a trustee who answers to the judge. The remaining $6 million would be split equally between Lettie, Herschel, and Ramona. Lettie would keep the 80 acres of land. Portia is sure Lettie will agree to this plan, and loves Judge Atlee’s idea that Jake be the foundation trustee. They all agree to “hammer out a settlement” in about 10 days, and the judge ends the meeting by saying, “I want this to happen, understand?” (447).
Ancil gets out of jail on bond a month later and comes to Ford County. Lucien, Jake, and Sheriff Ozzie show him the tree where Seth hung himself. Ancil says it’s the only tree left of the row of sycamores where Sylvester was lynched. He thinks it might even be the same tree. Ancil meets Lettie, hugs her, and says he’s sorry. Lettie tells him “the past is the past” and introduces him to her family. Herschel’s there too, and Ancil meets his nephew for the first time.
A note from John Grisham, dated October 15, 2013, describes what influenced him to write a sequel to his debut novel, A Time to Kill, more than 20 years later. A Time to Kill’s publication in 1989 met with a lukewarm reception. The runaway success of his second novel, The Firm, led Grisham to focus on legal thrillers, which he distinguishes from his Ford County novels. A Time to Kill proved resilient, however. It grew in popularity and was still his bestselling book by 2013. Many fans asked Grisham about a sequel, but as he told them, he was “waiting on a story” (450). Grisham’s years of wondering how Jake fared in the wake of the Hailey trial ultimately inspired Sycamore Row, giving him a sense of “having dinner with old friends” as he wrote the second novel in the Jake Brigance series (451).
Grisham’s plot in these chapters focuses on escalating tension and creating suspense as the narrative arc approaches its climax. Lundy’s note to Jake, indicating the jury is split and concluding “[w]e’re screwed” (367), positions them as underdogs as they bring the trial to a close. Lettie’s decision to say Seth never mentioned his will to her, accompanied by the words, “[n]o one would ever know” (386), adds suspense by creating and emphasizing the potential for her to get caught in a lie, and foreshadowing the event that almost destroys their case—testimony which reveals other lies Lettie has told.
Lettie’s testimony points to both the ultimate reveal of her family’s connection to Seth’s past and the novel’s thematic engagement with Rectifying Historical Injustice and Healing Generational Trauma. Lettie describes praying with Seth because he “had a deep faith in God” and “wanted to make things right before he died” (386). To everyone present, including Lettie, making things right is meant only in a spiritual sense. Ancil’s revelations about the murder of her grandfather and theft of his land, however, will demonstrate that “making things right” is the key to the mystery of Seth’s motive for changing his will.
Grisham initiates his climax by following Lettie’s testimony with a cliffhanger that shifts the narrative away from the main action of the plot. Jake finishes his questioning—and Lanier begins cross-examination—at 11 o’clock in the morning. The description goes on: “Harry Rex, who’d been watching from the back row, said her testimony could not have been better. By noon, their case was in shambles” (387). The narrative then shifts away from the trial to events in Alaska with Lucien and Ancil, creating a cliffhanger and building narrative tension and suspense. Grisham also withholds the details of what’s on the video of Ancil’s deposition during its first two viewings, choosing instead to describe the reactions of the characters watching it, a rhetorical device that maximizes suspense in the final scenes of the climax.
Setting takes a central role in the climactic reveal in the form of the titular Sycamore Row. This settlement on the Rinds land, which held houses and buildings described as “leftover slave stuff” (428), connects present-day conflicts to their historic precursors, symbolically signaling that past injustices can’t be ignored; they must be confronted and redressed. The reveal of Ancil’s deposition frames Seth’s choice to hang himself in the same tree where his father lynched Sylvester Rinds as an acknowledgment of his family’s wrongs; his own attempt at Rectifying Historical Injustice and Healing Generational Trauma.
Grisham also implicates the state of Mississippi is also examined as Willie Traynor illuminates the state’s record—leading the nation in lynchings—expanding the scope of racialized violence from the individual to the pervasive and providing an indictment of the Inequality and Entrenched Racism of the American South. Not a single person was charged with murder for taking part in a lynch mob, Traynor says, “It was the law of the land, and [B]lack folks were fair game” (436). This recognition of institutionalized racial hatred and violence echoes Ancil’s comments about the sheriff that should have arrested Cleon for murdering Sylvester, but instead helped Cleon kick the Rinds families off their land.
Grisham suggests that for Lettie, knowing who she is and where she came from opens a path toward healing generational trauma. When Jake has Lettie reveal her ancestry, opposing council points out that she seemed much less certain of her heritage a few months ago, she replies, “I’ve met some of my kinfolk. A lot of questions have been answered. […] I know who I am, Mr. Lanier. I’m certain of that” (426). In a county where most Black citizens of her generation aren’t given birth certificates—an implicit suggestion that their identity isn’t worth recording—the novel implies Lettie hadn’t thought it mattered where she came from. Discovering the truth of her ancestry completes her character arc, allowing her to find financial independence from her abusive husband and a beginning toward her own healing, signaled in the narrative by her forgiveness of Ancil. Knowing her family’s past, the novel posits, gives her the opportunity to forgive.
Grisham makes a stylistic choice to use graphic language to depict the violence committed against Sylvester and his family, similar to portrayals of racialized violence in A Time to Kill. Rather than relying on euphemisms or whitewashing what occurred, Grisham describes the events in graphic detail, forcing readers to confront the horrors of racialized violence and injustice both historically and currently.
As Jake and Lanier exhaust their strategies for manipulating the jury, and the truth about Seth’s motive is revealed, thematic examinations of Unethical Practices in Trial Law give way to a focus on Rectifying Historical Injustice and Healing Generational Trauma. These examinations demonstrate that a historical injustice—in this case the lynching of Sylvester Rinds and theft of his land—can create generational trauma in countless ways. In addition to its effects on Lettie, her family, and the Black community of Ford County as a whole, Grisham presents these events as detrimental to Seth and Ancil as well. When Seth realized reparation at an institutional level wasn’t coming, he took it upon himself to atone for the sins of his ancestors. Through his actions and their outcome in the book’s resolution, Grisham indicates that confronting the past is necessary for justice and healing.
By John Grisham