61 pages • 2 hours read
John GrishamA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide discusses death by suicide and racism.
The novel’s opening scene features Seth Hubbard's body hanging from a sycamore tree just after his death by suicide—initially positioning the tree as a symbol of violence and death. The tree’s connection to the plot’s central mystery—and the book’s title—supports that symbolism. As a child, Seth witnessed his father and several other racist white men murder a Black man named Sylvester Rinds. They did so by lynching him, a form of state-sanctioned violence used to instill terror in the Black American community. The sycamore tree the men hung Sylvester from was on his own land—the source of their dispute. Seth repatriated this land to Sylvester’s descendant, Lettie, and left her the bulk of his estate as a means of Rectifying Historical Injustice and Healing Generational Trauma. By hanging himself from the same sycamore where Sylvester died, Seth transforms a tree once tainted by racist violence into a symbol of atonement.
Grisham uses the buildings of Ford County’s businesses in Sycamore Row to symbolize the deep cultural divisions of Clanton’s community. Early descriptions of the town summarize the distinct clientèle of the Coffee Shop and the Tea Shoppe, dividing them into two distinct groups along ideological lines: “The white collars gathered an hour later across the square at the Tea Shoppe and discussed interest rates and world politics. At the Coffee Shop they talked football, local politics, and bass fishing” (12). The courtroom, with its two “identical but radically different” tables for the prosecution and defense (165), similarly represents a cultivated, adversarial mentality that perpetuates division rather than encouraging Clanton’s citizens to overcome their differences.
In Sycamore Row, Grisham sets up Burley (formerly the Black elementary and middle school) as an icon of segregation. No longer used as a school, the building is reclaimed by the county and used for storage. As a school, Burley symbolized segregation in education, and the inherent injustice of the “separate but equal” myth. Now, as a place where old records are stashed—where the past’s legacy of racism is hidden from sight instead of being confronted—Burley remains a symbol of the cultural divisions in Clanton that are so slow to mend, emblematic of the Inequality and Entrenched Racism in the American South.
The frequent references to Carl Lee Hailey’s trial—the central event of A Time to Kill—in Sycamore Row reinforce the novel’s connection to Grisham’s best-selling book. They also form a motif that ties elements of the two novels together, including setting, character, and theme. According to Grisham, questions about how Jake fared in the aftermath of the Hailey trial drew him to write the sequel. In the original novel, the Ku Klux Klan threatened Jake’s family, burned down his house, and killed his dog. In Sycamore Row, Grisham reveals the impact of these traumatic events on the person Jake has become. Jake now carries guns, lives in a tiny rental home, and misses his dog. With Sycamore Row, Grisham provides Jake with redemption, restoring all the things he previously lost—he gets a new puppy and buys a beautiful Victorian house—and underscoring the novel’s larger thematic interest in restoration: Rectifying Historical Injustice and Healing Generational Trauma.
The Hailey trial motif also endorses a long-term view of social change and serves as a reminder that one win doesn’t mean the work is done. When Jake visits Bates Grocery, for example, Grisham reminds readers that “Tonya Hailey had bought a sack of groceries there and was walking the mile back to her home when she was abducted three years earlier” (290). Despite the Hailey trial verdict, de facto segregation is still the norm in Ford County, including at Bates Grocery where Black shoppers don’t attempt to dine in the back with white customers. Grisham fills Sycamore Row with visible signs of Inequality and Entrenched Racism in the American South, reinforcing the sense that Jake’s fight against racialized violence and prejudice in Ford County is ongoing.
Numerous characters in Sycamore Row express negative, even hostile opinions of lawyers, pointing to the novel’s thematic critique of Unethical Practices in Trial Law. Seth Hubbard calls lawyers vultures and bloodsuckers and says he despises them (20). Mr. Amburgh tells Jake, “I was a lawyer once, Mr. Brigance, a long time ago before I found honest work” (53). When a member of the Tea Shoppe’s Geezer Table asks, “[lawyers] can’t do that ethically, can [they]?” another facetiously answers, “[y]ou mean a lawyer would cheat?” (159). Alongside critical observations made by the narrator, these character-driven rebukes help identify the human element of trial law. Grisham suggests that the pervasive greed and dishonesty of litigators drive their ethical corruption—the root of the system’s decay.
By John Grisham