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Zora Neale HurstonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Written records of Haiti and Jamaica begin in the late 15th century when both islands were invaded and claimed by the Spanish, resulting in the enslavement and death of practically all native inhabitants. As was the case with many other Caribbean islands, the following centuries saw Haiti and Jamaica becoming host to plantations reliant on slave labor. They were subject to harsh colonial rule and exploitation before eventually achieving independence.
Spanish Jamaica was conquered by British forces in 1655 and remained under British rule until 1962. By the early 18th century, it had become one of the busiest hubs in the transatlantic slave trade (See: Index of Terms), and one of the most productive agricultural centers in the British Empire. When slavery was abolished across the British Empire in the 1830s, over 95% of the population of Jamaica was of majority African descent, although power remained concentrated in the hands of the white elite. The island’s economy stagnated without the bolster of enslaved labor, and repressive British rule stifled cultural and social development well into the 20th century.
The western part of the island, once known as “Hispaniola,” was claimed by France soon after its discovery and was the first American nation after the USA to free itself from colonial rule. Following the Haitian Revolution (1791-1804), Haiti established itself as the Caribbean’s first “Black Republic,” but remained politically unstable for more than a century. Poverty was widespread; in addition to the lingering devastation caused by plantation agriculture and the colonial regime, Haiti was economically isolated by an international community determined to discourage the spread of slave rebellions or independence movements. In reaction to repeated political violence and humanitarian crises, the island was occupied by American forces from 1915 until 1934 and remained under the USA’s indirect control until 1947.
The Harlem Renaissance was one of the most important cultural movements in American history, and Hurston was one of the movement’s key figures. Lasting from approximately 1918 until 1937, the Harlem Renaissance was a flourishing of African American literature, music, and visual art in the Harlem district of New York City. Artists sought to capture the African American experience, celebrate Black culture, and to reconceptualize the collective identity of African Americans outside of the roles imposed on them by a white-dominated society. This movement inspired and contributed foundationally to the American Civil Rights Movement of the 1960s.
In the early 20th century, Harlem saw an influx of Black immigrants, growing the area into a center of Black community and culture. Key figures including Langston Hughes (1902-1967), James VanDerZee (1886-1983), and Dorothy West (1907-1998) contributed to an outpouring of creative expression and artistic works. Hurston’s work, particularly her 1937 novel Their Eyes Were Watching God, are considered seminal achievements of the movement.
The Harlem Renaissance created an increased sense of pride and collective identity in the African American community, celebrating the unique culture of Black America. Its journals and publications not only showcased African-American literary talent, but provided space for the expression and dissemination of political and social ideas. Hurston wrote Tell My Horse as an exploration, analysis, and ultimately celebration of previously undervalued Black culture in the Caribbean. Hurston’s motives in writing, her methods of interacting directly and respectfully with Caribbean culture, and the themes she explored while doing so are inextricably linked with the values and ideas of the Harlem Renaissance.
Cultural traditions in the Caribbean are rich, varied, and closely linked with the unique history of the region. The most well-known and widely studied elements of Caribbean culture are the Rituals and Beliefs of Voodoo (or “Vodou,” as it is also written), the religion of Haiti, which developed out of a blend of West African traditions brought across the Atlantic by enslaved peoples, influenced by Christianity from European missionaries, and adapted to meet the desperate needs of a population brutalized by enslavement.
The tumultuous history of the Caribbean islands—the rapid destruction of native civilizations, the importation of enslaved peoples from communities across the West African coast, and the domination of European colonial empires—created an unprecedented blossoming of new syncretic cultural traditions and folklore. The beliefs of the Voodoo and “Pocomania” religions of Haiti and Jamaica respectively incorporate both Christian and pagan elements, but are both firmly rooted in the traditional West African religions of ancestor worship. Rituals and ceremonies involving animal sacrifice and spiritual possession are key, as is the guidance and healing provided by local religious leaders. Folktales, music, and dance all play important roles in both secular and religious aspects of Caribbean culture. Intricate rites intended to accrue favor from gods and to provide protection from spirits abound across the Caribbean.
Hurston wrote Tell My Horse as an ethnographic study with the express aim of exploring, describing, and ultimately celebrating these previously undervalued cultures. To this day, Tell My Horse remains a seminal work in the study of 20th-century Jamaican and Haitian culture.
By Zora Neale Hurston