48 pages • 1 hour read
Carlo CollodiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Content Warning: The source material uses outdated and offensive language about individuals with physical and intellectual disabilities. This guide includes this language in quoted material when necessary.
Collodi’s belief that parents should be gentle, patient, and loving is illustrated throughout the story as the author paints the picture of ideal parenthood in Geppetto’s character. In the opening chapters, Geppetto’s violent temper is emphasized, such as during his physical fight with Mastro Cherry, initiated when Geppetto hears his derisive nickname, Polendina, “and growing angrier each moment, they [go] from words to blows, and finally beg[i]n to scratch and bite and slap each other” (3). This fight, sparked by a single word, illustrates Geppetto’s tendency to quickly resort to physical violence to solve his problems. Initially, he treats Pinocchio with this same anger and impatience: “‘Stop laughing!’ said Geppetto angrily; but he might as well have spoken to the wall. ‘Stop laughing, I say!’ he roared in a voice of thunder” (5). His metaphorical voice of thunder illustrates the extent of his anger toward Pinocchio, merely for laughing. The ineffectiveness of this manner of parenting is illustrated by Collodi through Pinocchio’s decision to run away from Geppetto. This scene is starkly contrasted with later scenes in which Geppetto selflessly cares for Pinocchio and is clearly behaving in a paternal manner. While the lesson most often revolves around Pinocchio’s disobedience, this moral centers around Geppetto’s behavior as a father figure.
Collodi’s condemnation of cruelty toward children is further demonstrated through the voices of the townspeople; when Geppetto finally catches up with Pinocchio, he grabs him harshly: “All he could do was to seize Pinocchio by the back of the neck and take him home. As he was doing so, he shook him two or three times and said to him angrily: ‘We’re going home now. When we get home, then we’ll settle this matter!’” (6). Based on this, the townspeople reflect, “Geppetto, no doubt, will beat him unmercifully, he is so mean and cruel!” and “If we leave that poor puppet in his hands he may tear him to pieces!” (6). The decision is made to instead arrest Geppetto to keep Pinocchio safe.
When Geppetto returns home the next morning, it marks a turning point in their relationship and in Geppetto’s manner of parenting. His tenderness and selflessness are demonstrated when he sacrifices his own breakfast to feed the puppet, even carefully peeling the pears for the fussy Pinocchio. His sympathy for Pinocchio’s distress is evident and illustrates Geppetto’s growing compassion: “Geppetto, though trying to look very stern, felt his eyes fill with tears and his heart soften when he saw Pinocchio so unhappy” (15).
Through the reformed Geppetto, Collodi praises the selflessness of parents; Geppetto sells his coat to buy Pinocchio’s schoolbook, despite the cold day: “In his hands he had the A-B-C book for his son, but the old coat was gone. The poor fellow was in his shirt sleeves and the day was cold” (16). Later, when Pinocchio is imprisoned in the City of Simple Simons, Geppetto travels the entirety of Europe looking for his lost son and then boards a boat to America to find him: “[F]or the last four months, that poor man has been wandering around Europe, looking for you. Not having found you yet, he has made up his mind to look for you in the New World, far across the ocean” (49). Geppetto’s devotion is evident in the extreme lengths he goes to find Pinocchio, which leads him to set off to America on a rough ocean and to thereby capsize and be eaten by the shark. Tellingly, Geppetto is overjoyed to be reunited with his son after two years in the shark’s stomach: “Are you really my own dear Pinocchio?” (89). This illustrates the unconditional nature of Geppetto’s love for his son.
Similarly, the fairy retains her faith in Pinocchio’s goodness in spite of his constant disobedience and comes to his aid when the man wanting a drum skin tries to drown Pinocchio: “She is my mother, and, like all other mothers who love their children, she never loses sight of me, even though I do not deserve it. And today this good Fairy of mine, as soon as she saw me in danger of drowning, sent a thousand fishes to the spot where I lay” (86). Pinocchio betrays his mother’s trust in leaving her for the Land of Toys, but the fairy continues to help Pinocchio, illustrating the selfless nature of her love.
Later, the fairy generously and lovingly rewards Pinocchio’s efforts to care for her and for Geppetto in spite of his earlier constant misdeeds, telling him in his dream that “boys who love and take good care of their parents when they are old and sick, deserve praise even though they may not be held up as models of obedience and good behavior” (97). The fairy’s patience and love are exemplified in her faith in her son, Pinocchio, that he will eventually work hard and demonstrate selflessness, despite constant evidence to the contrary.
The importance of obedience and temperance in children is stressed by Collodi through the hyperbolic consequences suffered by Pinocchio when he is disobedient and impulsive. Collodi establishes a pattern whereby Pinocchio ignores the good advice of the parental figures in his life, such as the talking cricket, who tries to impart wisdom on the disinterested Pinocchio: “Woe to boys who refuse to obey their parents and run away from home! They will never be happy in this world, and when they are older they will be very sorry for it” (8). Pinocchio refuses to heed this sensible advice and then spends the night freezing and hungry, as well as accidentally burning his feet off, as his running away from home caused Geppetto to be arrested. This teaches Pinocchio that he should be respectful to his father, as is illustrated when he regretfully reflects on his actions: “He wept and wailed to himself: ‘The Talking Cricket was right. It was wrong of me to disobey Father and to run away from home. If he were here now, I wouldn’t be so hungry! Oh, how horrible it is to be hungry!’” (10).
However, despite Pinocchio’s reflections on his misdeeds, he continues to give in to impulsive poor decisions, such as selling his A-B-C book to enter the play, which leads to him almost being burned as firewood. He repeatedly ignores advice from characters like the fairy and the blackbird and is tempted away from his path numerous times by the duplicitous cat and fox, which leads him to lose his money, to almost be killed through hanging, and to be imprisoned for four months.
Collodi not only emphasizes the suffering and discomfort of Pinocchio but also draws attention to the way that Pinocchio’s disobedience affects his father, Geppetto, as well as the fairy, who is at first Pinocchio’s sister and then becomes his mother. After Pinocchio returns from prison in the City of Simple Simons, the pigeon tells Pinocchio that “for the last four months, that poor man has been wandering around Europe, looking for [him]” (49). Geppetto’s distress at his missing son is illustrated through his tireless attempts to find him. These attempts lead to Geppetto being eaten by the Terrible Shark, a fate that he would not have suffered had Pinocchio not disappeared due to be led astray by the cat and the fox. Furthermore, the fairy’s tombstone reads, “HERE LIES THE LOVELY FAIRY WITH AZURE HAIR WHO DIED OF GRIEF WHEN ABANDONED BY HER LITTLE BROTHER PINOCCHIO” (48). The reader is positioned by Collodi to note the ways that Pinocchio’s disobedience brings heartache and distress to those who love him. The story encourages empathy in young readers.
The pattern of disobedience and punishment is repeated for a final and decisive time when the fairy reminds Pinocchio that he is allowed to deliver his invitations on the condition that he returns straight home afterward; instead, Pinocchio goes to the Land of Toys. Collodi’s didacticism is evident in the fairy’s parting advice: “[B]oys who do not listen to their elders always come to grief” (69). The disobedience and laziness of the boys is punished as they are turned into donkeys. Pinocchio is beaten in the circus, becomes physically disabled, is almost drowned and skinned, is eaten by a shark, and almost drowns again with his ailing father, Geppetto, clinging to his back. All of these events are consequences of Pinocchio going to the Land of Toys. He suffers due to his reckless decision to abandon his mother. These traumatic events constitute a turning point for Pinocchio; he finally learns his lesson and becomes an obedient, selfless, and hardworking son. Pinocchio’s obedience and temperance are rewarded: He is transformed into a boy, Geppetto’s health is restored, and their house is lavishly furnished. Through this happy ending, Collodi stresses to his young readers that hard work and obedience will be rewarded.
Magic is introduced as a pivotal theme in the exposition, when the enchanted piece of wood, which is used to make Pinocchio, is discovered by Mastro Cherry: “[A] wee, little voice said in a beseeching tone: ‘Please be careful! Do not hit me so hard!’” (1). The enchanted nature of the piece of wood (which will become Pinocchio) is alluded to in the incredible voice emanating from it. Pinocchio’s animate state drives the plot, which follows the adventures of the puppet as he navigates the world and learns important lessons through his constant mistakes and mishaps.
As well as enabling the fantastical events that drive the story, such as the intervention of the fairy and her team of animal helpers that saves Pinocchio’s life, magical events create poetic justice. Pinocchio and Lamp-Wick turn into donkeys as a punishment for opting for a life of laziness and play, rather than listening to their elders: “[A]fter months of all play and no work, they became little donkeys” (81). This allows Collodi to continue to impart his didactic lessons in the style of a fable, in this case about the importance of not shirking school or work.
Later, magic enables Pinocchio a chance of redemption by the intervention of the fairy, who sends enchanted fish to nibble away his donkey flesh, returning him to his puppet form. Pinocchio proves himself worthy of this intervention; he uses this opportunity to save his father, Geppetto, from within the stomach of the shark and works hard to nurse him back to health.
Pinocchio is later magically rewarded for being a selfless and hardworking son. The fairy tells Pinocchio in a dream that “boys who love and take good care of their parents when they are old and sick, deserve praise” (97). The fairy rewards Pinocchio: He achieves his dream of being magically turned into a real little boy, Geppetto is returned to health and youth, and their home is furnished comfortably: “[H]e had become a real live boy! He looked all about him and instead of the usual walls of straw, he found himself in a beautifully furnished little room, the prettiest he had ever seen” (97). These magical events constitute a kind of poetic justice for Pinocchio, who worked hard both in terms of manual toil to provide for Geppetto and the fairy and in terms of his hours of study to learn how to capably read and write. Magic enables Collodi to hyperbolically punish Pinocchio’s disobedience and then to reward his hard work and dedication, in the hope that his young readers might emulate Pinocchio’s later example.