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51 pages 1 hour read

Katherine Arden

The Bear and the Nightingale

Fiction | Novel | YA | Published in 2017

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Part 2, Chapters 18-22Chapter Summaries & Analyses

Part 2, Chapter 18 Summary: “A Guest for the Waning Year”

Content Warning: This section of the guide includes discussion of animal death, religious discrimination, death, and child abuse.

After Kyril’s departure, Anna presses Pyotr to send Vasya to a convent. She argues that the girl’s defiance, horse riding, and what she deems as “possession” leave no other option. Father Konstantin, still wrestling with his obsession with Vasya, supports the decision and says it’s necessary to save her soul. Though Pyotr hesitates, the priest’s influence sways him. He decides to send Vasya to the Ascension convent in Moscow along with the winter tribute, hoping she will find safety within the Kremlin walls before midwinter.

Vasya rescues a young monk, Brother Rodion, who became lost in the woods during a storm. Rodion has a message from Sasha, who has since become a respected advisor to Vladimir and sends word of a brewing rebellion against the Tatars. They are seeking Pyotr’s support should Rus’ rise. Kolya and Alyosha both want to go, but their father refuses to involve his household.

While checking their traps, Pyotr and Kolya find an eviscerated buck in the forest. The violence of the attack and the lack of tracks nearby leave them uneasy. Fear spreads in the village when a dog and a pony are found slaughtered. Meanwhile, Rodion goes to speak to Konstantin about Pyotr’s plans to send Vasya back with him to Moscow, which he is reluctant to agree to. Though Konstantin reassures him, the younger monk is worried about the strange shadows in Konstantin’s room.

Part 2, Chapter 19 Summary: “Nightmares”

Father Konstantin, consumed by the supposed voice of God guiding him, continues to demand absolute faith from the villagers. When a serving girl, Agafya, asks if the hard times that have come to the village are the result of the old spirits being angered, Konstantin responds with cold dogma. The voice that Konstantin believes is God encourages him to invoke its presence in his sermons, promising power and glory in exchange for his obedience.

Konstantin’s next sermon in the church warns of creeping evil and damnation. Anna screams hysterically as the icon of Christ transforms into a grinning, one-eyed figure, which Vasya recognizes as Medved. Later, Konstantin visits a distraught Anna. She questions why he let a demon into the church and begs him to give her the same attention he gave her stepdaughter. He brushes her off.

That night, while in the stable, Vasya sees Medved enter the house like smoke. Before she can reach the building, he comes back outside and taunts her, only to be stopped by a cloaked stranger. He commands Medved to leave and pulls Vasya away. She wakes in the stable to Agafya screaming about someone coming for her. Desperate to protect her home, Vasya strengthens the domovoi with offerings of bread and blood to keep Medved at bay. While Vasya’s actions ensure a fragile safety, fear spreads among the villagers, who grow suspicious of her strange ways.

Agafya dies, and Dunya dreams of Morozko again, who warns her that Vasya is in grave danger. His brother, the one-eyed Bear, has recognized Vasya and now seeks to destroy her. Morozko implores Dunya to give Vasya the protective necklace, as it is her only hope of survival.

Part 2, Chapter 20 Summary: “A Gift From a Stranger”

Vasya maintains her vigil over the horses from the growing danger in the woods. Alyosha comes to get her, saying that Dunya has collapsed and fallen into delirium. Vasya cares for her old nurse, and Dunya rouses herself enough to warn Vasya about the brothers, Morozko and Medved. She finally gives Vasya the necklace. After she warns Vasya to keep the necklace a secret, the girl hears something outside. She goes to investigate.

Outside, she sees an undead woman wrapped in a burial shroud break into Konstantin’s quarters and attack him. Vasya follows, and Medved’s voice commands the creature to attack her instead. Before the creature can, Morozko arrives and, together with Vasya, commands her to leave. The creature flees into the woods. As others come to see what happened, Vasya flees back to the house.

She returns to Dunya’s side as she lies dying. Morozko appears to guide her peacefully into death, but Medved intervenes and twists her peaceful passing into one of fear and agony. Vasya watches helplessly as the shadow vanishes and Dunya dies.

Part 2, Chapter 21 Summary: “The Hard-Hearted Child”

After Dunya’s death, Vasya and Alyosha discover that Agafya has risen as an upyr, or vampire, and the siblings stake her in her grave. Afterward, Vasya glimpses a white horse and its rider, Morozko. Vasya’s actions lead the villagers to gossip about her being a witch. Anna openly condemns her and beats her while Irina watches.

A messenger arrives for Pyotr with news of a fire that has devastated a nearby village. Despite Vasya’s warnings of danger in the woods, Pyotr dismisses her pleas as childish tales. He departs with a small party of men, leaving Alyosha to guard the household. That night, the family hears weeping outside the house and scratching at the windows. Vasya confronts what appears to be Dunya, returned as an upyr. The creature attacks the horses, killing a colt before retreating into the forest.

Meanwhile, Medved commands Konstantin to remove Vasya from the village, blaming her for the escalating chaos. Konstantin then conspires with Anna to send Vasya to a convent immediately, using the first sledges prepared for winter.

Part 2, Chapter 22 Summary: “Snowdrops”

Vasya learns that she is to be bound and sent away at dawn by Anna and Konstantin. When she protests, her stepmother mockingly offers Vasya a choice: Find snowdrops in the frozen forest by morning or go to the convent. Despite Alyosha’s pleas for her to stay, Vasya escapes into the night. The forest, however, offers no sanctuary. While pursued by Dunya’s upyr, Vasya again stumbles upon the oak where she first met Medved years prior. She is on the brink of collapse when Morozko appears and carries her to safety.

Though cold and near death, Vasya confronts Morozko and tells him that she left to find the snowdrops for her stepmother. She must also return home since the domovoi will disappear without her support, leaving her family vulnerable. Morozko, impressed by her strength, carries Vasya into a grove of fir trees.

Part 2, Chapters 18-22 Analysis

The end of Part 2 of The Bear and the Nightingale is a turning point, building toward the novel’s climax as the simmering tensions change to open confrontations between supernatural forces and human fears. Lesnaya Zemlya becomes the stage of the breakdown of societal order, the resurgence of malevolent forces, and Vasya’s struggle to define her role amid it all.

The question of Vasya’s fate dominates these chapters, exploring The Role of Women in Patriarchal Societies and the oppressive societal expectations placed upon them. When her engagement to Kyril ends at the end of Chapter 17, discussions begin about sending her to a convent instead. For Father Konstantin and Anna, the convent represents an escape from the challenges that Vasya’s independence poses to their authority. Anna sees the convent as a means to rid herself of a perceived rival. On the other hand, Konstantin sees it as a way to suppress his forbidden desire for Vasya. Meanwhile, Pyotr is caught between his love for his daughter and the expectations placed upon him as a boyar; he considers following the plan out of fear for her safety.

Fear drives the actions and decisions of various characters in these chapters, reinforcing Ancestral Traditions Versus Religious Orthodoxy. Pyotr fears for Vasya’s safety, and the villagers’ fear of the unknown casts her as a scapegoat and isolates her. The mother of one of the boys who dies in the winter blames Vasya, saying, “God has turned his face from us, and that demon-child is the reason. If she had been sent away sooner, I would never have lost my child” (226). Father Konstantin weaponizes this fear, portraying Vasya’s defiance and connection to folklore as evidence of sin and possession. His sermons, laced with authoritarian overtones, deepen the villagers’ mistrust while amplifying their dependence on his guidance. He also fails to address the villagers’ struggles, as seen with Agafya, which paves the way for Medved’s influence to take root. Fear becomes both a symptom and a cause of the village’s unraveling, driving individuals to desperate and destructive actions.

Dunya’s death is one of the most significant moments in the novel, both for its emotional weight for Vasya and for its connection to the village’s decline. She has spent most of the book attempting to protect Vasya, believing the girl was too young for sorcery or the favor of the old gods. As a character, Dunya is simultaneously practical, stern, and loving. She occupies a space akin to a surrogate mother for the family, particularly to Vasya, whose biological mother died at her birth and whose stepmother abuses her.

However, once Dunya realizes that she’s dying and can no longer protect her, she gives Vasya the necklace (See: Symbols & Motifs), warning her about Medved and Morozko and urging her to “remember the old stories” (209). The tales that she told equip Vasya with the knowledge she needs to face the upyrs that stalk the village and later face Medved in the clearing at the oak tree. In her role as a traditional storyteller, Dunya also symbolizes how the encroachment of modernity is gradually eroding the old ways.

The conclusion of this section sees Vasya at a crossroads, both physically and emotionally. The death of Dunya and the villagers’ increasing hostility deepen Vasya’s isolation, yet they also fuel her resolve to protect her family and community. The impossible request that Anna makes—to bring back out-of-season snowdrops—is a common trope in folktales across cultures. Examples of this idea from Russian folklore include “Tsarevitch Ivan, the Firebird and the Gray Wolf,” and “The Sea Tsar and Vasilisa the Wise.” In stories with an impossible task, the hero or heroine usually completes the requirement with the help of a supernatural entity. In The Bear and the Nightingale, that is Morozko, whom Vasya meets again in the woods at the end of Chapter 22 when he saves her from both his brother and Dunya’s upyr.

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