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72 pages 2 hours read

Ta-Nehisi Coates

The Beautiful Struggle

Nonfiction | Autobiography / Memoir | Adult | Published in 2008

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Chapters 1-2Chapter Summaries & Analyses

Chapter 1 Summary: “There lived a little boy who was misled…”

Following a map of old Baltimore—annotated with the events of Coates’s life—and a family tree, Ta-Nehisi Coates begins his first chapter with a vivid description of “them”—a Baltimore crew who “had no eyes” (1). Coates is “spaced out as usual” (2), so he doesn’t realize that they he and his brother Big Bill are walking into a street fight. He only notices once Big Bill is running, and the crew, named Murphy Homes for its neighborhood, turns to the younger Coates.

Baltimore then was full of factions, “segmented into crews who took their names from local civic associations” (2). Murphy Homes was the most mythical of the crews. Coates is punched by a “goblin” (3) and bolts, fleeing from the gang. He picks up a pay phone to call his father, who tells him to “stand next to an adult” (3).

Coates and his brother had gone out that night to see some wrestling. Coates describes their obsession with wrestling and with the grace and style “that made an eye gouge a ritual” (4). The boys’ father does not support this interest. Big Bill calls their father “the pope” (5) for his commitment to work and discipline. Coates attempts to remember the rest of their experience seeing wrestling at the arena—“white people everywhere […] the most I’d ever seen of them” (6)—but all he can remember is the run-in with Murphy Homes and the way it changed his brother Bill.

Coates and his family live in a row house in Tioga Parkway in West Baltimore. Big Bill is the oldest sibling at home and seeks to turn all his younger siblings into warriors. Worth in the neighborhood is measured by “the width of his blond cable-link chain” (10). Big Bill buys into this and purchases rings, which his father quickly points out are fake, returning to the mall and speaking “[t]he magic words […] ‘fraud,’ ‘Black community,’ and ‘State’s attorney’” (12).

Coates’s father is a “Conscious Man,” (12) committed to reviving lost histories of African American culture. He is a teacher of “Knowledge” (14), who prints books out of his basement through his self-run publishing house, Black Classic Press. The father of seven kids by four different women, Coates’s father does not want his sons to fall prey to black teenhood and its dangers.

He is strict with his young son, who has his heads in the clouds, and eventually, “Ma and Dad” (21) send Coates to William H. Lemmel Middle School (“Lemmel”), a school that “waged Dad’s kind of fight” (23). Simultaneously, Big Bill is under pressure from the streets, so he finds a “merchant of arms” (28) to sell him a gun: “And from that point forward when walking the land, my brother Big Bill was strapped” (28). 

Chapter 2 Summary: “Even if it’s jazz or the quiet storm…”

Coates opens his second chapter with a sentence that sets the scene: “When crack hit Baltimore, civilization fell” (29). He describes how he could “feel the falling, all around” (30). Big Bill was forced into Upward Bound, in an attempt to reinforce academics and give him a taste of college. He gets in a gunfight at the railroad tracks, which to Coates sounds like “Looney Tunes or the farcical West” (35). Bill’s fighting logic is a byproduct of the “Knowledge” (36) he learned on the streets.

This was something Coates never quite catches onto, which becomes apparent when he started at Lemmel; he doesn’t like to fight, and word gets around that class 7-16, the Marshall team—“the school nerds” (46), are poor fighters. Coates and his friend Kwesi are egged into a fight, which Coates barely participates in. Word spreads about his weak punches and Coates is deemed “soft” (48).

Coates describes how “the athletes were […] kings” (49), even though the “alley was not [his] natural habitat” (51). While Bill is obsessed with the game and plays relentlessly, Coates would rather daydream. Around the time the boys fixate on basketball, Bill starts to make Coates flirt with “all of Tioga’s honeys” (52). When Coates freezes, Bill seems to take it personally, as Coates describes that Bill is their father’s “deputy patriarch” (53).

Bill is deputy to a patriarch with an intense ethic: Coates describes how his father “looked at everything through the lens of his people” (55), even outlawing white flour and meat. His mother, while strict in her own way, had an intimacy and ease with her children different from their father.

At the end of the chapter, Coates describes his awkward friend Fruitie’s path toward glory. The two boys cross paths on the field near Lemmel where they get jumped, and the bullies nab Coates’s beloved Raiders hat and something of Fruitie’s. Coates leaves his friend, while Fruitie stays and fights, prompting Coates to ask: “How could this sight, him helpless on the ground, pinned in a one on six be poetry?” (62). When Fruitie is kind to Coates despite him not having fought for his friend, Coates is even more hurt, for then he knows he is alone.  

Chapters 1-2 Analysis

Chapters 1 and 2 set the scene for the unfolding of Coates’s upbringing with Big Bill and his father. The chapters reveal Coates’s distinct use of language, in which certain coded language is not immediately translated for the reader but is rather expected to be understood over the reading of the book as a whole. For instance, the “Knowledge” (14)—Coates term for ways of being learned on the street—is treated as an idea that the reader should already or will come to understand; it is not explicitly explained to the reader.

Coates’s narrative transitions between anecdotal story, contemporary reflection, and broader characterization are also introduced in these chapters. His style is a stream of consciousness, in which he vacillates back and forth from a specific encounter with Murphy Homes to a broader characterization of his father. Throughout all of this writing, Coates stays committed to his chronology, still keeping his events roughly in order of his real experience even as he drops in and out of specific storylines and analyses.

Coates’s second chapter also begins to reveal more about his own persona, providing anecdotes that reveal his “space[y]”(2) nature and his pacifism in the face of the violence around him. He paints himself as an outlier in a world obsessed with basketball and “game” (29), who lacks the self-confidence to be bold. In these realms, Coates again positions himself as the foil to both his father and brother, never quite measuring up to the intensity of their machismo.  

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