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50 pages 1 hour read

Nathaniel Hawthorne

The Blithedale Romance

Fiction | Novel | Adult | Published in 1851

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Themes

The Search for Utopia

At the start of the novel, the men and women at Blithedale define the goals for their new society, which they hope will lead to greater equality for and progress of the human race. Their purpose, according to Coverdale, was “to give up whatever [they] had heretofore attained, for the sake of showing mankind the example of a life governed by other than the false and cruel principles, on which human society has all along been based” (19). In order to live out this utopian ideal, the group sought to share the labor of running a farm and become self-sufficient in the process. The community also tried to encourage the intellectual life of the residents by providing educational opportunities for all of them. In addition to economic freedom and educational equality, the community expressed a desire to develop communal bonds between members.

Despite the establishment of specific goals, however, individual community members often propose other purposes for Blithedale. Zenobia, for instance, advocates for greater gender equality in labor while Hollingsworth uses his time at Blithedale to advance his own personal project—the establishment of a rehabilitation center for criminals. Coverdale, drawn to the community by his hope for spiritual renewal and artistic inspiration, hopes to find enlightenment and truth. While each of these characters seek out their own versions of Utopia, none of their dreams are fulfilled. Despite her desire for more equitable work for women, Zenobia finds herself delegated to cooking gruel and doing laundry. Hollingsworth’s dreams never come to fruition, and Coverdale discovers that “labor symbolized nothing, and left us mentally sluggish in the dusk of the evening” (66).

In certain moments, however, members of the community believe they’re close to discovering the spiritual and physical truth of the socialist experiment. Coverdale, despite gradually recognizing the failure of the commune, expresses enthusiasm for the beauty of the natural world and the health of his body. Coverdale even muses that at rare moments when resting from his labor he sees “an unwonted aspect on the face of Nature, as if she had been taken by surprise and seen at unawares, with no opportunity to […] assume the mask with which she mysteriously hid herself from mortals” (66). Hawthorne’s novel ultimately proposes that a search for Utopia is unrealistic and likely to fail. According to Coverdale, however, the search itself may still yield fruit in the future, as “posterity may dig it up, and profit from it” (246).

The Conflict Between Self-Interest and Communal Ideals

Two characters in Hawthorne’s novel—Hollingsworth and Zenobia—exemplify the conflict between self-interest and communal ideals. Hollingsworth, described from the start as a philanthropist, has “devoted his glorious powers to […] [the] reformation of criminals” (21). His commitment to Blithedale, therefore, is suspect from the moment he enters the commune. Indeed, Coverdale observes that Hollingsworth arrived seemingly without any “real sympathy” for the feelings and dreams of others but primarily because the commune’s separation from general society aligned with his own separation from the public sphere due to his obsessive interest in criminal reform. As the story progresses, Hollingsworth’s passion comes into conflict with Blithedale goals. Rather than hoping to bring about a modern Utopia, Hollingsworth plans to gain funds from Zenobia to buy the farm and build his center for criminal reformation. His eventual decision to marry Priscilla stems from his selfish desire to further his own goals rather than those of the community, and his actions lead to a breakdown in communal relationships.

Zenobia, while dedicated to the communal project of Blithedale, often espouses feminist goals that the community doesn’t implement. Additionally, her feelings for Hollingsworth result in her absence from the farm and eventual death by suicide, which symbolizes the death of the commune. Zenobia’s early comments suggest her hope that Blithedale will eventually adopt less gendered assignments, supposing that domestic labor “must be feminine occupations for the present” (16). Her goals for gender equality, though, never reach fruition, and she frequently laments the position of women not only in the world of Blithedale but in greater society. More serious, though, is Zenobia’s attraction to Hollingsworth, which causes her to take drastic measures counter to her moral code and consideration for other women and the Blithedale community. Warned by Westervelt that Priscilla poses a danger to her and her hopes of sharing a life with Hollingsworth, Zenobia leaves the commune with Priscilla and returns her younger sister to the control of Westervelt. This self-interested decision threatens not only Priscilla’s safety but also Zenobia’s position in the community. In the end, Zenobia chooses to end her life rather than continue to support Blithedale and its broader goals.

Secrecy and Deceit

While one of the aims of the Blithedale experiment was to create a community that prized truthful human relationships and sought to unify its members through mutual love and trust, the novel presents instead a world of secrecy and deceit. At the very start, the narrative introduces the Veiled Lady, whose identity is a mystery and whose work as a clairvoyant is most likely fraudulent. Zenobia, one of the commune’s founders, also hides her identity behind an assumed name, which Coverdale remarks is “a sort of mask” (8), veiling her past and allowing her to maintain privacy. The secrets of these two sisters and their subsequent relationships to each other, Hollingsworth, Moodie, and Westervelt drive the story’s action and instill in Coverdale himself a desire for concealment in order to ferret out the mysteries of their lives.

Although Zenobia advises the community not to “pry into [Priscilla’s] secrets” (30) when the younger woman arrives at Blithedale, Coverdale spends much of his time thinking about and investigating the possible pasts of not only Priscilla, but also Zenobia. As a spectator, hidden in his “hermitage” or gazing at events from his hotel window, Coverdale listens to conversations, observes the actions of others, and later even bribes Moodie with food and wine in order to learn the secrets of these women, believing that he can successfully figure out the hidden parts of others and presumably assist them. Indeed, Coverdale justifies his voyeurism by telling Zenobia that “it is really impossible to hide anything, in this world” and that he “would be most happy in feeling [himself] followed, everywhere,” provided that the observers were sympathetic (163).

As Coverdale discovers, though, nearly everyone in the novel has something to hide or behaves in a deceitful manner and most of the characters keep him purposefully in the dark. Moodie reveals not only his role as father to Zenobia and Priscilla but also his past as “a man of wealth, and magnificent tastes, and prodigal expenditure” (182), though only after Coverdale furnishes him with alcohol. Likewise, Coverdale only pieces together Westervelt’s past through indirect conversations with others. Westervelt is shown to be a manipulative and cunning man, who most likely was romantically involved with Zenobia in the past and used Priscilla in his mesmeric act. For Coverdale, Westervelt’s smile and the “secret of his gold-bordered teeth” (158) signify his evil wizardry and highlight his deceitful nature. Even Hollingsworth, whose openness about his single-minded plan to construct a rehabilitation center for criminals, employs deceitful means to gain entry to Blithedale by pretending to believe in the community’s aims. Furthermore, Hollingsworth dishonestly presents himself as a lover to Zenobia in order to secure funding for his scheme. For Zenobia, his actions became a mask, and his “disguise […] a self-deception” (218).

Coverdale’s final chapter, which functions as his attempt to explain his own absence from the narrative, offers a further secret in his confession of love for Priscilla. By providing this secret, Coverdale positions himself as a mysterious character like everyone else in the novel. Beyond his spying and attempts to discover the secrets of others, then, Coverdale reveals his own “foolish little secret,” which he believes “may have had something to do with these inactive years of meridian manhood, with [his] bachelorship, and with the unsatisfying retrospect that [he] fling[s] back on life, and [his] listless glance towards the future” (247). Thus, the novel explores how secrets and lies impact relationships and lives, revealing that both keeping and discovering the mysteries of the human heart can have dire consequences.

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