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Content Warning: This section contains depictions of human suffering and violence towards and the murder of children, as well as discussions of self-harm, the death of a parent, and death by suicide. It depicts life in detention centers, the persecution of immigrants, and the persecution of Muslims, particularly the Rohingya. Refugee experiences, and associated depictions of displacement and trauma, are described. It also engages in negative stereotypes of people with missing eyes.
Subhi is the main protagonist and first-person narrator of the novel. At nine years old, Subhi has never seen the outside world as he was born inside the razor-wire fencing of an immigration detention facility in Australia. Despite the bleak conditions in which he and his family live, Subhi maintains a sense of optimism the other characters lack, and he uses his imagination to escape the grim reality of forced incarceration. At the beginning of the novel, the reader sees the horrors of the camp through Subhi’s naïve perspective. His creativity and childlike nature allow him to see beauty even in the direst of situations. However, as the novel progresses and Subhi forms relationships that shift his perspective, the reader witnesses his gradual loss of innocence as he realizes the reality of his situation. He is both a round character and a dynamic character, showing much change across the novel.
Having never seen his home country of Myanmar, Subhi must rely on his maá’s stories to formulate his Rohingya identity. Stories and the act of storytelling become an essential part of his life and the only thing that brings him hope. When his maá’s sadness depletes her energy and she can no longer tell him stories, he experiences a profound sense of loneliness and isolation. He describes his connection to the stories, saying,
I don’t have memories to hold on to. Everyone else has things to think on to stop them getting squashed down to nothing. But I don’t have memories of anywhere else, and all the days just squish into the same. I need their stories (195).
Eventually, Subhi learns that he must become the carrier of the stories and pledges to pass on the culture of his people to the next generation. It is a heavy burden for a nine-year-old boy to bear, but Subhi knows it is the only way to preserve their identity and hope for a better future. Subhi stands as an example of resilience in the face of unimaginable suffering and trauma and the power of connecting to one’s cultural heritage for strength and perseverance.
More than hearing stories of his heritage, Subhi is profoundly changed by his relationships with others. Through his best friend, Eli, whom he calls a brother, he learns bravery and how to help others, even when it is dangerous. The loss of Eli brings heartbreak and trauma that almost threatens to break Subhi’s spirit for good, but the memory of his friend and the need to seek justice for his murder compel Subhi to survive if only to tell the story of his friend. It is his fated relationship with Jimmie that creates the most change within Subhi. Though Jimmie isn’t Rohingya, nor does she live in a detention center, she and Subhi are kindred spirits and share the burden of having lost a parent. The friends share their sorrow and pain over missing a parent and bond through vulnerability and humor. Subhi can be his truest self around Jimmie, and by reading her mum’s stories aloud, they both find comfort, solace, and healing. Ultimately, the greatest gift Jimmie gives Subhi is the knowledge that there is more to life than what he knows inside the camp, and that empowers him to fight for justice for Eli and continue living and telling his stories.
Eli is an older boy who shares a tent with Subhi in the immigration detention center. Eli is Subhi’s closest friend, and he explains, “Eli says we’re more than best friends. We’re brothers” (5). Eli lost his entire family when they immigrated to Australia as they were crammed inside a truck with many other people and not enough air to breathe. Subhi calls Eli and himself “Limbo kids” (14), those who either were born inside the camp or have no family left with whom to identify. Subhi idolizes his friend, whom he’s convinced miraculously survived to accomplish something great in his life. Eli shares a love of storytelling and often regales the younger children with his tales of giant whales. He is also the best at all the invented camp games they use to entertain themselves. Despite his popularity, Eli is selfless and puts his safety at risk to run an illegal supply delivery service within the camp, which helps people get access to goods like toilet paper, clothing, and female sanitary items. He is a round character and also somewhat dynamic.
Eli defies all the rules in the camp to preserve his and the other refugees’ dignity. By allowing Subhi to help him, Eli not only offers a chance at daring adventures but also imparts to Subhi a sense of importance and self-worth. Eli serves as Subhi’s protector and friend, but when the Jackets move him to another part of the camp, the separation damages their friendship and leaves Subhi feeling lost and alone.
Once he moves to the Alpha tent, Eli not only becomes physically distant from Subhi but also changes emotionally. Living with adults forces him to grow up overnight, and he becomes more acutely aware of the humanitarian crisis and injustices within the camp. Along with Queeny, the two teens embark on a dangerous quest to bring awareness of the plight of the detainees to the outside world. Simultaneously, they support the Alpha men who begin a hunger strike to protest camp conditions. Subhi’s innocence and inexperience prevent him from fully understanding Queeny and Eli’s motives, and he longs for the days when they just played and existed together without pretense or complication.
Gradually, Jimmie replaces Eli as Subhi’s best friend because she is present and empathetic to his story but also because she lacks the burden Eli carries to help his people. After briefly escaping the camp, Subhi returns to find a melee and Eli in harm’s way. Paralyzed by fear, all he can do is watch as his friend is brutally murdered by Beaver. Eli becomes a martyr in the riot and a startling and tragic reminder of the consequences of the systematic dehumanization of a people group. Subhi can’t forgive himself for not acting to help his friend, but when he realizes that he can’t change Eli’s fate, he resolves to tell his story to find justice and keep his friend’s memory alive. When Subhi hopes for the future, it is Eli’s voice he hears in the waves of the sea and the song of their people reminding him to continue sharing the stories.
Jimmie is a young girl who lives in the outside world near the camp. The author introduces her as a second narrator through a close third-person point of view. When the reader meets Jimmie, she is still in the throes of grieving the loss of her mother while also dealing with a mostly absent father and her wayward, irresponsible older brother, Jonah. Jimmie worries she is losing her memories of her mother and longs to read her notebook full of stories she left behind, but Jimmie struggles with reading and can only stare at the words and touch the pages. Though she doesn’t live inside a detention facility, like Subhi, Jimmie grieves the loss of a parent and wrestles with loneliness and finding her identity. Just as Subhi depends on his imagination and stories to comfort him, Jimmie retreats to her memories like a safe harbor. The narrative says, “But Jimmie likes exploring memories. When Jimmie wanders, her thoughts stop buzzing, and the ache at the back of her head disappears” (53). Answering the call of her curiosity, Jimmie ventures inside the camp fence, thus building a bridge between the outside world and life inside the camp. Jimmie is both round and dynamic as a character.
As they connect through their shared love of stories and humor, Subhi and Jimmie develop a relationship that becomes life-giving for both characters. Jimmie offers empathy and a listening ear for Subhi as he shares with her the realities of living in forced incarceration and Subhi helps Jimmie rediscover her memories of her mum as he reads her words aloud. Jimmie never judges Subhi or pities him, and she doesn’t even flinch when he mentions horrors like lice, disease, and abuse. Jimmie absorbs all his pain and becomes a safe space for Subhi amid anguish and loneliness. Subhi also provides a sense of identity for Jimmie and accepts her as a friend despite her reading challenges and quirky personality. The acceptance she receives from him allows her to be vulnerable and share her feelings. The text reveals her feelings, saying, “Jimmie’s never had a friend she wanted to share everything with before” (130). Jimmie offers physical comfort in her presence and through bringing delicious hot chocolate and detectible food as well as emotional support and compassion. Jimmie shows Subhi the way out of the camp through the weakness in the fence, which in turn saves her life. When Subhi rescues Jimmie, she calls him a hero, and he restores his faith in himself after so much guilt and shame for killing the baby rat and not helping Eli. Through Jimmie, the reader experiences the stark disparities that exist between the freedom of the Outside and the confinement and hardship of incarceration.
Queeny is Subhi’s older sister who once was his best friend. However, due to their age gap and Queeny’s growing resentment toward the humanitarian crimes inside the camp, the siblings have grown apart. Subhi can’t understand his sister’s anger and bitterness, and Queeny becomes frustrated with her brother’s naïve optimism. Despite their differences, Queeny looks after her brother and becomes a mother to him when Maá can no longer be a caregiver. She rescues him after Beaver catches him making a delivery and frantically searches for him during the camp riot. Though Subhi wishes his sister would play games with him and once again share in his childlike wonder of the world, the reader understands that Queeny’s age and experience force her to see the reality of their situation, and her heart and mind are burdened with not only the care of her brother and mother but also the plight of all the people inside the camp. She is round and somewhat dynamic, showing some change across the story.
Queeny and Eli’s activism exemplifies how teenagers can often be the catalyst for change in society, and they both risk their lives to bring awareness to the human rights violations taking place inside the camp. The riot and Eli’s murder open Subhi’s eyes to the truth that Queeny sees, and he finally understands her righteous anger. In the end, Subhi learns that Queeny not only protects him physically but also has been working to protect him emotionally by hiding the truth of his father’s death and delivering him treasures from the Night Sea. Subhi says, “My treasures came from Queeny. Somehow that makes them even more special” (267). Subhi realizes that his sister is a treasure to him, and the novel ends with the siblings mending their relationship through shared grief and the power of storytelling as Queeny teaches Subhi about his ba.
Harvey is one of the guards at the immigration detention center in Australia where Subhi lives. Though he is one of the Jackets, Subhi says that Harvey is kind to the detainees and tries his best to make life better for them. Subhi describes him: “Most Jackets don’t bother with us Limbo kids, except to search us over with their beeper wands or shove us out of the way. But not Harvey. All the kids like Harvey” (15). Torn between his duty to follow orders and his compassion for the people, Harvey emerges as a complex character who becomes an ally for Subhi at times but fails to fully embrace the cause of helping the detainees. Harvey refuses to call the refugees by a number and instead humanizes them by using their names. Harvey spends time with the older people in the camp, warning them to stay out of the sun to avoid overexposure, and he procures extra food and supplies when he can and distributes them to the residents. Subhi describes in detail one of Harvey’s efforts to help when he brings in a plastic pool and fills it with water for the children. Though it appears as a paltry offering in such miserable conditions, the act displays Harvey’s attempt at providing some relief for their suffering with the resources he can find. He is somewhat round and slightly dynamic.
More than providing physical sustenance, Harvey is empathetic to Subhi’s emotional needs as he listens to him and understands when he is struggling. Though Harvey does offer help to Subhi and others, his actions are motivated more by sympathy than true empathy and leave the reader wondering, since he is in a place of leadership in the camp, why he doesn’t do more to stop the humanitarian abuses happening inside the fences. In the end, Harvey fails to stop Beaver’s brutality, resulting in Eli’s murder. Subhi wrestles with telling the truth because he doesn’t want Harvey to be punished, and the agony adds more grief and suffering to the unimaginable weight he already carries. Harvey is a complicated character and represents the systematic flaws within the immigration system and the moral compromises one must make when employed within those systems.