59 pages • 1 hour read
Rick RiordanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Like all the demigods in Riordan’s universe, Meg possesses a magical object that transforms into a weapon and that always returns to her. For example, Percy has a pen that turns into a sword, and in The Lost Hero, Jason had a coin that can turn into either a double-edged sword or a lance. Meg’s magical item consists of two rings that can transform into scimitars—symbols of Meg’s divine mother, the harvest goddess Demeter.
Just after Meg uses her scimitars to destroy a pandos, Apollo wryly notes that “children of Demeter are all about planting flowers. […] Feeding the world and nurturing life,” and “[t]hey also excel at planting scimitars in the chests of their enemies” (251). Meg’s rings therefore symbolize the double-edged power of Demeter’s gifts. As a goddess of grain and agriculture, she nurtures humanity, but these same gifts have a sinister double meaning, for just as Demeter can give life, she can also destroy it. Demeter has the power to make plants grow, but if she were ever to lose herself in grief and rage—as when Hades abducts her daughter, Persephone—then nothing grows, and humanity perishes.
In The Hidden Oracle, Apollo swore an oath on the river Styx not to exercise his crafts of music and archery while in his mortal form. But in a moment of need, he used his ukulele. The Styx warned him that he would have to compensate for breaking his oath, and that the price would be steep. Thus, like Meg’s scimitar rings, Apollo’s ukulele symbolizes the double-edged power of the gods. The music it produces can both heal and destroy, depending on how it is used and who is listening to it.
The ukulele’s capacity to heal is perhaps best exemplified in the way it transforms the pandos, Crest, from enemy to friend. Though trained to be a warrior, Crest longs to be a musician and wants to study with Apollo. He treasures Apollo’s ukulele and will not give it up. In the novel’s climactic scene, as Medea begins to extract Apollo’s divine essence, Crest disrupts her attention by playing chords, enabling Apollo to complete the prophecy and allowing Piper to arrive in time to kill Medea. For Apollo, Meg, Herophile, and all those who want to see the natural world preserved, Apollo’s ukulele saves the day in Crest’s hands, but for Medea, it becomes an instrument of destruction.
In the first book of the series, The Hidden Oracle, Apollo finds the Arrow of Dodona in the Grove of Dodona, a seat of prophecy. The arrow does not hold the power of prophecy itself, but it provides information and instructions to Apollo and speaks in Shakespearean English with a modern cadence. For example, when the strixes attack Grover, Meg, and Apollo, Apollo pulls out the arrow, and it states, “TOOKEST THEE LONG ENOUGH, […] FOR FORTNIGHTS UNTOLD I HAVE TRIED TO SPEAK WITH THEE” (16). In another example of Riordan’s humor, Apollo suspects the arrow of getting its information from Wikipedia. The incongruity of a talking arrow is further amplified by the contrast between its mode of speech and its practical purpose as a source of information. In this way, the arrow as a character also serves as comic relief. On a deeper level, the arrow’s storehouse of knowledge provides life-saving advice, and its use of Shakespearean language associates it with poetry and memory. Ultimately, the arrow symbolizes the domain of the god Apollo, serving as a connection to his divine form and purpose.
By Rick Riordan