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Arthur MillerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Act I opens on the attic of Reverend Parris, who presides over the Puritan colony of Salem, Massachusetts. In Salem’s theocratic society, religion serves as law, and the Reverend holds great power over the community.
Ten-year-old Betty Parris lies motionless in bed, and a distraught Parris interrogates his niece, Abigail Williams, about her activities the previous night. Abigail is a beautiful young woman with a violent spirit, orphaned when Native Americans killed her parents in King Phillip’s War.
Parris tells Abigail that the night before, he saw her in the woods with his Barbadian slave, Tituba, dancing and attempting to conjure spirits. He claims he saw a dress in the grass and someone naked running away. Parris warns Abigail that if the villagers believe she was conjuring spirits—and practicing witchcraft—the congregation will rise up against him. Rumors of witchcraft are already spreading through the village, and Parris knows that he must respond quickly before he loses all control.
Abigail denies her uncle’s accusations, claiming that she was simply dancing to Tituba’s Barbadian songs. Parris does not believe her, and he questions her reputation prior to joining his household. He recalls that Abigail’s former mistress, Elizabeth Proctor, fired her and turned her away. Moreover, no other household in the village will accept her as a servant. He also observes that Abigail doesn’t regularly attend church services. Abigail again denounces her uncle’s suspicions, claiming that the villagers refused to hire her because they prefer to have slaves working for them.
Thomas Putnam and his wife, Ann, enter the scene. Putnam harbors a grudge against Parris because his brother-in-law vied for the position Parris holds. Ann believes that her daughter, Ruth, is bewitched. She claims that Ruth is walking about as though possessed by evil spirits, and that she does not respond to her. She also claims that she saw Betty flying over a neighbor’s barn. This is not the first time, however, that Ann has concerned herself with witchcraft. After seven of her babies died upon birth, she sent Ruth to Tituba, believing Tituba would conjure her dead children’s spirits.
Parris worries that accusations of witchcraft will send the village into a frenzy. Putnam urges Parris to deflect suspicion from himself by preceding their accusations, announcing that he has “discovered” witches within the community. Parris agrees to preach to the anxious residents of Salem, though he will not mention witchcraft until he consults with Reverend Hale (a man who is known for “discovering” a witch in his own village of Beverly, and is widely accepted as an “expert” on witchcraft).
The Putnam’s servant, Mercy Lewis, enters the room, joined by Mary Warren, the servant of a local farmer, John Proctor. Once Parris and the Putnams leave, Abigail instructs Mercy and Mary to claim that they merely “danced” in the woods. As Mary worries that the town will accuse them of witchcraft, Betty rises from bed and begins to cry out for her dead mother. Betty claims she will fly to her mother, and the other girls must restrain her. Betty also cries out that Abigail was attempting to conjure spirits to murder John Proctor’s wife, Elizabeth (because Abigail is in love with John). Abigail threatens violence against all of them if they confess her murderous and adulterous intentions.
John enters the scene. He harshly orders Mary to return to work, and she departs with Mercy. Once alone with John, Abigail alludes to their extramarital affair, explaining that she loves John because he taught her to see the hypocrisy of Salem’s villagers. Abigail denounces Elizabeth Proctor, who dismissed her after discovering the affair. John tells Abigail that their affair is over, and he must be loyal to his wife.
A crowd of villagers gathers around the room, singing psalms. Betty suddenly becomes hysterical, and Ann Putnam claims she is reacting to the Lord’s name (and that this is proof of witchcraft). A highly-respected elderly woman named Rebecca Nurse, her husband (an influential land-owner named Francis Nurse), and Giles Corey, an elderly farmer, join the Putnams. Rebecca says that she believes Betty is only acting. Furthermore, Rebecca worries that accusations of witchcraft could stir tensions between competing factions of the village.
Proctor speaks out against Parris’s decision to summon Reverend Hale, and Putnam retorts that Proctor has no right to speak about community politics because he does not attend church. Proctor claims that he does not ascribe to Parris’s narrow-minded obsession with “fire and brimstone.” Proctor and Putnam then bicker about who rightfully owns the land where Proctor obtains his wood.
Reverend Hale arrives with many books. He explains that these books are catalogues of the many forms demons and witches assume. Parris tells Hale that he saw Abigail, Mercy, Mary, Betty, and Tituba attempting to conjure spirits in the woods. Ann tells Hale about her seven children who died upon birth. Giles Corey also tells Hale that he has seen his wife reading from “strange books” that mysteriously prevent him from praying. As Hale consults his own library of books, Rebecca leaves, claiming she is “too old” for this kind of hysteria.
When Hale questions Abigail about her activities in the woods, she attempts to claim they were only dancing. Suspicions rise, however, when Parris mentions the presence of a nearby kettle. Abigail tells Hale it was soup; Hale pursues this line of questioning, asking if any living creature was in the kettle. When Abigail claims a frog “jumped in,” Hale suspects evidence of witchcraft. Panicking, Abigail claims that Tituba made her drink from the kettle, and that Tituba conjured the devil.
Hale and Parris then turn on Tituba. Frightened for her safety, Tituba claims that the devil ordered her to kill Parris (playing into his paranoia about others rising against him). They order her to tell them if she saw anyone from the village with the devil. Tituba claims that she saw the devil with two local outcasts, Sarah Good and Goody Osburn. Ann tells the men that she believes Tituba because Goody Osburn was her midwife. Abigail and Betty join in this frantic tide of accusations, naming numerous other villagers whom they “saw with the devil.”
John Proctor returns home for dinner with his wife, Elizabeth. The atmosphere in the home is tense. John still feels guilty about his affair with Abigail. Elizabeth is afraid to provoke her husband’s guilt and defensive anger.
The Proctor’s servant, Mary, has defied Elizabeth’s orders to stay home and work. Mary is in the village with a group of girls led by Abigail. Abigail is manipulating Mary to testify against the people she accused of practicing witchcraft. In order to “prove” their accusations of witchcraft in the courtroom, the girls pretend to faint, grow cold, and react hysterically to invisible “spirits,” claiming that the accused “witches” are trying to hurt them.
Whenever Abigail accuses a member of the community, the court accepts and believes her testimony. As a result, the court has imprisoned 14 people already who are due for execution by hanging. The only way an accused “witch” can escape execution is “confessing” he/she worked with the devil (and to name other “witches” within the community).
Elizabeth is afraid that Abigail will accuse her of witchcraft. Elizabeth believes that Abigail wants her to die so she can marry her husband. She urges her husband to testify against Abigail. Proctor remains shocked by these developments. He feels torn between his desire to please Elizabeth and his desire to forget his shameful involvement with Abigail. He tells Elizabeth that Abigail admitted her dancing had nothing to do with witchcraft; however, he cannot accuse her because they were alone when she admitted this. Upon hearing her husband was alone with Abigail, Elizabeth accuses him of harboring romantic feelings for her. Proctor angrily demands her to stop judging him.
Mary returns home and gives Elizabeth a doll she sewed in court, claiming the doll is an offer of friendship. She reports that 39 people now stand accused of witchcraft. She waxes about the power of the court, believing her testimonies are purifying Salem. Mary claims that an ill-reputed woman in town made her sick by mumbling a curse. When said woman told the court she was not mumbling a curse, but saying the Ten Commandments, the court ordered her to recite the commandments. She could not recite the Ten Commandments, and the court accepted this as proof of witchcraft.
Proctor becomes furious with Mary and threatens to whip her. In self-defense, Mary claims that she spoke up in court on behalf of Elizabeth when someone accused her of witchcraft that day. John orders Mary to go to bed.
Elizabeth is confident that Abigail accused her, just as she predicted. She explains to her husband that by becoming physically and romantically involved with Abigail, he made a “promise.” This “promise” made Abigail believe Proctor would marry her if she found a way to dispose of his wife. Elizabeth begs Proctor to confront Abigail and break this “promise” once and for all.
Reverend Hale comes to visit the Proctors. Hale explains that he is visiting the homes of all accused “witches” because he is an outsider and is therefore unfamiliar with their character. He has just come from the home of Rebecca Nurse, who also stands accused. The Proctors are horrified that someone as well-respected as Rebecca faces witchcraft accusations.
Hale questions the Proctors about their character, their standing in the community, and their Christian beliefs. He observes that Proctor does not regularly attend church. Proctor explains that he does not agree with Parris’s harsh theology, suggesting that he finds it hypocritical. Hale then quizzes Proctor on the Ten Commandments. Proctor tellingly remembers all but one: The commandment about adultery.
Proctor tells Hale that Abigail admitted to him that she didn’t believe in witchcraft, and that her performances in court are a sham. This accusation greatly disturbs Hale. Hale tells Proctor that many people have confessed to witchcraft. Proctor points out that the people who confessed are simply trying to save themselves from execution. Suddenly, Giles Corey and Francis Nurse rush to the Proctor home. Their wives have just been accused of witchcraft, but they suspect that these charges are motivated by greed and petty vengeance.
Cheever (a court clerk) and Willard (the town marshal) arrive to arrest Elizabeth. Hale is surprised by this arrest, as he was unaware of Elizabeth’s charge. Cheever searches the house and discovers the doll Mary gave to Elizabeth. He reveals a needle stuck under the doll’s skirt, and explains that Abigail claimed to suffer from a wound in her abdomen (where Cheever found the doll’s needle). He considers the doll to be “evidence” of Elizabeth’s witchcraft. He takes Elizabeth and the other accused wives away to the village in chains. Once imprisoned, they will face a trial for witchcraft. Furious, Proctor rips the warrant for his wife’s arrest. He asks Hale why the accuser is always innocent. Hale begins to doubt the truthfulness of these witchcraft accusations.
After Elizabeth goes to jail, Proctor flies into a rage. He orders Mary to accompany him to court and testify that she made the doll, planted it as false “evidence,” and that the girls have been faking their witchcraft-related injuries. Mary warns Proctor that he will have to attest to his affair with Abigail, which she has told all the girls about. Proctor tells Mary he does not care about his reputation, and that his wife should not die for his sins.
Mary weeps, knowing that the other girls will turn against her in court. Proctor grimly reflects that the madness of these witch trials exposes a deep darkness that has been building in Salem: “We are what we always were, but we are naked now. […] And the wind, God’s icy wind, will blow” (45).
Even with the first interactions of Act I, Miller foreshadows the boiling over of Salem’s community. As talk of witchcraft rises, everyone is frightened to face mob hostility, and eager to deflect blame away from themselves. Reverend Parris is tellingly fearful of his “enemies.” Thus, it’s easy for Putnam to convince Parris to announce his “discovery” of witchcraft (and thereby make himself seem less culpable). Tituba fears the “white people” who threaten to whip her to death, and thus offers a false confession of witchcraft. Tituba’s confession revealingly includes the names of women the mob is already “guessing” about—Sarah Good and Goody Osburn—telling them exactly what they want to hear (and distracting attention from herself).
Likewise, Abigail opportunistically seizes upon Tituba’s confession, afraid of punishment for “dancing in the woods.” Abigail’s frenzied calling out of people she “saw with the devil” successfully turns the mob’s attention away from her and onto several other members of the community. As Rebecca Nurse aptly reflects when Parris announces that Reverend Hale is coming, “This will set us all to arguin’ again in the society, and we thought to have peace this year. […] There is prodigious danger in the seeking of loose spirits, I fear it, I fear it. Let us rather blame ourselves” (15).
Act I also shows how numerous characters use the Salem witch trials to enhance their own power and further their own political agendas, much like Senator Joseph McCarthy used his anti-communist hearings to bolster his own political career. Urged on by the wealthy Putnam (who has his own suspect motives), Parris uses fear-mongering preaching and stern judgement of the accused to increase his authority over the congregation. As Proctor suggests with his story about Parris’s preaching demands for “golden candlesticks,” Parris’s motives behind his harsh sermons and sentences are far from holy. In this sense, Parris’s manipulative, fear-instilling use of religion is analogous to McCarthy (who wielded his own conservative Catholic values against his “un-American” enemies). Abigail similarly uses fear-mongering, threats, and intimidation to forward her own agenda: To rid Salem of anyone who stands in the way of her sexual union with John Proctor. In this sense, her character is also a metaphorical stand-in for McCarthy.
Just as the McCarthy hearings strongly favored the accuser and prevented accused communists from defending themselves, Act I reveals a judicial environment that is extremely biased toward accusers like Abigail (and against accused “witches” like Elizabeth). Proctor questions this bias—and the ways religion enables it to flourish—when he asks Reverend Hale, “Why do you never wonder if Parris be innocent, or Abigail? Is the accuser always holy now?” (41). Act I also shows how religion is used to justify bias against an accused “witch” in court who cannot recite her commandments (and against Proctor himself, who not only refrains from attending church, but revealingly fails to recite the commandment about adultery).
Act I develops the prevailing theme of truth versus lies as Abigail leads her band of girls in false accusations, and Elizabeth begs her husband to tell the truth. Numerous characters find themselves uneasily caught between “truth” and “lies,” unsure where they stand within Act I of the play. Reverend Hale initially orders the arrest of accused witches—attempting to protect the community in earnest—but by the end of Act I, he comes to doubt the validity of the accusers’ claims. Mary finds herself divided between her loyalty to the Proctor family—whom she serves and seems to care for—and her genuine awe of the “weighty work” (31) conducted in the courtroom. By the end of Act I, however, Proctor forces her to face her own lies, commanding her to “make [her] peace” (45). At the beginning of Scene 2, Proctor is torn between loyalty to his wife—whom Abigail falsely accuses of witchcraft—and his fear of publicly confessing to his affair with Abigail. By the end of Act I, however, he is prepared to confess his affair and face the court’s judgment to preserve Elizabeth’s life.
With Rebecca Nurse’s arrest for “witchcraft” (along with Martha Corey and Elizabeth Proctor), her words of warning—“This will set us all to arguin’ again in the society […] Let us rather blame ourselves” (15)—prove prophetic. Proctor realizes that his judge sits not only within Salem’s courtroom, but his own heart, and that the people of Salem—with their old tensions, grudges, and desires—“are what [they] always were” (45).
By Arthur Miller