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Washington IrvingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The house in which Tom and his wife live is “forlorn-looking” and isolated, with an “air of starvation” (221). Indeed, a starving horse stalks around the property and seems to “petition deliverance from this land of famine” (221). Like the horse, the “straggling savin-trees” growing near Tom and his wife’s house serve as symbols of the barrenness of their existence. The trees are “emblems of sterility” (221), which could refer both to the couple’s childlessness and to their lack of moral growth. The savin is a twisted-trunk tree with a particularly wild appearance, fitting the grotesque situation of the Walkers.
The Walkers’s property paints a picture of the moral degradation that characterizes their lives. The images of decay, hunger, and loneliness show that an evil life cuts one off from humanity and does not satisfy the soul.
The story also uses trees as a moral symbol during the first meeting of Tom and Old Scratch. Old Scratch is felling timber for firewood and draws Tom’s attention to a particular tree, one that is “fair and flourishing without” but “rotten at the core” (223). Tom sees the name of Deacon Peabody, a local religious leader, carved on this tree; further, the names of many other respected citizens are carved on other trees, all of which are in the process of being chopped down. The trees symbolize how a life that is outwardly respectable can hide base motives and a corrupt soul; the narrator specifies that Deacon Peabody had been known for “driving shrewd bargains with the Indians” (223). Similarly, the story will later show how Tom’s outwardly devout and businesslike exterior hides deep moral corruption. This episode may allude to a passage in the New Testament in which Jesus compares the soul to a tree bearing either good or bad fruit:
Even now the axe is laid to the root of the trees; every tree therefore that does not bear good fruit is cut down and thrown into the fire. (Matthew 3: 10)
After their initial meeting, Old Scratch plants this “signature” with his finger on Tom’s forehead as a pledge or token. Once home, Tom finds “the black print of a finger burnt, as it were, into his forehead, which nothing would obliterate” (225). This symbolizes that Tom has made a deal with the devil which will leave a permanent mark on his soul. The black mark is never more mentioned, but we might assume that it remains on Tom’s forehead for all to see. Thus, while evil sometimes hides deeply in the human psyche, other times it is outwardly apparent and gives a warning to others.
The swamp symbolizes the moral degradation into which Tom falls. It is “full of pits and quagmires,” covered with weeds, and deceptively hospitable but leading to “black smothering mud” (221) for anyone who makes a false step. The swamp may symbolize the precarious nature of the moral life in general, where it is easy to fall into sin. Tom uses it as a short cut, and “like most short cuts, it was an ill-chosen route” (221). Irving suggests here that those who take moral shortcuts in life will come to a bad end.
The swamp is located near an old Indian fort, where a battle took place long ago between the Indians and the colonists. The fort has gradually disappeared; Irving points here to the dangers of forgetting about or covering up the past. At first Tom is not fazed by the superstitions surrounding the swamp, but immediately he is proven wrong when his staff uncovers a human skull with an Indian tomahawk buried in it. Thus, Tom’s failure to take seriously the danger to his soul posed by walking through the swamp leads to his becoming entrapped by the devil.
By Washington Irving