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111 pages 3 hours read

Reyna Grande

The Distance Between Us

Nonfiction | Autobiography / Memoir | Adult | Published in 2012

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Book 1, Chapters 16-20Chapter Summaries & Analyses

Book 1, Chapter 16 Summary

Reyna’s mother returns after having been in a traffic accident that killed her boyfriend. Grande recounts her mother’s story, which she would hear only years later: She had not intended to fall in love and was certain that her boyfriend, as a wrestler, would be able to protect her. During the weeks after her mother’s return, Reyna frequently hears her weeping: “We hadn’t known how to comfort her or what to say, so we stayed away. She stayed away from us too, and only once did she try to hold one of us—my little sister” (121). Betty dismisses her and reaches instead for Mago.

Reyna’s mother gets her old job back; upon receiving her first paycheck, she treats the kids to a movie, and Reyna notes that during the film, “I leaned my head against Mami’s arm, and she reached out and played with my hair” (124). Her mother’s mood brightens even more when she learns that the government is giving away parcels of land. She takes the children along to stake a claim, but finally Reyna and her siblings, tired and hungry, want to go home. Reyna’s mother insists, however, that Carlos will have to stay behind to guard the land, even staying overnight. After two weeks of squatting on the land, Carlos begins to show signs of pneumonia, but he insists on staying so that he can help with the new dream house. Reyna, Mago, and Chinta carry him home; when Reyna’s mother returns from work, she rushes to the land, only to see that other squatters have claimed it. She returns in tears and ignores both Carlos’s apology and Reyna’s attempt to console her.

Book 1, Chapter 17 Summary

To shorten her commute, Reyna’s mother moves in with Tía Güera. Reyna and her siblings protest to no avail: “We begged her to stay with us. We promised we would be good, but Mami shook her head and said it was for the best” (130). Reyna is particularly distressed; by now she has basically forgotten her father. With Mago’s sixth-grade graduation nearing, Don Oscar, Reyna’s mother’s boss, agrees to be her godfather for the celebration. At the graduation party, Reyna is pleased to see that Mago is freed from her duties as a caregiver for her younger siblings: “That was the first time in a long time that Mago didn’t have to be anyone’s mother” (133). Reyna plays with Don Oscar’s children, too, but with their formal education and proper Spanish, they laugh at the way Reyna and her siblings talk. At this point Grande’s narrative flashes forward 13 years; as a college student, Reyna returns from America to her hometown to discover that her cousin is working as a maid for Don Oscar’s family. She writes of this experience: “I knew then, as I do now, that could also have been my fate” (133).

Book 1, Chapter 18 Summary

With Christmas approaching, Reyna and her siblings are excited because they will celebrate with their mother. During the festivities, they participate in various activities as their anticipation increases. Even Tío Crece, typically unstable, behaves himself as he accompanies the children to collect presents from neighbors. Reyna and her siblings decorate a modest tree with painted eggshells and clean the house: “We wanted this Christmas to be special […] we hoped that if we made the house look beautiful, maybe Mami would finally decide to come back to live with us” (137). Finally, Reyna’s mother arrives with a rotisserie chicken, but Reyna notices that she has brought a date as well, a much younger man named Rey. Reyna sums up her disappointment: “Suddenly, the chicken didn’t smell as good. Our Christmas tree was a branch, and it looked pathetic with all those eggshells” (138).

Mago begins to cry and goes into a panic, and Tío Crece tries to restrain her as she claims that she wants to die, kicks and screams, and eventually kicks her mother in the face. Reyna’s mother insists that she should be able to invite whomever she wants and eventually leaves with Rey, her face swelling from the kick and her hair and make-up a mess. When they release Mago, she runs to the door and slams it shut. The next day, Mago writes a letter to their father, begging him to come back.

Book 1, Chapter 19 Summary

Five months pass, and Reyna nears her 10th birthday. She and her siblings learn that their father is going to call them, so they rush to Evila’s house without washing or dressing themselves. Once they arrive, they see that their father is there. Reyna notes that he has gotten heavier and now wears glasses: “There he was, the Man Behind the Glass, in the flesh” (143). The children approach him cautiously, uncomfortable due to the awkwardness of the moment and their dirty hair and clothes. He introduces them to Mila, his new wife, and Reyna curses herself for admiring the woman’s light skin and youthful appearance.

The next morning Reyna’s father inspects his dream house, which by now is nearly finished, but he doesn’t answer when Mago asks which room is to be his. Eventually, he announces that he and Mila are returning to America. He can only afford to take one of the children with him and decides to take Mago, who, as the oldest, will best be able to withstand the ordeal of crossing the border illegally. Reyna protests silently: “I had survived being left by my father. I had lived through my mother’s constant comings and goings. But if Mago left me, I didn’t think I could survive” (147-48). To make matters worse, her father decides that Carlos, too, will be crossing with him. Both Mago and Carlos, however, say that they will not go with him unless Reyna can join them. Their father agrees to take them all. 

The next day, Reyna and Mago deliver the news to their mother, who refuses to allow Betty to go with them. Grande later realizes that her mother was simply being spiteful: “If she had allowed my father to have Betty, it would mean that he had won” (152). Saying goodbye, Reyna hesitates, thinking she ought to stay with her mother. Instead, she opts to remember her mother favorably and forget the mother who repeatedly abandoned her.

Book 1, Chapter 20 Summary

Even with the aid of a smuggler, the first attempt to cross the border fails, as Reyna is unable to keep up due to fever and pain; border agents send her, her father, Mago, and Carlos back to Tijuana. The second try yields the same result. This time, Reyna has come across a rotting corpse in the desert and panics. The third attempt, their father tells Reyna and her siblings, will be the last. If it fails, they will go back to live with Grandmother Evila. He also informs them that expenses are getting too high with the cost of the hotel and other daily necessities. On the last attempt, a sweeping border patrol helicopter spots them. Reyna prays, begging God for a safe arrival: “I want to live in that perfect place. I want to have a father. I want to have a family” (157).

They cross successfully and hire another smuggler to drive them to Los Angeles. Reyna and her siblings hide in the backseat of a car, but finally the smuggler allows them to sit up and look around. Reyna is amazed by the scenery: “I had never seen so many palm trees, and there they were, on either side of the freeway […] And the cars were clean and shiny, so different from the rusty old cars back home” (158). As the car nears Los Angeles, Reyna asks her father how far they are from home; he replies, angrily, that America is now their home. The smuggler adds that the distance from Iguala is about 2,000 miles.

Book 1, Chapters 16-20 Analysis

These closing chapters of Book 1 deal further with the theme of physical and emotional distance and continue to develop the symbol of home and The Man Behind the Glass. When Reyna’s mother returns after the death of her wrestler boyfriend, the children avoid her, and she avoids them. The emotional distance is demonstrated physically when Reyna’s mother tries to hold Betty. Betty rejects the attempt and cries because she is unaccustomed to her mother’s presence and prefers Mago. The physical distance increases once more as Reyna’s mother decides to live with a relative in town. Reyna reflects on her mother’s transience: “[M]y mother’s comings and goings wouldn’t let me forget her. Instead, they increased my longing for her even more” (131).

Additionally, when Reyna’s father announces his plan to return to America with Mago, Reyna doubts whether she will survive this separation: “Why did he have to […] take away the only person who truly loved me?” (148). Furthermore, during the crossing into America, Reyna notes that with each step closer to the border, she gets farther away from Grandmother Chinta, Betty, even her mother. When they reach Los Angeles, she asks about the distance from Iguala and learns that it is 2,000 miles “between me and the place I had been born. Mami had once said she didn’t want me to forget where I came from” (159). As they exit the freeway, Reyna quietly promises not to forget about Iguala or Mexico.

Grande also follows up on the theme of the intersection between memory and imagination. As her mother prepares for a job interview, Reyna imagines her kissing her father; she is also reminded of the way her mother used to be: “I could almost see that other mother—the one she was before she left—peeking through” (123). Reyna’s mother, too, suffers from the anguish of broken dreams. Intending to claim property on which to build her own dream house, she eventually sees that her dream has caused her children to suffer, especially Carlos, who becomes ill after spending so many nights squatting on the property. With the property lost, Reyna’s mother rips up the drawing she had made of the house. Reyna also confesses that she has nearly no memory of her father, which is a comfort: “whenever I remembered him, the memory of him did not hurt” (130). As memories of her distant mother continue to distress her, Reyna commits to memory an image of a happy and carefree mother, dancing in a record shop, and tries to forget “that other mother […] who left and left and left” (152).

Finally, Grande continues with the theme of house versus home. Her mother’s plans to build a house fail, despite her intentions. Reyna’s home life becomes unstable once again when her mother decides to move in with a relative to make her commute easier: “We begged her to stay with us […] the thought of my mother living apart from me made my body tremble, my teeth clench in my mouth, my eyes burn” (130). Additionally, when Reyna’s father returns and sees that his dream house is nearly finished, Reyna and her siblings are excited about moving in and having a stable home life; their father, however, has no intention of staying. Mila asks him how soon they can go home, confusing Reyna: “Go home? I wondered. But this is home” (146). She tells her father that they will all be safe in the house, but to no avail. In a sad, ironic twist, Reyna, having crossed the border into America, asks her father how far they are from home. He scoffs, telling her that Los Angeles is her home now.

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