58 pages • 1 hour read
Jean-Dominique BaubyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Bauby opens this chapter by recounting the day that his wheelchair arrived in his hospital room. On that day, a bevy of white-coated medical staff, including nurses, orderlies, a physical therapist, an occupational therapist, a psychologist, a neurologist, interns, and even the department head arrive in his room for the unveiling of the chair. Bauby, however, confesses that he could not make the connection between the wheelchair and himself, and instead thought that he was being ejected from his room to make room for another patient. Because no one had yet clearly articulated his situation to him, he had clung to the belief that he would soon very quickly recover his ability to move and speak.Rather than thinking about such a thing as a wheelchair, his mind was occupied with “a thousand projects: a novel, travel, a play, marketing a fruit cocktail of [his] own invention” (8).
On this day, the members of the medical staff dress him by painfully manipulating his limbs into clothing. Two attendants then lift him from the bed by his shoulders and feet, and dump him “unceremoniously into the wheelchair” (8). It is through these occurrences that Bauby realizes that he has crossed the threshold into being a full-fledged quadriplegic, rather than merely a patient with an uncertain prognosis. Sardonically, he remarks that the medical staff came close to applauding this moment, which he clearly recalls with grief that is, notwithstanding, laced with his unique levity and wit. He recounts his feelings of utter devastation as the medical staff pushes him all the way across the medical floor to check for any spasms the chair and movement might trigger. He laments his physical helplessness and fully realizes his new life as a paralyzed person who uses a wheelchair. He reveals that he sees the wheelchair as a life sentence, and that the realization of the truth of his new life is “as blinding as an atomic explosion and keener than a guillotine blade” (9).
Then, the numerous medical professionals suddenly leave his room, and the orderlies lay him back in bed. He closes the chapter on a melancholic note—recalling the abandoned wheelchair in the corner of the room, his father’s favorite quiz show on the television, and the streak of rain on his windows.
In this chapter, the wheelchair serves as a symbol of Bauby’s new life with locked-in syndrome. The manner in which he greeted it—with a lack of understanding that it was meant for him—mirrors the way in which he was slow to accept that his stroke inaugurated a drastic, permanent, and grievous change to his life. The shock of realizing that the wheelchair is for him thus mirrors the shock of the sudden realization of his new reality. His depiction of the gaiety and gravitas that the medical staff adopt on this occasion highlights both their tender care and their ultimate inability to fully comprehend his perspective as someone with locked-in syndrome. And the way that they suddenly take leave of him, leaving him with the melancholic sight of the abandoned wheelchair, the hum of the television, and the rain-streaked windows, depicts Bauby’s bereavement, his isolation, and his entrapment.