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53 pages 1 hour read

Robyn Harding

The Drowning Woman

Fiction | Novel | Adult | Published in 2023

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Part 1, Chapters 1-13Chapter Summaries & Analyses

Part 1: “Lee”

Part 1, Chapter 1 Summary

Content Warning: This section discusses suicide and suicidal ideation, depression and panic attacks, intimate partner violence and abuse, murder, and death.

Lee Gulliver attempts to sleep in the driver’s seat of her car. She thinks about her previous perspective on homelessness and how it has changed since she resorted to living in her car. Two men whom Lee identifies as “addicts” appear on either side of her car. One breaks her passenger side window. He grabs her backpack, which contains clothes and toiletries. She’s relieved that she can replace these things. As she starts the car, the man grabs her purse, which contains her phone and identifying documents. She tries to swipe his arm with her knife, but the attacker runs alongside as she drives, eventually pulling the purse from the car.

Part 1, Chapter 2 Summary

Lee goes to a local pool to take a shower because “the staff will look the other way if it’s not too busy, if [she is] quick and quiet” (8). She thinks about the bridges she burned in New York and meeting Damon. Lee’s dream had been to start a restaurant, the Aviary. While she knew that Damon was a gangster, she accepted his offer to invest in her restaurant. She recalls how the pandemic affected her business, eventually driving her to bankruptcy. Damon then crushed her finger, threatening to break another one weekly until she paid him, so she fled to Seattle. Lee finishes her shower, thinking about what to do about her broken car window.

Part 1, Chapter 3 Summary

Lee goes to her shift as a waitress at Uncle Jack’s, a diner in a bad area. She asks her boss, Randy, for an advance on her paycheck so that she can fix the window. He says no. Vincent, one of the diner’s fry cooks, overhears Lee telling Randy that she’s been robbed and says that his friend will sell her a phone for $30. Lee goes out back to meet the friend, who sells her the phone and then asks if she wants to make some more money via sex work. She declines.

Part 1, Chapter 4 Summary

Lee decides to drive to an affluent seaside neighborhood to sleep in her car in relative safety. She thinks about calling her sister, Teresa, but knows that she can’t expect forgiveness. The novel later reveals that Lee caught Teresa’s fiancé cheating and then attempted to extort him instead of telling her sister immediately.

A few mornings later, she wakes up beside the beach and hears a woman crying. Lee sees the woman walk into the water and go under. Lee jumps in and pulls her to the surface.

Part 1, Chapter 5 Summary

The drowning woman, whom the novel later introduces as Hazel Laval, regains consciousness and immediately starts fighting. She’s furious with Lee for saving her life. Lee retrieves whiskey and a sleeping bag from her car, and the two women huddle together, sharing the bottle. Hazel tells Lee that she hates her life because she’s in a toxic marriage with a sadist.

Part 1, Chapter 6 Summary

Lee pays to shower in a YMCA and then goes to work. She can’t stop thinking about the drowning woman. The next morning, she parks her car in the same neighborhood and wakes up to find Hazel tapping on her window.

Part 1, Chapter 7 Summary

Hazel thanks Lee for saving her life: “I’m grateful that you found me when you did” (31). She gives Lee an antique kimono clasp called a netsuke that belongs to her husband, Benjamin, and says that it’s quite valuable if Lee wants to sell it. In addition, Hazel brought breakfast, and the women eat together on the beach.

Part 1, Chapter 8 Summary

After payday, Lee goes to an auto body shop to have her window repaired. As she waits, she realizes that she’s getting sick. She panics since her life is hard enough when she’s healthy. She makes eye contact with another customer, a young man, who gives her an orange. When her car is ready, Lee drives back to the affluent neighborhood to sleep.

Part 1, Chapter 9 Summary

Lee thinks about how her restaurant was her identity and how its loss “feels like a severed limb sometimes, an invisible ache for a lost lover or a cherished pet” (40). Hazel knocks on Lee’s window and sees how sick she is. She promises to return later with food and supplies.

Part 1, Chapter 10 Summary

Hazel returns with medicine, food, and cosmetics, suggesting that Lee will feel better if she looks better. Hazel washes Lee’s face and applies makeup. At work, one of the customers is the man from the car shop who gave Lee the orange. He introduces himself as Jesse Thomas. Lee feels distracted by his presence, and “something dormant” stirs in her (44). He asks her what time she finishes and says that he’ll come back at midnight and they can go out for a drink.

Part 1, Chapter 11 Summary

Lee wakes up in Jesse’s empty apartment. She remembers falling asleep after drinking whiskey the night before. Jesse helped Lee into his bed and then slept on the couch. He returns to the apartment with tea and breakfast. She feels smitten.

Part 1, Chapter 12 Summary

As Lee drives back to the affluent neighborhood, she thinks about what happened with her sister, Teresa. Teresa’s fiancé, Clark, had brought a young lover into Lee’s restaurant, the Aviary. Already in debt, Lee took photos and attempted to extort Clark rather than telling her sister immediately. When Teresa found out, she forgave Clark but not Lee.

Lee sees Hazel on the beach. Hazel explains her situation with her husband, Benjamin, in more detail, saying that it started off as a consensual “master/slave contract” but devolved into nonconsensual physical and emotional abuse.

Part 1, Chapter 13 Summary

Jesse comes to the diner a few nights later and invites Lee out for ramen after her shift. They talk about their birthplaces and about Hazel. Jesse expresses sympathy, and Lee recalls their conversations over the past few days about how Hazel can escape her life. Jesse walks Lee to her car, and they kiss.

Part 1, Chapters 1-13 Analysis

These chapters establish the novel’s two points of view, alternating between Lee’s and Hazel’s first-person perspectives. This technique characterizes both women through their thought processes, revealing more about them than they share with each other. It also emphasizes the similarities between their situations even though they initially appear quite different on the surface. In this first section of the novel, Lee often compares herself to others, including Hazel, to reflect on how her life used to be. When she first sees Hazel on the beach, she observes that Hazel has “shiny dark hair like [she] used to have” (21), and when she sees two well-groomed women in the pool changing room, she thinks, “Not so long ago, women like these would have come to my restaurant. They would have admired the aplomb with which I ran it, marveling at my rapport with staff and customers, the obvious joy I took in it” (29). Lee’s thought process about how other people see her emphasizes the struggles associated with being unhoused and how quickly life can change.

In this section, the novel provides significant details on Lee’s backstory and the circumstances that led to living in her car. Both Lee’s choices and uncontrollable events in her past emphasize the complexity of her situation and the fact that even those who previously didn’t think they could experience being unhoused are closer than they realize. The contrast between how Lee previously thought about unhoused or transient individuals and her lived experience of being unhoused introduces the theme of Preconceived Notions Versus Lived Experience, reflecting how perceptions often link to social bias.

The details about Lee’s backstory are also significant because of the specific mention of COVID-19, specifically the omicron strain. Recalling the downturn in her restaurant business, Lee notes, “I hung on as long as I could, but omicron was the final straw. My servers got sick, followed by my kitchen staff, and then I went down” (9). The specific reference to the pandemic orients the novel in the real world and in time. This increases its contemporaneity and verisimilitude. In addition, it enhances the novel’s representation of being unhoused and circumstances in which it is difficult to avoid. This builds empathy for Lee’s character. Similarly, Hazel reflects later in the novel on the effect of COVID-19 on her relationship and how Benjamin’s abuse increased during lockdown. The novel thereby depicts the pandemic’s wide-reaching and diverse effects.

Another way the novel creates relatable and engaging scenes is through its use of setting. Descriptions of exterior and interior settings across Seattle enhance the story’s impact and augment its engagement with themes regarding class contrast. The opulent interiors and affluence of Hazel’s neighborhood starkly contrast with the underpass where the novel opens and the other locations that Lee frequents. Lee sees the affluent neighborhood as a safe space where she’s free from people trying to harm her while she sleeps. However, Hazel views her upscale home as a prison, and her apparent attempt to die by suicide in the ocean is really an ill-fated attempt to gain her freedom. As the two women develop a friendship, the beach functions as a liminal space. In this outdoor setting, they’re equals, sitting under the same blanket together and eventually meeting regularly at a driftwood log to eat together and talk. At the beach, Hazel and Lee exist as themselves, apart from their circumstances.

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