49 pages • 1 hour read
Richard PowersA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Mark is one of the three protagonists of the story. He is the “echo maker” whose brain injury changes the status quo for everyone else. Karin and Weber try to interact with Mark only to find their approaches bouncing off him. They react by beginning to echo his condition. Karin starts to wonder whether she is the “real” Karin, and Weber begins to see himself as a fraud.
Mark’s is a coming-of-age story. He is nearly 30 years old but is immature for his years. His friendships are based on video games and reckless play, which leads to his accident. His dead-end job offers no prospects for change or growth. Part of Mark’s immaturity stems from Karin sheltering him. As a child, Mark benefited from Karin’s protection, as she shielded him from the worst abuses of their erratic parents. However, she also prevented him from coming of age, and he remains a perpetual child.
Mark’s accident is a symbolic death. He realizes this when he first starts the olanzapine treatment and tells Karin he died on the operating table and has been walking around dead ever since. He lives metaphorically in the underworld while he learns to let go of all the stories he has been trying to tell himself. After a year, he has become so exhausted by the struggle that he at last surrenders and allows himself to be reborn. His attempt to die by suicide after beginning his medication is his second death. He emerges from the underworld changed, no longer a child.
Before the accident, Mark’s life had no meaning. After the accident, he tries to impose meaning by creating elaborate scenarios with villains and heroes. By making himself the center of a conspiracy, he gives himself significance. Mark eventually finds meaning in the realization that he sacrificed his own life to save a total stranger. Symbolically, he dies and is resurrected, giving life to Barbara so that she can restore him in turn.
Karin, the second protagonist, is Mark’s older sister who protected him from their parents’ erratic behavior. Mark was Karin’s only source of validation. Their parents were too self-involved and distanced from reality to give her meaningful feedback about herself, and Mark’s feedback was positive only when Karin pleased him. As a result, Karin lives for nuggets of approval from other people. Mark, after the accident, sees this clearly in Karin when he tells Weber that there is nothing to Karin; all she needs is a pat of approval now and then.
After Mark’s accident, Karin uses Mark to validate herself, keeping him dependent instead of pushing him to look after himself. Mark’s rejection leaves Karin adrift. She has no one to confirm the identity she has come to rely on, and she is conflicted in whether she really wants Mark to be cured. She is gratified by his idealization of the “real” Karin because she knows she is the person he is praising, even if he doesn’t realize it.
Karin ultimately finds her sense of value in her work at the crane refuge. She is no longer stuck in the routine of customer service; she is actively seeking donations and funds to maintain the integrity of the natural world. Her identity is no longer tied up in other people’s approval. It has become an ongoing negotiation with the natural world that both needs her and sustains her.
Neuropsychologist Gerald Weber is the third protagonist. He is described in appearance as a cross between Charles Darwin and Santa Claus. Weber has written several books comprised of case studies of people with unusual neurological conditions that effect perception and reason. Weber’s intent is to put the stories in a format that will promote understanding and sympathy. He had the sense that by telling his patients’ stories, he was healing them. However, as the field of neuroscience progresses, he has become increasingly unsure of his largely psychological approach, particularly as regards his most recent book. He fears he may have begun to use his subjects rather than help them. With Mark, for example, he is interested in recording Mark’s story, but when it comes time for treatment, he suggests cognitive behavioral therapy and walks away without considering the medical aspect of Mark’s condition.
Weber has been married for 30 years to Sylvie, and they have come to know each other so well that they are barely separate people. This becomes a problem for Weber when he realizes that he has lost his way in his professional life. When he needs to change his goals and self-concept, Sylvie resists. She is satisfied with him just the way he is, and the negative reviews that dismay him seem irrelevant to her. She illustrates the difficulties inherent in The Negotiation of Identity. In order to make the change he needs to make, Weber must find someone who will echo back to him the identity he is trying to shape. Barbara serves that function for him because she is undergoing a similar reorientation.
Barbara is in her forties, attractive and notable for her poise and unruffled calm. All the other characters are drawn to her. Karin wants to be like Barbara, who seems to be secure in herself. Weber sees in Barbara someone as broken as himself. Mark considers her the only true thing in his life. Ironically, Barbara is the least honest person in the story. She has hidden her identity from everyone, especially the fact that she caused Mark’s accident by stepping in front of his truck. At the same time, her care for Mark is genuine, and unlike the other people in Mark’s life, she has no ulterior motive other than to support him.
Like Weber, Barbara has gradually felt her identity being whittled away by a career gone astray. She was once a high-powered news reporter, burning out on a stressful career. Stepping in front of Mark’s truck was an attempt to die by suicide. Mark was injured instead, and helping him recover helps Barbara find herself.
Daniel is thin and quiet. He reveres the natural world and is at the same time divorced from it. He is vegan and eats very little, intentionally depriving himself of energy. He is fulfilling a hermetic and messianic impulse but rejecting the balancing factor of his humanity. This reflects a rejection of the destruction wrought by humans on the natural world and echoes the theme of Ecosickness. Daniel tries to flow with the ongoing changes that create an individual’s identity. He meditates in order to help himself feel less like every change from moment to moment is a death.
Daniel is in denial of his bisexuality and the fact that he is using Karin as a substitute for Mark. He acts as a caretaker to Karin, who welcomes his care even as it makes her uncomfortable to be on what feels like the “wrong” end of the caregiving exchange.
Because Daniel cannot connect with others, he fails to transform the world in the way he wants to. Consequently, Daniel retreats even farther from humanity by following the cranes to the isolation of Alaska.
Robert Karsh is a foil for Daniel. He is earthy and practical, offering to feed Karin, whereas Daniel rejects food. Karsh expresses passion for Karin while Daniel’s attachment is distant and aesthetic. Karsh lacks regard for the natural world while Daniel places the natural world above humans. Karsh represents the destructive nature of humankind, whereas Daniel represents the rejection of humankind.
Initially, Karsh appears to represent balance. He presents his proposed nature center as a compromise that benefits both humans and nature. Actually, his future plans will destroy the cranes’ habitat—which he may not be able to see.
When Karsh’s full plans are revealed, it becomes clear than neither he nor Daniel represents the necessary balance between humans and the ecosystem in which they live.
By Richard Powers