55 pages • 1 hour read
Graham GreeneA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Bendrix reads Sarah’s diary. She talks about her love for “You” (48), a broken narrative spread across a number of days in February 1946. In an entry marked 12 February, she describes a dream in which she ascends a long flight of stairs and sees Bendrix at the top. She is happy, but when she calls out that she is coming, “it wasn’t Maurice’s voice that answered” (48), but a stranger’s voice. Sarah laments that she is no longer with Bendrix, blaming God. Bendrix flicks through the diary, noting Sarah’s life with Henry which, while mundane, is still able to hurt him.
In an entry marked 12 June 1944, Sarah describes a conversation about love that she had with Bendrix. Bendrix is “jealous of the past and the present and the future” (49) and she muses on her love for both Bendrix and her potential love for God, though she seems to be an atheist. Although both she and Bendrix seem happy, “never in our lives have we known more unhappiness” (50).
Five days later, the next diary entry describes a day when, as she waited for Bendrix on the Common, she heard several speakers. One was a member of the Rationalist Society of South London and describes a man whose appearance matches that of Richard Smythe. Sarah and Bendrix spend the day together, and later, she will leave on a train to join Henry in the countryside.
As the narrative continues, it becomes clear that it is the day that the bomb struck the house, seen from Sarah’s perspective. After the explosion, Sarah goes downstairs and sees Bendrix’s hand sticking out of the rubble. She is convinced that he is dead. Caught in a moment of abject horror, Sarah kneels down and begins to pray. She promises to believe in God if Bendrix is able to survive: “Let him be alive, and I will believe” (51). If Bendrix survives, Sarah promises, she will “give him up forever” (51). She then returns upstairs, and when Bendrix walks into the room, Sarah feels the sudden onset of the agony of being without Bendrix. She wishes that he “was safely back dead again under the door” (52).
The next entry is a month later. Sarah describes her perfunctory life with Henry, and she arrives back home after a long time away. She sees a letter marked urgent and rips it up immediately.
The next day, Sarah visits the Common three times in the hope that she might run into Bendrix. This would “not be breaking my promise” (52), she reasons. Although she does not see Bendrix, she does see “the man with the spots […] attacking Christianity” (52). She hopes that Richard will be able to divorce her from her newly held beliefs, in the hope that she can see Bendrix again. Even though she is distracted and struggles to listen, she takes a card which invites her to the Smythe home to debate the topic of religion.
At a dinner party with Henry and his work colleagues, Sarah struggles to make conversation. She considers another affair and cannot imagine life with only Henry, with “nobody admiring me, nobody excited by me” (53). Over the coming days, she tries to see a man named Dunstan but “it didn’t work” (53). As she tours the country with Henry, she considers abandoning her promise to God and calling Bendrix. When she is put through, a woman answers. Sarah feels sick and asks for Mr. Bendrix. The woman informs Sarah that Bendrix is away and that he has allowed this woman to borrow his flat. Although happy at first, Sarah quickly becomes miserable again. She begins to resent God more and more, wondering: “[W]here do I go from here?” (54).
By reading Sarah’s diary, Bendrix reaches his nadir. He contravenes a basic sense of decency and trust, hiring a private detective to steal the diary of the woman he once loved and now loathes. Although his actions have become entirely unsympathetic, the audience has always shared his perspective, and the narrative has been subjectively portrayed from Bendrix’s perspective. Because of this, he has maintained control of his own portrayal. But in this moment, as he begins to read the diary, the narrative mode shifts. A new voice enters the text, and Sarah is able to portray events from her own perspective.
In these chapters, the audience is shown the bomb blast from Sarah’s perspective. The promise she makes with God explains the sudden and jolting breakup of the relationship. It also colors the previous portrayal of Bendrix’s hate: Although he had assumed that there were other men, it is implied that Sarah’s love letters are addressed to God, rather than another lover. Bendrix's motivations for carrying out unsympathetic actions are revealed as hollow. Whereas he assumed Sarah to be a cold-hearted adulterer who left him with no reason and never truly loved him, quite the opposite is true. Even though Sarah says she does not believe in God—“if I believed in you” (54)—she still cannot bring herself to break the promise. She is loyal, in that respect, and her love for Bendrix causes her a great deal of internal strife. It is Bendrix, rather than Sarah, who emerges from these chapters as the cold-hearted villain.
Sarah’s authorial voice is notably different from Bendrix’s. The form is important, as she is writing in a private diary to herself rather than to the reader of a novel, but she deploys certain techniques that set the two voices apart. One of the most important is the use of Bendrix’s first name, Maurice. Throughout the text, she is the only person who uses this name. It gives their relationship an added closeness and an intimacy. Even Bendrix himself rarely uses the name, so Sarah’s choice of words subtly alters the perspective of the protagonist. She is using his true name, a name which is almost forbidden in the other areas of the text. Only Sarah is permitted to use it, and she can only do so when she wrestles narrative control away from Bendrix. Her portrayal of events and Bendrix’s character serve to make her a more sympathetic character and Bendrix less so.
By Graham Greene