64 pages • 2 hours read
Kirstin Valdez QuadeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Brianna is in her first year of teaching at Smart Starts!, a government-funded program for teenage mothers in Española. She began the job with a spirit of hope and a strong, idealistic desire to help young mothers better themselves. She remembers decorating the drab classroom and bringing in encyclopedias, other reading material, cozy rugs, and a plant. She is pleasantly surprised by the students, as she expected more drugs and behavior problems. The one student who she struggles to connect with is Angel’s friend, Lizette. Brianna finds the young woman aggressive and abrasive. Outside at lunch, Lizette performs mock-fellatio on a banana and, although Brianna does not want to address the behavior, she grimly marches outside, admonishes Lizette for wasting a banana, and ends the girls’ lunch early.
Inside after lunch, Lizette raises her hand and objects to Brianna having cut their lunch short. Brianna explains that her behavior was inappropriate. Lizette does not understand why, and Brianna’s heart pounds. She is 25 and does not feel as though she is perceived as a true authority figure. When the day comes to an end, she is grateful and looks forward to going home. Brianna reflects that her employment in a program for teen mothers is ironic, given her own lack of luck with men: She is still a virgin and, although she does not want a baby, desperately wants to have sex.
Yolanda is an administrative assistant for Monica Gutierrez-Larsen, the chief clerk of the New Mexico House of Representatives. She leaves early each morning for her office in the capitol building in Santa Fe. Amadeo, mortified over his latest DUI, has been sober for one week. He rises as soon as Yolanda leaves and makes coffee, feeling hopeful because his windshield repair kit is arriving that day.
In class, the girls discuss what they’ll need to be successful mothers. Lizette continues to disrupt and provides answers that are not serious. Angel, however, takes the activity seriously, all the while worrying about how she’ll put together all the pieces of parenthood, education, and career. Angel wishes that she and her mother were speaking again and that she could find an appropriate godmother for her baby. She stays after class briefly to speak with Brianna and decides that Brianna would be the perfect godmother. She intends to ask her.
At home, Amadeo excitedly meets the UPS driver who has come to deliver his windshield repair kit. He begins calculating how much money he can make and what he will buy with his earnings. When Angel arrives home from school, he shares his plans with her. She asks if Yolanda gave him the $1,000 it cost to purchase the kit, and if that means that Yolanda is now an investor. Amadeo hadn’t thought of that; he hopes that Yolanda does not expect a portion of his profits. Yolanda returns from work in Santa Fe and, for the first time, when asked if she would like Amadeo to pay her back for an amount of money she gave him, says yes.
Angel recalls the early days of her mother’s relationship with Mike. The two had dated for three months before Angel met him, and during that time, her mother was giddy. Marissa bought lacy underwear and consulted with Angel about her makeup before going out. Angel felt part of her mother’s life in a new way and was aware that, as an eighth grader, she was about to enter the period of her life when she too would have such relationships. Reflectively, Angel paid attention to her mother’s descriptions of Mike in order to learn how romance worked.
Angel had liked Mike when she first met him. He took her and her mother out to a fancy restaurant, and although Angel was embarrassed by the adults’ drinking and public displays of affection, the evening went well. She felt slightly left out when, shortly after that dinner, Marissa told Angel that Mike would be moving in; nonetheless, Angel was happy for her mother and thought that Mike was a decent guy. Mike is an architect and, although not wealthy because he pays child support and alimony to an ex-wife in California, he represented stability to Angel.
That happiness was short lived. Mike’s personality changed after demands on him increased at work. He became moodier, angry, and controlling. He and her mother argued more. Their relationship grew volatile. Mike and her mother encouraged Angel to stay out, to enjoy more “freedom”; Angel responded to the deteriorating conditions in her home by self-medicating with alcohol and consoling herself with partying and sex. When Angel’s mother learned Angel was pregnant, her mother’s first instinct was to worry what Mike would think; disappointed in Angel, Mike suggested an abortion. Marissa and Angel are Catholic, and although Angel considered abortion, she decided to keep the baby.
Angel is in the hospital with Amadeo and Yolanda, about to give birth. She wishes that her mother had come. Amadeo mostly thinks about himself. He has a few moments of near-reflection, remembering when Marissa gave birth to Angel, but his own perceived problems consume his thoughts. He wonders if one of the nurses would rebandage the wounds on his hands and worries about the germs to which he’s being exposed. Yolanda, who has a headache again, stuns everyone by leaving. Angel is angry, upset, and confused. Sheepishly, Amadeo thinks to himself that he did not realize leaving was an option. His worry about airborne pathogens in the hospital intensifies, and Amadeo vomits all over the room. A nurse asks him to leave.
Amadeo waits in the hallway for two more hours. After calls from Angel and Amadeo, Yolanda returns. Marissa finally shows up, claiming that she would have come earlier, but her phone died. Amadeo reflects on how long it has been since he saw her, and he realizes that Marissa never asked for his help with any parenting duties. He then questions why she would have done that—Amadeo knows that he is not responsible. He and Marissa chat about their lives, and the two are amiable although still guarded. Marissa is worried about Angel giving birth at such a young age, but Amadeo assures her that Angel will be fine.
Angel’s son Connor is born, and she is thrilled. Marissa’s reaction is disappointing, however. Angel notices her mother’s lack of interest, unwillingness to enter the hospital room until everyone is cleaned up, and obvious discomfort when holding the baby. Angel is simultaneously upset with Marissa and empathetic. Amadeo offers Angel a job as the driver for his planned windshield repair company.
At home, Angel works hard to take care of Connor, but Amadeo thinks that she is emotional, both quick to anger and prone to crying. He does not find his grandson as cute as everyone else does. He is nervous to start his windshield repair business, but he tries out the kit on two chips in his own windshield. He thinks that he’s done an okay job.
Marissa stops by, and the tension between her and Angel is palpable. Angel is irritable and dismissive, clearly frustrated by the fact that her mother brought a bag of toys better suited to an older baby. Amadeo tries to encourage Angel to be nice, but Angel is stubborn. Marissa does not stay long, but she does tell Angel that she loves her and that she has made Mike move out.
Valerie comes to visit the baby. Yolanda has prepared a delicious meal, although Amadeo notices that Yolanda is starting to get words mixed up. Tío Tíve arrives, and he, too, shows signs of aging. Amadeo recalls how badly he wanted to please his great-uncle when he was young. Now he is panic-stricken at the thought that the old man will die before Amadeo has a chance to prove his worth. Tío Tíve has been aware of all Amadeo’s various brushes with the law and moral failings, and Amadeo feels judged.
Yolanda has not sought treatment for her brain tumor. Although she finds the prospect of refusing treatment unappealing, she cannot bring herself to address the illness directly. One afternoon, she gets lost in the capitol building where she has worked for 30 years. Her fear when she is unable to locate her own office motivates her to contact one of the doctors on the list provided by the physician she saw in Las Vegas. She makes an appointment with a Dr. Konecky, who performs a few tests. A second tumor is now near the first. The doctor advises radiation, surgery, and counseling to process the information. Yolanda refuses surgery and counseling and quickly leaves the hospital.
It is Friday afternoon, and Angel is preparing for the Smart Starts! open house. It will be her first day back at school since giving birth to Connor. She is going to drive there, accompanied by her father. In a rare show of help and affection, Amadeo has purchased a nice, new car seat for Connor as well as a pair of tiny basketball shoes. Angel is initially resentful in spite of the nice gesture, but by the time the two arrive, she has softened and gives Amadeo a heartfelt thank you.
At the party, Angel is happy to be back among friends and pleased to see Brianna again. Lizette gives a short presentation on proper discipline, and Angel shows the classroom to her parents and Yolanda. Yolanda is noticeably absent-minded and unsteady. Marissa arrives late, and Amadeo is struck by how much more responsible than Marissa he has become. Marissa jokes about having smoked while pregnant. Angel is horrified, and although Marissa claims to have not known better, even Amadeo recognizes that she cannot be telling the truth.
In the hallway looking at posters, Amadeo is stricken to realize that his daughter is what is termed “at risk.” Brianna introduces herself, and he asks her opinion about Angel and Connor’s chances for success in life. Brianna over-shares that she worries for many of her students, who seem unlikely to provide good lives for their children, but she has high hopes for Angel. Angel is smart and capable, and Brianna thinks that she will make something of herself. Brianna and Amadeo flirt, and he gives her his business card. They decide to get together to “hang out.”
Angel finds Brianna to ask if she will be Connor’s godmother, only be to be surprised and hurt when Brianna declines. Brianna cites the need for proper boundaries with her students and notes that she also said no to another girl who asked. Angel feels rejected.
Angel is upset on the drive home, but will not discuss it with Amadeo. Thinking there’s an animal in the road, Angel swerves to avoid hitting it, nearly crashing the car. Amadeo responds with calm, fatherly support. He drives the rest of the way home. When they unbuckle Connor, they realize that they’d installed the car seat improperly and are lucky that it held. Again, Amadeo comforts Angel and reassures her that “all parents” make mistakes.
This section of the novel begins Part 2, “Ordinary Time.” Its longer length in comparison to “Semana Santa” and “Lent” speaks to the theme of Redemption and Faith. In Part 1, Amadeo fully believes performative religiosity to be the path to redemption. In Part 2, his personal growth begins as he starts overcoming this belief. This growth commences as Amadeo learns to dedicate himself to his family during “ordinary times” rather than just during his performance during Holy Week.
This novel, which is markedly character driven, adopts a third-person omniscient point of view that allows readers access to the thoughts and observations of multiple characters. The narration moves fluidly among Amadeo, Angel, and Yolanda; through this interwoven storytelling, a clearer picture of the Padilla family emerges. One of the primary focal points of this portion of the text is interpersonal relationships. Accordingly, the reader learns more about each character not only through their inner monologues but also through how the characters interact with one another and interpret those interactions.
“Ordinary Times” introduces the character of Brianna, Angel’s teacher at Smart Starts! Brianna is earnest, detail oriented, and organized, but she is also woefully unprepared to teach teenage girls the skills they will need not only to parent their children but also to further their education and successfully navigate the grown-up world of work and responsibility. An outsider to the area, she has no observable cultural knowledge of the very unique, multiethnic, and multiracial community in and around Española. This lack of preparedness is most evident in her interactions with Lizette, a student whose brash personality and penchant for in-class interruptions is alluring to Angel, in spite of the seriousness that Angel herself brings to her studies. Brianna approaches each interaction with Lizette as a power struggle. Because Brianna does not realize that trauma is at the root of the young woman’s disruptive behavior (and even her general life choices and her teen pregnancy), she fails to provide Lizette with the kind of acceptance, understanding, and structure that Lizette needs. Although easily distracted and not overly focused on learning, Lizette is intelligent and does show some signs of reflection. When Lizette makes the very reasonable point that it is unfair of Brianna to have cut the girls’ lunch short because she thought that Lizette was acting out, Brianna does not consider Lizette’s point; instead, Brianna addresses the conflict in a manner meant to preserve her absolute authority. It’s not until later that Angel will realize that inequality and prejudice shape Brianna’s behavior in ways that Brianna herself does not understand; however, the seeds for that realization are planted in this series of interactions.
Angel’s deep commitment to responsibility and careful parenting emerge within these chapters, and she begins to embody the theme of Personal Growth and Identity. Although Angel is drawn to Lizette, Angel’s diligent note taking and the seriousness with which she approaches their in-class activities contrast markedly with Lizette’s disruptive flippancy. Angel has not fully come to understand Brianna’s flaws, and at this point, Angel still somewhat idolizes her teacher. This relationship hints at Angel’s own lack of a stable mother figure. Angel looks to Brianna for what was missing in Marissa. This relationship should be read as a parallel to how Amadeo turns to Tío Tíve for the support and recognition that he missed growing up without his father.
The contrast between Brianna and Marissa becomes clearer in light of further detail about Angel’s relationship with her mother, which Angel fills in during the sections of the story that she narrates. Marissa is more focused on her boyfriend and on her own feelings than on her daughter. Marissa allows, even encourages, Angel to spend more time outside of their home so that Marissa can have time alone with Mike. Even when Angel is in the hospital giving birth, Marissa’s focus is elsewhere, and she does not arrive until after is Connor is born. Marissa is then hesitant to enter Angel’s room until after she and the baby are clean. Of course, these behaviors are rooted in Marissa’s own history as a young, unprepared mother, though the author does not fully explore that until later in the story. This manner of revealing the roots of issues is a broader pattern. Namely, these early sections of the text instead continue to present the surface of a set of issues, with the roots of those issues revealed in a slow-burn way that withholds answers until the final chapters. This approach is one key way in which the author encourages readers to look beneath the surface and meet difficult behavior with empathy rather than stigma. Ultimately, much of the conflict will be revealed as the result of generational trauma. But by presenting its manifestations before a thorough representation of its causes, the author gives a realistic account of what it is like to encounter and manage pain that is passed down through generations.
Yolanda is an important part of these chapters, although the portions of the text narrated by her are somewhat separate from the sections told by Angel and Amadeo. This separation reflects the space that exists between Yolanda and her various family members. Although her family does not realize it, they do not quite see Yolanda for her true self. Amadeo learns how to be a better father to Angel but, he has not yet reflected on what kind of a son he is to Yolanda. Yolanda appears to her family to be a figure of support and unconditional love, but not necessarily a holistic, multi-faceted person. This perception is part of why Yolanda struggles to tell them about her cancer diagnosis, even when the situation becomes dire. Here, for example, the reader sees Yolanda become lost in the very familiar capitol building where she has worked for nearly 30 years.
Amadeo shows fitful growth in this section. He purchases a new, high-quality car seat for Angel’s baby, Connor, and he happily accompanies Angel to the open house at Smart Starts! The beginnings of change are emerging. However, it is not yet clear if Amadeo will fully embrace the responsibilities of being a father and a grandfather—even to Angel remains suspicious, the remnants of resentment toward her father still smoldering. Part of what complicates his growth trajectory is his constant score keeping with Marissa. Amadeo is forever comparing Angel’s attitude toward he and Marissa, and he has begun to compete with Marissa (albeit secretly) over who is the better parent. His clandestine plan to go on a date with Angel’s teacher, Brianna, foreshadows obstacles in his transformation, even though progress is evident.
In contrast to Amadeo, whose trajectory suggests growth, Marissa seems to show less and less interest in Angel the more progress Angel herself makes. This attitude is evident in the scene where Marissa claims to have smoked during her pregnancy with Angel; both Amadeo and Angel are struck by how jokingly Marissa describes a major breach of safety protocol for expecting mothers. The envy that Marissa feels about the support her daughter is receiving, compared to the lack of support Marissa received, will only become evident later. At this point in the story, the authors guides readers toward empathizing with Angel’s inability to forgive her mother. On the surface, Marissa appears to have shaken off the last responsibilities of parenthood when Angel moved in with Amadeo.
As Amadeo and Brianna converse in the hallway, Brianna confides to him, inappropriately, that she does not have much faith in most of her students but does think that Angel will succeed. Amadeo, newly introduced to the term “at-risk,” is stunned to learn how his daughter is characterized. Much of Amadeo’s redemptive arc is the result of Amadeo simply spending more time focused on his daughter than on himself. However, the realization in this moment that Angel is an adolescent deemed less likely to have successful outcomes shakes Amadeo and, to an extent, contributes to his increased commitment to his daughter. This conversation also begins to reveal Brianna for the casually racist, culturally insensitive individual that she truly is: what lurks below the surface of this character is not immediately evident in how she presents herself.