53 pages • 1 hour read
Joe HaldemanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Back at his mother’s apartment, Mandella meets Rhonda Wilder, Beth’s roommate—single people are not allowed two-bedroom apartments. Wilder offers her room to Mandella, but he tells them he’s heading to South Dakota to “flop” with Potter’s family. Later, after Beth goes to work, he asks Wilder about her relationship with his mother, and she replies: “Very good friends. Sometimes lovers” (145). Mandella is shocked, but Wilder tells him that society has changed and that he will have to adjust. Beth, she claims, is struggling with the sudden age difference between her and her son, and she needs his love and understanding more than ever. Feigning an excuse—an “emergency” with Potter—he books transport to South Dakota.
After a tortuous journey—by helicopter and then dilapidated bus—he arrives at Freehold, a network of farm communes in Sioux Falls. He finds the Potter farm, a collection of “plastic domes and rectangular buildings apparently made of sod” (147). Margay greets him and introduces him to her parents, Richard and April, and, later, over dinner, he offers to help work the farm. One of the duties, Richard informs him, is guard duty, defending the farm from “jumpers,” thieves from the city who prey on the farms’ isolation and the relative prosperity of the farmers. Later that evening, Mandella and Margay visit the recreation center and get into a discussion about the war with a group of young people who oppose it on ideological grounds but understand its importance to the economy.
Mandella spends his time plowing the fields, which is hard but gratifying work. One night, while at the recreation center, he and Margay hear gunfire. Riding back to the farm, the gunfire is suddenly too close; they abandon the bikes and crawl the rest of the way in the cover of a drainage ditch. When they arrive home, they find April on the floor, wounded from a bomb attack, and Richard dead in the guard tower. Mandella takes Richard’s rifle and some ammo and climbs on the roof of the house for a clear line of sight. Margay stays inside with her mother. A truck approaches, four men inside and one in the bed with a machine gun. Hidden on the roof, Mandella shoots the man in the truck bed. When the truck pulls up to the house, Margay kills the other four. The next morning, a commune truck passes by, collecting the wounded. In the light of day, Mandella sees the remains of the jumpers, “human hamburger,” and realizes that death is a lot messier when not in the sanitized vacuum of space. The following day, April’s body is returned, and they bury her next to Richard.
Mandella and Margay return to Columbia, where they find Beth coughing violently. When Mandella tries to call a doctor, he is informed that his mother has a “zero priority rating” from the Universal Medical Security System (156); she is not important enough to warrant life-saving care. Mandella tries to treat her himself, but his efforts are not enough. She dies four days later. Surrounded by death and facing a bleak future, Mandella and Margay reenlist as combat training specialists, choosing the moon as their preferred assignment. They take a transport to a Lunar base, where the army reneges on its promise and transfers them to Stargate. They are now combat platoon leaders facing battle once again.
Now a second lieutenant with 10 soldiers under his command, Mandella reenters combat but with improved technology: better space suits, for example, and the possibility of limb regeneration after amputation. Soldiers are also given drugs to lighten their mood during battle. Mandella’s platoon boards the assault ship and descends to a small planet, preparing to attack a Tauran outpost. As the ship decelerates, something goes wrong. The ship crashes into the surface, and Mandella’s leg is crushed in the wreckage. Within seconds, his suit automatically amputates part of the leg, cauterizes it, and doses him with painkiller. He loses consciousness.
He wakes up in a medical bay with feeding tubes attached to him. Margay lies next to him, one arm amputated above the elbow. She informs him that, according to the army’s new directive, all soldiers must complete four combat missions before retiring to “Heaven,” an idyllic, unspoiled world populated with human colonies. After the disastrous assault on Aleph-7, a mission that cost 54 lives, the ship is bound for Heaven’s hospital facility. A few days later, he undergoes surgery for a prosthetic leg. The technology, he is informed, has become quite advanced in his time away from Earth (he is now 215 in Earth years); the leg will grow nerves and respond to mental commands, just like a real leg. The nerve growth process and the physical therapy are painful, but in time, he and Margay begin to recover.
Heaven is pleasant but not very exciting compared to combat. One day, when a large sea predator slips past the “presser field” into the water near the beach, Mandella, Margay, and several others volunteer to kill it. Equipped with explosive spears and scuba gear, they enter the water. The beast, “twelve meters of flexible muscle with a razor-sharp tail at one end and a collection of arm-length fangs at the other” (174), attacks; they kill it, but not before it severely wounds one of the volunteers.
Once Mandella and Margay are pronounced fit for service, they are given six months of rest and recreation before returning to duty. They spend their accumulated back pay exploring the planet and indulging in the extravagant luxury of Skye, a floating resort. They spend with abandon, certain they won’t survive the next three years of service.
When they receive their new orders, they both receive promotions but different assignments. Even if they both survive combat and leave for Earth at the same time, time dilation will separate their return by decades. One of them will likely not survive to see the other. Despite Mandella’s protests, the army does not relent. From the vantage of a desert peak, he watches Margay’s ship depart, a fading star in the night sky. He contemplates suicide but refuses to let the army have control over his life and death.
Life on Earth has become desperate and violent, little better than combat. When Margay’s parents are killed in a raid on their farm and Mandella’s mother dies from lack of medical care, they both return to military service under the assumption they won’t have to see combat. The army, however, can change the terms of their enlistment as it sees fit, and once they have “re-upped,” they are sent back to the front lines. The death that surrounds them on Earth is both apocalyptic and frighteningly prescient. The “jumpers” who assault the Potters’ farm are straight out of a dystopian future in which food is the most precious commodity, and armed gangs roam the landscape unchecked. Like Mad Max, who uses his survival skills defending a tiny outpost in the middle of the desert from deranged, gas-hungry marauders, Mandella and the Potters must protect their farm from rampaging gangs looking for food. Mandella and Margay defeat the first assault, but they know there will always be another.
When Beth dies, the cause is far less of an imaginative stretch. The medical bureaucracy has branded her “zero priority,” a designation that denies her any life-saving treatment. Haldeman’s plot element echoes the unsubstantiated “death panel” rhetoric repeated over and over during the debate over Obama’s Affordable Care Act. While death panels never materialized, it’s no secret that America’s privatized health care system prioritizes health for those with the ability to pay. When people die because they can’t afford insurance, it’s not a far leap to a tier-based system, like Haldeman’s, that prioritizes health based on a person’s perceived value to society. The holes in such a system are obvious: Who defines “value?” Is it purely economic value? Intellectual value? Who decides how a person’s contribution to society fits into this value system? Haldeman’s view of life and death in The Forever War is brutal and arbitrary, much like a soldier’s life and death. With such profound and existential questions always on the horizon—questions too overwhelming to ponder on a daily basis—Mandella and Margay survive the only way they know how: with and for each other.