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66 pages 2 hours read

Ayn Rand

The Fountainhead

Fiction | Novel | Adult | Published in 1943

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Part 4, Chapters 11-20Chapter Summaries & Analyses

Part 4: “Howard Roark”

Part 4, Chapter 11 Summary

Gail Wynand invites Howard Roark on a cruise in his yacht and is surprised to discover that he doesn’t need to enforce his edict that Roark must not work because Roark truly enjoys relaxing. Wynand says that the statue in the Stoddard Temple should have depicted Roark rather than Dominique and admits that he would like to keep both of them locked away from the rest of the world out of avarice. They discuss the importance of independence and the fact that Ellsworth Toohey’s brand of selflessness is the true evil in the world since it forces people to destroy their own souls. Wynand admits that he has sacrificed his soul for his career. The chapter asserts that living as a “second-hander” kills the ego, as people of this type remain dependent on others and value the perceptions of others over their own rational thought; consequently, it is only the egotist who can be independent and virtuous. Roark says that he loves his friends because of who they are and what they do, and he admits that although he would die for Wynand, he could never live for him or anyone else. Roark does not mention to Wynand that the worst kind of second-hander is one who seeks power over others.

Part 4, Chapter 12 Summary

Roark and Wynand return to the city in April, and Roark discovers that his design for the Cordtland Homes has been altered. Toohey insisted that Peter Keating hire Gus Webb and Gordon Prescott as associate designers, and they exerted an invisible influence over the project that Keating was unable to fight. When Keating apologizes to Roark, Roark only says that he should never have designed on Keating’s behalf in the first place, even when they were in college together. Roark asks Dominique to help him, and she agrees. Following his instructions, she arranges to run out of fuel while driving past the Cordtland Homes at a specific date and time, and she sends the watchman for help. She then hides in a ditch and watches as Roark detonates the entire Cordtland Homes project. She then runs back to her wrecked car and injures herself to match its state and avoid suspicion. Because she is able to aid Roark with serenity, she knows that she is now free of the fears that once kept them apart.

Part 4, Chapter 13 Summary

Dominique recovers from her injuries in Wynand’s penthouse. Roark gave himself up at the scene of the explosion and spent the night in jail before Wynand bailed him out. Now, Roark tells Dominique that he asked her to help him so that she would be trapped with Wynand until after the trial, lest she throw suspicion on them both. Roark wants to ensure that if he is sent to prison, Dominique will stay with Wynand to take care of him, although he isn’t willing to give up their relationship otherwise. Roark enters a plea of “not guilty” and refuses to say anything more. Meanwhile, Keating has holed himself up away from the public eye. Roark is condemned and vilified by the press and the public, with Toohey leading the campaign against him. However, Wynand orders the staff of his papers to run a non-stop campaign in favor of Roark. Wynand is thriving despite the opposition he faces, and he considers this endeavor to be a way to earn redemption and restore his own integrity after his paper’s part in the Stoddard trial. Wynand and Dominique are slandered, and there is a growing movement to boycott the Wynand press. As Alvah Scarret nears a nervous breakdown, Toohey tells him that this is their chance to take over The Banner.

Part 4, Chapter 14 Summary

Toohey visits Keating in his self-imposed isolation and interrogates him until Keating confesses to using Roark’s design. Once Keating gives Toohey the contract that he and Roark signed, Toohey berates him and subjects him to a monologue, explaining that his own motivation has always been to accrue power over others. He plans to destroy men of integrity and ability so that mediocrity and victimhood are enshrined as the ultimate virtue and the masses consent to give up on themselves, their lives, and their souls. He wants Roark behind bars because Roark is incorruptible, and Toohey wants to see the whole world caged in interdependent slavery. Despite Toohey’s confession, Keating is still too broken and dependent to reject him.

Part 4, Chapter 15 Summary

Toohey writes an editorial condemning Roark and publishes it in The Banner behind Wynand’s back. Wynand recalls the paper and fires Toohey, along with the men who facilitated the article’s printing. Toohey promises Wynand that he will soon return to run the paper himself. The Union of Wynand Employees goes on strike, as do many of Wynand’s unaffiliated employees. As a result, Wynand, Scarret, and a skeleton team of sub-standard workers are left to run the paper. Strikers demand that they rehire the fired men and reverse the paper’s stance on the Cordtland case. They also attack those who still work for Wynand. Wynand runs himself ragged to continue producing papers that have declined drastically in quality, and Dominique returns to her job with The Banner to help him. He visits Roark one night, and Roark acknowledges that Wynand’s campaign to defend him is actually harming Roark’s reputation. However, Roark doesn’t care about this, and he encourages Wynand to hold out and fight with everything he has, for Wynand’s own sake.

Part 4, Chapter 16 Summary

Wynand attends a board of directors meeting as the strike enters its second month. He is being castigated for the downward trajectory of the Wynand papers, and Scarret proposes that they compromise by agreeing to reverse the paper’s stand on the Cordtland case and rehiring all the fired employees except for Toohey. Wynand is essentially presented with an ultimatum. He must either agree to end the strike or close The Banner altogether. Feeling as though he is pulling the trigger of a gun at his temple, Wynand capitulates. Later, he walks aimlessly through New York and sees the issues of The Banner denouncing Roark in his name, and he knows that the strike is over. Finding himself in Hell’s Kitchen, Wynand realizes that he has never actually escaped the powerlessness of his childhood. He realizes that it was he who made it possible for the people who scorned him to do so since he created the paper to be the means for them to hold onto their power. He now realizes that his part in this is unforgivable.

Part 4, Chapter 17 Summary

The public discusses Wynand’s renunciation of Roark with much satisfaction, and Wynand refuses to hear Roark’s attempts to absolve him of guilt. Dominique goes to Roark and reports a ring of hers stolen so that the police and local reporters find her and Roark clearly having spent the night together. This causes the reporters to spread news of the scandal. Scarret has been running The Banner since Wynand’s capitulation and is furious on Wynand’s behalf. He spearheads a campaign against Dominique, painting her as an evil adulteress and blaming her for Wynand’s unpopular decisions. Wynand agrees to divorce Dominique, reads all the papers besmirching her reputation, and receives many letters of sympathy. Dominique returns to Francon’s home at his request and receives his fatherly support, and he reassures her that Roark will be acquitted and welcome there too.

Part 4, Chapter 18 Summary

Roark’s trial has a full audience, including Roark’s small group of friends and Toohey’s mob of supporters. The prosecution calls its witnesses: the night watchman, the police, and Keating. Keating is drunk, but he admits that Roark designed the project and explains their agreement. Roark calls no witnesses but makes a long speech admitting to blowing up the Cortlandt site and claiming that it was his right to do so since he did not receive the promised payment of seeing it built to his specifications. He describes how society has always punished innovative minds while benefiting from their creations, and he condemns the “second-hander” who opposes the virtue of the ego in favor of mental slavery. He refuses to live in a world where work is no longer exchanged by free consent, and he states that creative endeavors are worth more than any act of charity. By this logic, he has simply refused to let his work be stolen. The judge and prosecutor discuss whether this changes Roark’s plea, but the jury—whom Roark picked carefully to exclude any second-handers—quickly returns with a verdict of not guilty.

Part 4, Chapter 19 Summary

Toohey wins the case against his firing before the labor board and obeys Wynand’s order that he come in to work that same night before 9:00 pm. He tries to ignore Wynand’s presence in his office as he settles in to work, but at nine o’clock precisely, the presses stop, and Wynand tells Toohey that he’s out of a job because The Banner no longer exists. Mr. Enright buys the Cortlandt site and plans for Roark to build his low-rent apartments there for anyone to lease. Dominique and Wynand divorce. Toohey starts working for The Courier. Wynand organizes a formal meeting with Roark and asks him to build the Wynand Building. It is to be the tallest and possibly the last skyscraper in New York. Wynand also plans to liquidate his empire before he dies, and he asks Roark to create the Wynand Building as a monument not to his life but to Roark’s own spirit.

Part 4, Chapter 20 Summary

Months later, Dominique visits the construction site of the Wynand Building. The skeleton framework is now complete, and the cladding of glass and masonry is quickly following. On the fence outside, she notices a sign that reads, “Howard Roark, Architect.” She introduces herself on-site as Mrs. Roark and meets Roark at the very top of the structure.

Part 4, Chapters 11-20 Analysis

The final section of the novel focuses on Roark’s dramatic destruction of the Cordtland Homes project and the tense buildup to the novel’s climax in Roark’s trial. Dominique completes her character arc by freeing herself from the constraints of dependence, whereas Wynand falters and proves unable to manage the same feat. The joyful and carefree atmosphere of this section’s first chapter therefore contrasts the increasingly fraught atmosphere of those that follow, and Roark and Wynand’s early closeness during their idyllic time away from society emphasizes the tragedy of Wynand’s eventual defeat and estrangement from the man he esteems most in the world.

When Wynand suggests that Roark would have been better suited as a model for Mallory’s Stoddard Temple statue than even Dominique, this statement reinforces the parallels between Wynand’s romantic love for Dominique and his feelings for Roark since the statue was what first drew his lustful gaze to Dominique. Every indication of the close bond that connects Wynand, Roark, and Dominique also contributes to the pathos of Wynand’s isolation and despair following his renunciation of Roark. The association between Roark and the statue also emphasizes Roark’s function in the novel as a personification of the values represented by the statue motif, values that would later form the basis of Rand’s objectivist philosophy. The link between Roark and a veneration of mankind’s indefatigable spirit is also reinforced by his eventual creation of the Wynand Building, which ultimately represents the human spirit and Roark’s own spirit of integrity and independent creation.

Roark’s determination to destroy the Cordtland Homes project despite the potential consequences he could face in criminal court represents an important component of the theme of Architecture as a Mirror for Society and the Individual. Roark’s architectural designs are a product of his own mind, to which no one has the right without his consent. Thus, his uncompromising stance represents the true extent of the creative power of the individual. Likewise, the corruption of his design renders the final product a physical manifestation of society’s attempt to violate the rights of the individual. Thus, Rand uses the field of architecture as a microcosm for society, and the controversies within this field therefore serve as manifestations of wider societal conflict. The destruction of the Cordtland Homes project represents Roark’s final stand in The Conflict Between the Innovative Genius and Society, and Dominique’s willing complicity is the final act of self-liberation that pushes her to abandon the strictures of “society” and stand instead with Roark.

The buildup to the Cordtland Homes trial is a deliberate reprise of the events that preceded the Stoddard Temple trial in Part 2 of the novel, with the tension of the second trial’s approach heightened by the negative outcome of the first. Once again, Ellsworth Toohey manipulates the campaign of public opinion and crucifies Roark in the general press, but ironically, in the days prior to the trial’s commencement, the true enemy of Toohey and the collectivist society he represents is not Roark, but Wynand. In an attempt to reclaim his own integrity, Wynand stands at Roark’s side against the rest of the world and repurposes The Banner to promote his own ideals, thereby consolidating the disparate parts of his identity. His struggle against the striking workers is actually an outward manifestation of his own internal struggle to live up to the ideals represented by Roark. Ultimately, however, he fails in this endeavor because he refuses to sacrifice The Banner to uphold these ideals, becoming so preoccupied with the false dichotomies of powerless versus powerful and selfish versus selfless that he misses the true distinction espoused by Roark: that of the independent versus the dependent. As a result, Wynand sheds his dependence on others only after it is too late to recover his own integrity. By the end of the novel, he has surrendered his sense of self along with any hope of leaving a worthwhile legacy.

The Cordtland Homes trial stands as the culmination of The Conflict Between Innovative Genius and Society. Roark’s speech in his own defense represents Rand’s undiluted views on the topic of Individualism and the Importance of Independence—views that would later form the foundation of her philosophy of objectivism. The decisive victory of Roark’s acquittal, followed by Toohey’s separate defeat when Wynand closes The Banner, creates a cathartic effect. The fact that Roark finally emerges victorious is itself an argument in favor of Rand’s value systems, and the joyful final image of Roark and Dominique standing atop the Wynand building like idealized statues incarnate creates a mood of hope and optimism for the future of the individual.

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