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37 pages 1 hour read

Jo Ann Beard

The Fourth State of Matter

Nonfiction | Essay / Speech | Adult | Published in 1996

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Index of Terms

Lassie

This term refers to the fictional character of Lassie, a collie created by author Eric Knight in a short story published in 1938 and built out into a novel published in 1940, Lassie Come-Home (“Eric Knight Papers.” Archives at Yale). Arguably made most famous by the 1950s TV show Lassie, Lassie has become part of America’s cultural consciousness as a loyal family dog, famed for saving children from wells, among other plots. Early in the essay, Beard uses this cultural icon to describe her own ailing and frail collie: “She pees and then stands, Lassie in a ratty coat, gazing out at the yard” (Paragraph 2). The image stands in stark contrast to the portrayal of the fictional Lassie as strong and well groomed. Beard realistically depicts the aging process in dogs, focusing on the sad reality of being solely responsible for a dog’s continued suffering and life.

The Milky Way

This term refers to the galaxy that houses Earth and its solar system. The name itself describes the appearance of the galaxy from Earth’s perspective, which humans see as a hazy, milky strip of light. Early in the essay, Beard sees the Milky Way in the night as she lets her collie out to pee and describes it as “a long smear on the sky, like something erased on a blackboard” (Paragraph 3). The Milky Way and the implicit Jupiter give way to Beard’s introduction of her work colleagues, “space physicists who spend days on end with their heads poked through the fabric of the sky” (Paragraph 3). The chalkboard simile more clearly heralds Beard’s workplace into the essay—the chalkboard being a place where she and her colleague Christopher Goetz discourse and develop a friendship, but also where she draws her collie’s impending death, which darkly foreshadows the deaths of her colleagues.

Pavlov

This term refers to Ivan Petrovich Pavlov, an early physiologist and neurologist from Russia. He is famed for his discovery of “classical conditioning,” which describes the ability to associate a physiological stimulus, such as eating a piece of meat, with an unrelated stimulus, such as a ringing bell, so that the same response is eventually elicited by the unrelated stimulus (“Ivan Pavlov Biographical.” The Nobel Prize). For example, Pavlov noted how dogs eating red meat salivated, and through classical conditioning, associated the ringing of a bell with the consumption of that meat. Eventually, the sound of the ringing bell caused the dogs to salivate. Beard, in describing her shifting relationship with her deteriorating collie who now struggles with mobility and continuously has accidents in the house, references Pavlov: “She is Pavlov and I am her dog” (Paragraph 7). In describing the inversion in their relationship, her collie, Pavlov, has trained Beard to do laundry at the sound of her thumping tail, which Beard immediately associates with the dog urinating in the house.

Plasma

This term means a colorless fluid that can describe corporeal liquids like milk, lymph, and blood, but can also describe ionized gas relevant to stars—both definitions are relevant to how this essay uses the term. “The Fourth State of Matter,” this essay’s title, is another way to define plasma. Plasma is Beard’s colleague Christopher Goertz’s current obsession. Beard is quick to translate this into layman’s terms, saying, “Plasma is blood” (Paragraph 32). The duality of plasma in the essay establishes a comparison between celestial matter relevant to the research of her colleagues at the University of Iowa’s space-physics department and blood. The latter definition serves as a foreshadowing vehicle for the violence in the form of graduate student Gang Lu’s mass shooting.

Wallendas

“The Wallendas,” more fully known as “The Flying Wallendas,” refers to a group of circus performers known for daredevil stunts (“The Rich, Tragic History of Daredevil Wallendas.” CBS News, 15 June 2012). Beard refers to these performers as she describes the squirrels that have invaded the spare room of her home. After a “crash and a shriek” from upstairs, Beard tells her friend Caroline, “‘It’s like having the Wallendas at your house” (Paragraph 47). Among the chaos brewing in Beard’s life, from her ailing collie to her “vanished husband” (Paragraph 6), the squirrels are as much a bit of comic relief in Beard’s life in the course of the essay as they are a menace.

The acrobatics of the squirrels, described as the Wallendas, are a metaphor for the acrobatics involved in juggling all of Beard’s points of grief and stress in her life, from the squirrels to her ailing collie to her “vanished husband (Paragraph 6) to the loss of her colleagues to senseless violence.

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