44 pages • 1 hour read
Louise ErdrichA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Omakayas knows it is officially winter when Old Tallow puts on her famous winter coat. Winter nights are long, and the Ojibwe help one another through them by sharing stories. Nokomis tells stories of “the old days…when some people had great powers and the animals spoke to us” (159). Deydey makes snowshoes. Pinch and Two Strike Girl’s army go ice skating and sledding. Omakayas finds the Angry One doing chores, wishing that he could go skating with Pinch. Omakayas offers to do Angry One’s chores for him so that he can go play and notes that the Angry One “looked completely astounded at her offer” (167).
Omakayas and Angeline go to the local schoolhouse, where they learn the white people’s language. They teach it to Deydey, who eagerly learns. Omakayas and Nokomis set up snares to catch rabbits. While outside, the cold drops to a dangerous low. Nokomis and Omakayas are far from home, and Omakayas starts feeling tired. Her fatigue is a sign of hypothermia. Nokomis drags Omakayas back home, and it takes the girl a while to recover from the cold and frostbite.
Old Tallow is dragged back to the family by her dogs, unconscious. The family quickly revives her. Old Tallow had been out tracking a doe, but when she discovered that the doe was pure white, she realized that she was chasing after a spirit animal. Old Tallow should have let the spirit animal be, but she pursued her. The spirit doe brough Old Tallow deeper and deeper into the freezing, isolated land, then disappeared. Old Tallow, blinded by the snowy air, fell over a cliff and hit her head.
Nokomis teaches Omakayas how to care for Old Tallow’s hand, which has been damaged by frostbite. Old Tallow’s hand is infected, and the only way to save it is to use a hatchet remove the infected finger. Omakayas is shocked by the procedure, but she assists in order to pursue her education as a healer. Omakayas makes Old Tallow a pair of mittens from tanned moose hide. Omakayas wants to remind Old Tallow “of the love that her family had for the old woman, who had helped them out and rescued them many times” (184).
Old Tallow refers to the Catholic priest in town, Father Baraga, as the stealer of souls. Deydey likes to visit Father Baraga and learn about his past in Europe. Father Baraga is writing an English-Ojibwe dictionary. When Deydey asks Father Baraga to teach him English, Father Baraga agrees to do so on the condition that Omakayas gets baptized. Deydey and Omakayas refuse.
The Angry One teaches Pinch how to fish. Meanwhile, Yellow Kettle has adopted the infant baby that arrived with the Angry One—the baby whose parents disappeared in the raid. Yellow Kettle calls the baby Bizheens, and the entire family loves him. Omakayas takes Bizheens out for a walk to see a snow house that she has made. They encounter the Angry One, who avoids her. Omakayas asks the Angry One for his real name and learns that it is Animikiins. The next time she goes to her snow house, Omakayas finds a gift: a stone whose polished exterior implies that it came from the very bottom of the lake. These stones are rare and are said to contain protective spirits.
Cloud returns to the Ojibwe people, weakened and thin from his travels. He tells a horrible story. He and the other Ojibwe men met with the government agents. The government agents starved them and refused to pay them for their land, in violation of the contract. Many men died, including Cloud’s father and brother. Cloud does not know what has happened to Fishtail, but Angeline refuses to give up hope that Fishtail is still alive. Omakayas takes comfort in looking after Bizheens, who only knows love despite his tragic history.
Angeline works on Fishtail’s vest. She asks Omakayas to help. This worries Omakayas, because Angeline usually likes to be alone. Angeline is very complimentary of Omakayas’s contributions to the vest, which frightens Omakayas even more. She knows that something is not right about Angeline’s behavior.
In Part 3, Erdrich emphasizes The Supportive Influence of Family, which is a vital component of survival, especially in the harsh winter months. For example, Omakayas barely escapes death by hypothermia but is saved by her grandmother’s love and care. During her healing process, Omakayas is metaphorically revived by the love of the family, and the narrative pointedly states that “the tender care of her family transform[s] [the cold] to warmth” (174). Thus, the consistency of her family’s dedication helps Omakayas to understand her own role, for the unconditional love and devotion of her family shows her how best to approach the world.
Significantly, the concept of family extends far beyond the connections between blood relations, for Old Tallow is also part of Omakayas’s family through their shared tribal identity. Old Tallow becomes a notable hero in the story, standing as an icon of female strength and embodying the virtues of old age and wisdom. Old Tallow is a pillar of strength, but her openness to vulnerability also teaches Omakayas that people are multi-layered, for when the woman suffers severe injury and frostbite, the girl is surprised to see “one—just one—tear spring from the corner of the woman’s eye” and later “wishe[s] she’d caught that tear,” reflecting, “It was rare. Probably, it was the only tear Old Tallow had ever shed” (183). As Omakayas learns more about the person she is meant to become, she also learns more about the adults she admires. Old Tallow’s tear is a symbol of her vulnerability, and this moment teaches Omakayas that all human beings learn strength while maintaining their deep emotional well. Old Tallow is a human being like anybody else, even though Omakayas puts her on a pedestal. Omakayas’s idolization of Old Tallow is deepened through her recognition that Old Tallow has her own fears.
In Part 3, Omakayas demonstrates her steadfast commitment to her belief system, her history, and her culture, highlighting The Journey toward Self-Reliance. Although she is curious to learn more about the culture of the white people, she does not allow her own beliefs to become compromised in the process. This internal boundary becomes apparent when she and her father visit Father Baraga, who only agrees to teach them English if they will submit to being baptized. The narrative makes Deydey and Omakayas’s position quite clear, for although the young girl is interested in learning “the scratching and the meanings of the marks, […] she wouldn’t give her spirit in return” (188). Omakayas’s curiosity ends where the sacrifice of her identity begins, and she honors her family legacy and the long history of her tribe by refusing to be seduced by the power and influence of the white community. This decision makes her a hero because it implies that no matter what happens to her tribe, Omakayas will always remain true to her cultural background and pass her tribe’s beliefs on to the next generation, even amidst the pressures of outside influences.
Another avatar of the next generation is Bizheens, for he symbolizes a hopeful future despite the current hardships. As an infant, Bizheens represents unconditional love and innocence, and Omakayas recognizes this when she reflects that “Bizheens was the only one who would help her keep her heart hopeful. He had survived, after all, when everything looked impossible […] Bizheens […] didn’t understand what had happened to him in his life. He only knew that he loved” (199). While most of the Ojibwe community worries about the future, Bizheens represent the simple joy of living in the present. His joy, his learning, and his love are proof that external conflict does not necessarily destroy the internal strength of an individual or a community. His presence serves as a reminder that no matter what the white government does to ruin the Ojibwe tribe, their strength will always be found in their history, their legacy, and their belief in the future.
Part 3 also utilizes a plot twist, in which Cloud returns and tells his tragic story. His narrative adds tension and confirms the foreboding tone that Erdrich develops through the first two parts of the novel. Another literary device that is important in Part 3 is the symbolism of winter. In literature, winter is often used as a metaphor for hibernation, death, and endings. However, implicit in such bleak imagery is also the promise of a rebirth in the springtime. In The Game of Silence, winter is brutal, but it also brings Omakayas closer to her family. It is through the brutality of winter that Omakayas steps into the next part of her character development.
By Louise Erdrich