44 pages • 1 hour read
Louise ErdrichA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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In The Game of Silence, writing systems stand in opposition to oral traditions, and this dichotomy becomes symbolic of the differences between the white settlers and the Ojibwe community. White society systematizes language and uses it as both a record and a weapon. By locking the Ojibwe people into a written contract that uses unfamiliar language, white colonizers trick the Ojibwe people and rob them of their ancestral lands. Ultimately, the white government uses language as a trap. By contrast, the Ojibwe people rely on memory and oral storytelling to keep the legacy of their history alive, retelling “stories, songs, [and] the words to promises and treaties. Everyone memorized all that was important (20). Because “memory was Ojibwe writing” (20), it is clear that, unlike the white colonizers, the Ojibwe people trust each other to be honest and faithful to the integrity of the story.
The writing systems and oral traditions that Omakayas is learning are indicative of her role in a new life in which white people live alongside Indigenous communities—at least, until those white societies force the Indigenous communities from the land. Omakayas is of a newer generation of Ojibwe who are more accustomed to the influence of white society. Omakayas learns of her own culture from her tribe, but she also learns the white people’s language at school. This dynamic is symbolically important because it suggests that Omakayas stands between two worlds. Additionally, because the Ojibwe rely upon memory to pass down their most important stories, the white government will never be able to separate the Ojibwe people from their memory or from their culture. The power of Ojibwe resilience exists in the minds of the people, which cannot be touched or controlled.
Erdrich uses the looming threat of the chimookomanag—the white settlers and their government—as a method of foreshadowing the hardships to come and imbuing the text with an ominous tone that highlights the resilience of the Ojibwe people. With this stylistic choice, Erdrich implies that the threat of the white government is insidious and increasingly pervasive, for the colonizers take the Ojibwe people by surprise and renege on their own contractual promises. As the primary antagonist of the novel, the white government is symbolic of the external social forces that seek to destroy the family, legacy, and love that constitutes the Ojibwe experience. On the flip side of this issue, it is also true that certain aspects of white society, such as trading and relationship-building, has benefitted the Ojibwe people in the short term, and this gives rise to feelings of ambiguity amongst the Ojibwe people. As the narrative states, “They [chimookomanag] were the source of some nice things like kettles and warm blankets and ribbons, and the source of terrible things, too. Chimookomanag brought sickness” (44-45). Thus, the potential benefits of dealing with white society are inextricably tied to the existential dangers that white society represents. Therefore, the chimookomanag symbolize danger, destruction, and expulsion.
The bear is an important symbol in The Game of Silence, as it is revealed to be Omakayas’s spirit animal. From the Ojibwe perspective, a spirit animal represents the connection between human beings and nature. This spiritual system demonstrates the Ojibwe belief that humans are meant to be in balance with nature and are not superior to other animals. When Omakayas makes her pilgrimage into the woods to meet her spirit, she undergoes a necessary rite of passage that will allow her to take on a more adult role in her culture. Omakayas’s communion with the bear cub as she perches in a tree symbolizes her deep connection with the natural world and with her inner spiritual truths. Omakayas and the bear cub stare deeply into one another’s eyes. She speaks to the bear and is comfortable in its presence, not afraid. Omakayas’s connection with the bear is symbolic of her readiness to embrace her identity, her talent, her gift, and her future. The bear is a fitting spirit animal for Omakayas, as her talent is to become a medicine woman like her grandmother, Nokomis, and the bear is associated with medical knowledge and healing. As the narrative states, “Nokomis had often shown Omakayas signs of where bears dug rocks or tore leaves, roots, and fruit into their mouths. She said that bears used plants to heal themselves just like humans” (229). Therefore, the bear cub is the animal parallel to Omakayas.
By Louise Erdrich