The Hour of the Star

How does Rodrigo think about life, identity, and death? Why does he think that writing helps him understand these ideas? Does he find clarity when he writes Macabéa’s story? If so, how?

Compare and contrast Rodrigo’s and Macabéa’s characters. What is the narrative, formal, and thematic significance of the characters’ similarities and differences? Cite specific examples from the text.

Rodrigo struggles to write about Macabéa after he first conceives the idea for her story. Why does he find it so hard to depict her character and life? What do his artistic struggles imply about the novel’s overarching thematic explorations?

Describe Macabéa’s life in Alagoas and her life in Rio de Janeiro. What hardships did she face in the past, and which of them does she continue to face in the present? What do her circumstances suggest about her social station and cultural relevance?

How and why does Macabéa become involved with Olímpico de Jesus Moreira Chaves? How does he positively and negatively impact her? Cite specific examples from their interactions and dialogues to illustrate these dynamics.

How does Macabéa relate to others? Consider how she conducts herself at home and at work. What do her relationships suggest about her general outlook on human nature, existence, and connection?

Rodrigo sees writing as his purpose in life and as his deliverance. By comparison, does Macabéa have a purpose? In what ways do her pastimes and rituals grant her meaning and offer the illusion of salvation? Why can’t they deliver her in the way writing delivers Rodrigo?

Why does Macabéa visit the fortune teller, and why is this experience significant to her? How does this scene create irony given the end of the novel, and what is the thematic purpose of this literary device?