66 pages • 2 hours read
Liane MoriartyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Cecilia attends the funeral of Sister Ursula, one of the nuns at her children’s Catholic school. She spends the funeral thinking about sex, specifically about the lack of sex in her marriage for the past six months. This concerns Cecilia because it marks a dramatic and unexplained change in her marriage. She wonders if she’s become undesirable in her middle age or if John-Paul is having an affair, but she dismisses both possibilities. Her thoughts return to the letter, and she tries to convince herself that it does not contain a big secret, like a secret second family or homosexuality. She firmly tells herself that the letter is of no importance and that she is not going to open it.
Tess and her mother go to Tess’s childhood school, St. Angela’s, to enroll Liam. They arrive as Sister Ursula’s funeral is ending. As they’re entering the school, Cecilia intercepts them. Tess’s mother, Lucy, says that Cecilia makes a “fortune” selling Tupperware. Cecilia’s bubbly, chatty nature is draining for Tess, whose shyness and social anxiety are in stark contrast. She marvels that Cecilia not only remembers her but knows her son’s name. They discover that Liam and Polly will be in the same class, and Cecilia invites Liam and Tess to Polly’s party. Tess finds Cecilia “highly irritating” but admits “her social skills were impeccable” (100). The conversation turns to Rachel Crowley, who Tess learns is the school secretary. Cecilia and Lucy speak in careful tones, though Lucy seems to be relieved to hear that Rachel has a beloved grandson. When Cecilia leaves, Tess asks her mother about Rachel. Lucy reminds Tess of a teen girl who was found murdered with rosary beads—Rachel’s daughter, Janie Crowley.
Tess and Lucy meet with Rachel to enroll Liam in school. Rachel can tell that they have Janie on their minds because of the overly solicitous way they’re behaving. She tells them that Rob and Lauren are taking Liam to New York to live for two years, but instead of responding enthusiastically about what a wonderful opportunity it is, Lucy exclaims, “Well that just takes the cake!” (104). Rachel is surprised but gratified when Lucy apologizes and explains that it seems unfair for Rachel to lose her grandson for so long after having already lost her daughter and husband. The school principal, Trudy McDuff, comes along. She immediately turns her attention to Liam without introducing herself to Tess and Lucy. Rachel thinks that Trudy’s lack of “interest in grown-ups” will someday be her “downfall” (105). Trudy quickly puts Liam at ease and persuades Tess to enroll him immediately so that he can participate in the Easter egg hunt, rather than waiting until after Easter.
While they’re still in Rachel’s office, Connor Whitby, the school’s physical education teacher, stops by. Rachel flinches and thinks back to the time when her daughter was murdered. Connor Whitby was a suspect at the time because he appeared in a photo in Janie’s album. Rachel remembers that the detective, Rodney Bellach, said Connor had “lies in his eyes” (107). When Connor sees Tess, he lights up. They dated years ago, before Tess left Sydney for Melbourne. Tess’s father calls when they get back to the car. She answers, and they have an awkward conversation. Tess wonders if her relationship with her father would have been better if her parents hadn’t divorced.
Cecilia drives her daughters Polly and Esther to their afterschool activities. In the car, the girls chat about their disparate interests. Esther lectures on the events around the Berlin Wall going up. Polly announces that she no longer wants her party to be a pirate party, a subject that Cecilia thinks should not be worse to her than the German deaths Esther has been telling them about, but which certainly causes her more difficulty in the moment. The conversation turns to John-Paul and his return. Polly remarks, “Daddy looks at Isabel in a funny way…he looks at her like it’s hurting his eyes. Like he’s angry and sad at the same time. Especially when she wears that new shirt” (117).
Cecilia immediately starts to interrogate her memory for signs of sexual abuse but finds it impossible to believe that John-Paul would hurt or molest their daughters. Esther says that she doesn’t think John-Paul looks at Isabel oddly, but that she did catch him crying in the shower recently. Cecilia thinks about another incident, John-Paul’s suicide attempt in his first year of university, and his later claim that he had just needed a “good woman” to alleviate his anguish. All of this information makes Cecilia reach a tipping point: the way he may look at Isabel, the crying in the shower, the lack of sex, and the lying about something. Cecilia decides she is going to read the letter that night after the girls are in bed.
Mary, Tess’s mother’s sister and Felicity’s mother, comes over to visit, despite being told not to by Lucy. Lucy initially refuses to answer the door but lets Mary in once she starts beating on the windows and Liam asks why Aunt Mary isn’t allowed inside. Tess’s Uncle Phil hugs her and apologizes, saying he’s ashamed of his daughter. Mary insists that Felicity had no choice. She says that love just strikes and claims tearfully that Will and Felicity are heartbroken over having hurt Tess. She also says that she’s been looking through photo albums at pictures of young Tess and Felicity together and lamenting their previous closeness. She says, “I can’t bear it if you two become estranged from each other,” and Tess replies, “I think you might have to bear it” (132).
Rachel attends a Tupperware party at her friend Marla’s house. She tried to get out of it by claiming she had a “permanent ‘get out of party card’” due to her daughter’s murder (133), but Marla convinced her by musing about how Janie would probably have loved Tupperware. At the party, Rachel sees Cecilia in action as a Tupperware consultant. Cecilia expertly schmoozes the crowd, and Rachel finds herself having a great time. At the end of the party, all of the women are drunk. Cecilia offers Rachel a ride home rather than having her take a cab or inconvenience Marla’s husband.
On the ride, Rachel is surprised to find Cecilia quiet. She is much more accustomed to Cecilia’s “reliable, soothing stream of conversation about raffles, carnivals, newsletters and everything else pertaining to St. Angela’s” (139). They talk briefly about Cecilia’s daughters. Rachel says that she saw Isabel, the oldest, recently, and that she reminded Rachel of her daughter, Janie. She immediately regrets saying this, afraid that it will disturb Cecilia to have her daughter compared to a girl who was strangled. The chapter ends with Cecilia saying, “I have just one memory of your daughter” (141).
This chapter picks up at the same moment, but from Cecilia’s perspective. She worries that saying she has a memory of Janie will upset Rachel. She thinks about how she feels uncomfortable around Rachel: “She felt trivial, because surely the whole world was trivial to a woman who had lost a child in such circumstances. She always wanted to somehow convey to Rachel that she knew she was trivial” (142). However, she’d once read in a magazine that grieving parents appreciated hearing people’s memories of their children. She explains that she didn’t actually know Janie, as Janie was four years ahead of her in school. On the day of the school carnival, each school “house” had to march around the oval of the PE field. Cecilia took the marching very seriously, but she tripped and fell, which made the children behind her crash into her. She was devastated, but Janie came over, brushed her off, and whispered, “It doesn’t matter. It’s only stupid marching” (144).
Rachel thanks Cecilia and says that she had a good time at the party. She only now realizes that she might be a little drunk and says it’s good she didn’t drive, as she might have killed someone. When she says she should get out more often, Cecilia perks up. She invites Rachel to Polly’s pirate party. Rachel protests that Polly wouldn’t want her crashing the party, but Cecilia insists that Rachel will know a lot of people there and that she could bring her grandson. Cecilia drops off Rachel and drives home. She remembers her determination to read the letter that night but is torn over her decision again. Things seemed so strange and dire during the car ride with the girls, but they went back to normal afterwards, and she isn’t sure she can claim the same sense of urgency that drove her earlier decision. She pulls into her driveway just as John-Paul gets out of a cab, home three days early.
The reader begins to get a sense of the interconnectedness of this community. Relationships are very important in Liane Moriarty’s work, and this novel is no exception. With Tess in particular, the reader sees the complex interplay of relationships as she navigates being both a daughter and a mother while living under her own mother’s roof. There is friction in the generational dynamic because of the conflicting roles that Tess and Lucy are playing: Lucy wants to mother Tess, while Tess wants to take care of Lucy after her injury. Lucy, accustomed to being the mother, instinctively wants to monitor and care for Liam, which Tess feels undermines her own abilities as a mother. Outside St. Angela’s, Lucy loses sight of Liam on the playground, and Tess reminds her that it’s not Lucy’s job to keep an eye on him, it’s Tess’s. Navigating these roles is something Tess actively struggles to do throughout the novel.
Cecilia, too, wars with her relationship to motherhood. She sees her strengths as a woman as organization and efficiency, but John-Paul’s letter is drawing more of her focus than she’d like. The reader sees more of Cecilia’s relationship to the community here and gets a sense that Cecilia doesn’t feel she quite lives up to her reputation as a good Catholic mother. Cecilia appears more concerned with image than either Rachel or Tess, though this trait isn’t unexpected or particularly negative within the context of the novel. Seeing Cecilia through Tess’s eyes demonstrates how a woman such as Cecilia—active and very involved in the church and school communities—could seem to have an uncomplicated and easy life if one doesn’t know her very well. The reader, however, knows better.
The reader also begins to get a sense of what’s causing Cecilia’s unease about her marriage. Several clues begin to pile up that suggest something is not quite right with John-Paul. When Cecilia decides to open and read the letter, she feels a sense of pleasure at having arrived at a decision. She’d already made the decision not to read the letter, so this is an interesting reaction for her to have. The girls’ observations of John-Paul’s behavior, the fact he gave up rowing even though he loved it, and even his suicide attempt and lack of dating (despite being a very attractive man) as a teenager all suggest that the letter contains a huge secret. Cecilia’s relief at having decided to open the letter acknowledges that she’s sensed something unusual or unknown for some time.
These chapters also reveal more of the women’s personalities and images in the community. There is a strong theme of separating individuals from their labels and reputations. Rachel’s descriptions of Cecilia are particularly telling, as they depict an efficient, controlled woman. This picture is in contrast to Cecilia’s internal monologue, which the reader sees is much less certain. Rachel tries to imagine Cecilia’s small worries about things she now sees as insignificant, but she is not aware of John-Paul’s letter or Cecilia’s concerns about abuse or an affair.
During her conversation with Mary, Tess wonders if she’s ever really seen Mary as a person or if she’s only limited her to a two-dimensional role as aunt and mother. She is also grappling with her own assumptions about Felicity and her treatment of her cousin when she was fat. She notes that she’d never been ”repelled” by Felicity’s obesity but that she’d always felt “prettier” than her. Tess’s ability to reflect on her own actions and assumptions extends to questioning her relationships with others and the way she’s treated the people around her.
By Liane Moriarty