logo

60 pages 2 hours read

Chandler Baker

The Husbands: A Novel

Fiction | Novel | Adult | Published in 2021

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapter 30-EpilogueChapter Summaries & Analyses

Chapter 30 Summary

The wives plan a celebratory dinner when Penny is released from the psychiatric facility. Nora and Hayden are on the way when Nora realizes she’s gotten two more calls from the wrong number; she calls back and gets Devin’s voicemail. Leaving a message, she encourages him to call any time. Because Hayden arranged for the babysitter and made Liv dinner before they left, Nora understands how the little things can make one happy. Cornelia knows her biggest secret, but Cornelia’s a therapist who knows lots of secrets. Nora is just grateful that Hayden is taking responsibility for their life though she hasn’t been able to shake her nagging concern for Penny. She is shocked when Penny arrives with Trevor. Hayden tells Roman he checked out that home organization website and rearranged their entire pantry. The men discuss end-of-year teachers’ gifts, and Nora notes again the new texture of her life. In the restroom, Nora tells Penny that a candle caused the fire, but Penny knows. Penny tells her Francine apologized to her, thinking she might have seen something if she wasn’t distracted by Devin. Penny is okay, so Nora tells herself to let go of anything she doesn’t already know.

Chapter 31 Summary

Nora enjoys life with the new Hayden. He packs snacks, makes playdates, grocery shops, and solves problems. At her next doctor’s appointment, her blood pressure is normal. Nora can spend more time on her partnership campaign. She takes Penny the insurance papers, finding Penny at work on her laptop. Penny expresses irritation with Trevor, but she doesn’t want Nora to tell the others because they’re hoping she falls in love with him. Nora thinks they mean well. Penny goes to get her glasses and Nora glances at her screen, noting the content of the writing.

Nora stops to greet Cornelia outside, and Nora feels like “[s]he’s on the inside now” (292). Nora tells Cornelia that Penny is writing again, apparently trying her hand at fiction, a murder mystery, based on the paragraph she saw. Cornelia’s face goes blank though she says she wants what’s best for Penny. Later, Nora wonders about the implications of Cornelia’s word choice—“what’s best” versus “what’s the best” (293)—because it sounds as though Cornelia thinks she knows better than Penny.

Chapter 32 Summary

Penny calls Nora at work, saying she booked a flight to see her brother and asks Nora to drive her to the airport. She doesn’t want anyone to know she’s leaving. Nora considers telling Cornelia, but Penny invokes attorney-client privilege. Penny wants to give Nora some papers, just in case of emergency. They plan to meet at the neighborhood entrance the next evening.

Nora puts Liv to bed and finds a clean kitchen downstairs. When Liv crawls into their bed at 1:00 am, Hayden offers to take her back to her room, but Nora is up. She keeps thinking about Penny. An hour later, Nora goes in search of Ambien, but the bottle is missing.

Chapter 33 Summary

In the morning, Hayden and Nora go to Isla’s office to sign papers. Hayden dives in, but Nora’s hands are sweating. She stalls, recalling what Penny said. She thinks of her baby and signs, promising not to let history repeat itself. Isla invites Hayden to meet up with the husbands tonight and hands Nora a goodie bag containing stationery, a gold pen, and a candle. Hayden hugs her, and he smells like lemony pine. He used Max’s favorite stain remover, Lestoil, and “Something [tries] to wriggle free from the back of [Nora’s] mind” (303).

This chapter is followed by a link to and summary of an article on social media about a group of mothers than went on “strike” for three weeks, refusing to prepare food, do laundry, and the like. The female commenters note how tempting this is or how they tried it, but nothing got done.

Chapter 34 Summary

Penny is late, and Nora glances at the lab reports she brought. After nearly an hour, she drives to Cornelia’s house and finds the pool house unlocked. It’s dark, and Nora finds Penny’s bag with an envelope addressed to Nora inside. She tucks it into her own bag and walks toward Cornelia’s house. There, she finds Penny at the bottom of the stairs, still breathing when Cornelia enters. Nora wants to call the police, but Cornelia tells her not to worry, that Penny feels no pain. Alexis and Thea enter, and Thea remarks that she expected this to be over more quickly; Cornelia claims they made Penny’s death as “humane” as they could. Nora’s suspicions click together, and Cornelia admits that Richard’s death was “unfortunate” because they were forced to get creative. Nora moves to call the police, and Cornelia tells her that this would not be best for her. Cornelia tosses Nora the empty Ambien bottle and explains that she grew up in a religious cult that brainwashed members to believe the church could restore them to their ideal, unfallen state. The woman who became Cornelia’s mentor, Dr. Neha Vita, was her Sunday school teacher, and after Vita left the church, Cornelia sought to harness their practices to repair society’s conditioning of men and women to accept their unequal roles: “Society has performed the indoctrination and we are doing the hard work of deprogramming” (314). There are three other similar communities, but Dynasty Ranch is unique because Thea is learning to make the effects of hypnosis a biological reality. Thea says that she is excited to end gender inequality.

Nora accuses Cornelia of using Lestoil to start the housefire, hoping to shock Alexis and Thea, but they already know. Nora guesses that Richard began to figure things out, but, Cornelia explains, Penny loved him, so they tried to make it work.

Cornelia has an alibi for the night of Richard’s death. Nora remembers that it was Max who raved about Lestoil and Alexis who went home early. Alexis says Richard set the fire, but Nora knows they made him. Cornelia reminds her that everyone consents to treatment, including Nora and Hayden. Nora realizes that Ed is the one losing his free will, not Lucy. Penny was writing her account of all that happened when Nora brought her the insurance papers. Because of what Nora told Cornelia, they confiscated Penny’s laptop. Nora realizes she should have seen what was happening, but she didn’t want to because a part of her is just like these women. Alexis defends their actions, saying they are protecting women who might cure cancer or make other significant contributions to society. Nora tells Cornelia to “fix” Hayden, and Cornelia brings out her gold pen, clicking the top three times.

Chapter 35 Summary

Hayden emerges, covered in Penny’s blood. Cornelia has tied Nora to the crime though she assures Nora that their actions aren’t self-serving: The “world’s a shit show” (320) because of men. She justifies their choices by pointing out that they’re acting like men, who routinely regulate women’s bodies. Cornelia clicks her pen again, summoning Asher, and Nora realizes that this is the clicking Richard heard. She evades Asher and runs. Nora sees Francine outside and concludes that the teen has been trying to do the right thing all along. Devin is there too, and Nora realizes Devin called to tell her what he knew. Francine says he overheard Alexis on the phone the night of the fire and realized it wasn’t an accident. Nora praises Francine for loving her father, and Francine says she loves him the way he is. She didn’t want to choose between Devin and her family, but she had to, and now Devin’s been brainwashed, too. Nora calls 911, and Officer Evelyn Aziz is there in minutes. Nora tells Officer Aziz about the murders, but Evelyn is a resident of Dynasty Ranch and a favorite patient of Cornelia’s. They discuss whether they need to kill Nora, and Nora convinces them that her death would create more questions, especially for Sylvia Lamb. She demands that they let her out of the contract, telling them the only way to make this work is together. Cornelia and Evelyn agree. Later, Nora opens Penny’s narrative, reads it, and burns it.

Epilogue Summary: “Two Years Later”

Nora is at book club with a group of women from their new neighborhood. They discuss the text’s woman characters after one woman, Jamila, wishes they were “nicer.” Another, Leah, complains that Jamila sounds like Leah’s husband. Nora can’t help agreeing that Leah isn’t very nice, and she meets the eyes of Rose Bailey, who is thinking the same thing. Jamila objects to women being “assholes now” because the world doesn’t need more of those. One woman, Nomi, casually mentions that she recently “bleached [her] asshole” (336), causing the women to erupt with laughter and talk about the ridiculous things society obliges them to do.

Nora and Rose chat as they walk home, just two doors apart. Andi now lives much closer, and she and Nora have patched things up. Nora made partner, and she inherited Gary’s clients when he died. Her son, James, is still awake when she gets home, and Hayden says he tried everything, but James wants Nora. The house is a mess. Nora puts James to bed and imagines a place where women do half the household work and feel satisfied, where they talk to friends uninterrupted while their husbands make to-do lists and clean up. She loves Hayden, but as she ages, Nora grows less tolerant of “men’s bullshit.” She pulls out the gold pen she hasn’t touched in two years and wonders how long men think this arrangement will go on, how long men expect women to do all the work. She clicks the pen.

Chapter 30-Epilogue Analysis

The narrator describes Nora as “unhooking her claws from around the throat of her life” (289), a vivid metaphor that demonstrates The Persistence of Marriage Inequality. This contrasts greatly with the smoothness and ease she now experiences. She enjoys herself more, takes better care of herself, and even initiates intimacy with Hayden. She “feels like she’s confessed her sins and come out on the other side redeemed,” and Hayden has “taken up the cross” (282) of their shared responsibilities. In the Bible, Jesus must carry his cross to the hill where he will be crucified, and the idea of carrying a cross has acquired the meaning of bearing a heavy but necessary burden. By using this allusion, Chandler Baker emphasizes how burdensome it feels to shoulder life’s responsibilities alone and what a relief it is to no longer do so. Nora’s doctor’s appointment reveals just how deeply this burden affected her when her blood pressure is back to normal.

This contrasts with her suspicions about Cornelia and the other wives. Though she hasn’t “been able to shake a low-grade hum of worry” (283) for Penny, she convinces herself to “let it go” (288). She doesn’t want to find out that Dynasty Ranch and her new friendships are too good to be true, so she tells herself to stop asking questions. When Nora stalls before signing the papers for the new house, she justifies her hesitation as financial concern. Even when the Ambien vanishes, Nora never considers a possible link between Cornelia and the bottle’s disappearance. The dramatic irony created by these warnings heightens the tension leading to the novel’s climax: Penny’s death and Cornelia’s revelation of the truth.

This confrontation reveals what Cornelia and Thea are really doing, emphasizing that the novel’s central conflict isn’t between Nora and the wives, or even Nora and Hayden, but between Nora and Society’s Gender-Based Double Standards. Cornelia and Thea believe their work runs counter to society’s indoctrination of men and women, but, really, it just reverses the power imbalance. Cornelia claims they are deprogramming people when, in truth, they are programming them differently, forcing husbands to take full responsibility for duties that should be shared. Thea claims they are “solving the problem of gender inequality” (316), which is untrue; their work preserves gender inequality, reversing it so that men, rather than women, lose autonomy. Alexis suggests that they are allowing brilliant, innovative women to impact society without realizing that they are simultaneously depriving their husbands of the same opportunity. Only now does Nora see what she “should have seen […], but she didn’t want to” (318). Nora knows she lied to herself when she claimed to be different from Cornelia. However, just as she doesn’t want a world where women shoulder the household burden alone, she doesn’t want a world in which men must either. Cornelia argues, “Men have been happily regulating our bodies for as long as anyone can remember. How is this any different?” (321). It’s not, the narrator suggests, and that’s why it’s wrong. Nora’s horror and Cornelia’s flippant attitude show that readers are meant to applaud Nora’s desire for genuine equality and condemn Cornelia’s bid for female domination.

This is problematized by the Epilogue, when Nora comes home to a messy house and wide-awake James two years later. Life at the Spangler house has returned to pre-Dynasty Ranch normal. Nora’s final fantasy, of a world in which wives “do half [of the household duties] and feel in control” (339) seems unlikely to become reality. Outside of Dynasty Ranch, patriarchal social norms guarantee men’s empowerment while inside Dynasty Ranch, only women are permitted autonomy and fulfillment. This knowledge underwrites Nora’s decision to use the gold pen, a symbol of control, for the first time. Without The Possibility of Progress in which an equal division of responsibilities exists, Nora’s choice suggests that she will choose herself over her husband.

blurred text
blurred text
blurred text
blurred text

Related Titles

By Chandler Baker