60 pages • 2 hours read
Chandler BakerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Nora is the protagonist of The Husbands, a mother and a lawyer. She juggles her professional ambition to become a partner and her personal desire to build a loving home for her family. Society’s expectations, illustrated by Hayden, Gary, and the male commenters on social media, compel women to maintain responsibility for the household and children despite their other obligations. When those responsibilities interfere with Nora’s ability to work long hours on short notice, they are seen as a reason to exclude women from high-powered positions. The weight of motherhood is often far heavier than that of fatherhood, demonstrated by Nora and Roman Jenkins’s shared inability to keep in touch with old schoolmates. Nora, doing the work typically associated with mothers, insists, “There’s so little time” (91), and Roman agrees. Roman has been programmed to perform the duties typically ascribed to moms, meaning his life experience is now more like Nora’s than Hayden’s. Nora and Roman’s agreement proves that it is precisely Nora’s domestic responsibilities, which ought to be shared equally with her husband, that prevent her from achieving her professional and personal goals. Only after Cornelia deprograms Hayden can Nora work the way Gary expects, and he finally tells her, “You do good work” (279).
Nora’s character arc develops through her encounter with the Dynasty Ranch wives. The community is her utopia, what she wishes her life were like. Her strong pull to ignore her misgivings throughout the case relate to the present—she wants the women to accept her—but they also relate to the past. If these women are blameless in their actions, so is she. She still carries the guilt from Liv’s accident, never having acknowledged that Hayden could have taken over parenting duties when Nora needed a break. Going back to her lifestyle before Dynasty Ranch leads Nora to justify the women’s actions: What was once unthinkably unethical to her now seems just, as though it’s Hayden’s turn. She no longer considers how her actions deprive him of autonomy but, rather, how using the pen will increase her own, becoming just as (or more) monstrous than men who unconsciously enjoy the benefits of patriarchy without an awareness of the toll it takes on women. Her character’s dynamism demonstrates how damaging gender inequity is, as it turns a beleaguered but good woman into a villain.
Hayden is not Nora’s antagonist—that role belongs to 21st-century American society—but he is its representative. He thinks of himself as highly “evolved,” though he is incredibly unaware of how easily he abandons familial responsibilities to Nora. He is easily angered when he feels Nora is “keeping score” and gets defensive when she implies that he doesn’t do as much around the house as he should. Hayden knows he’s more involved in his children’s life than his own father was, but Hayden doesn’t see all the things Nora does: the errand running, appointment making, keeping of schedules, finding Liv’s shoes and socks, packing lunches, making snacks, school pick-ups, school drop-offs, conversations with the babysitter, and on and on. “Hayden believes: It will get done” (5), and it will because Nora will do it. Because of this, Hayden becomes the “lazy traveler” in the relationship.
Hayden is a loving husband and father, but he harbors a kind of ignorance that seems alternately accidental and intentional, prompting him to say things like, “The point is I help. You act like I don’t, but I do” (46). Nora doesn’t deny that he helps, but whenever she asks for more help, he makes promises he never keeps. One such broken promise preceded Liv’s accident, an event for which Hayden resents Nora, though he has never acknowledged his responsibility in creating a situation in which Nora became too exhausted to function. This could be because he doesn’t realize how often he makes and breaks promises to his wife, and if she told him, he might again refer to her mental “scoreboard.” However, his internalized misogyny—on display when he claims the Dynasty Ranch husbands “need to grow a pair” (100)—makes clear that his association of household responsibilities with emasculation is conscious. Because Hayden is a flat character, representative of “Dad Version 2.0,” he does not have a chance to evolve or change on his own.
Cornelia is the de facto leader of Dynasty Ranch. She is an accomplished psychiatrist who has devoted her life to making the world better for women. She is well-educated and creative, someone who overcame the hurdles of a challenging childhood as part of a religious cult, and a natural leader. She nurtures women in her community, praising their achievements and claiming “mama bear” status. On the other hand, she is a hypocrite and ruthless dehumanizer of men, privileging female autonomy and ambition while methodically and remorselessly stripping men of theirs. Cornelia believes that male regulation of female bodies is reprehensible and uses this to justify her actions. She fulfills the mentor-turned-antagonist archetype.
Cornelia—a static character—never changes or experiences a moment of uncertainty. Though she regrets the pain Penny’s death could cause Nora, given the similarity of the scene to that of Liv’s accident, she has no reservations about using Nora’s Ambien to drug Penny or using Nora’s husband to murder her. Cornelia gets others to do her dirty work, ensuring their loyalty to her and the Dynasty Ranch community. She is manipulative and believes she has the moral high ground, an inverse of patriarchal power rather than a model of true progress.
The wrongful death of Richard March and Penny’s desire to sue the responsible party develops the relationship between Nora and the Dynasty Ranch wives. Penny’s primary narrative role is to drive the plot. Penny is a well-known advice columnist whom Nora already respects, so when Nora learns that her nonexistent client list could jeopardize her promotion, it isn’t a difficult choice to take Penny’s case. Penny is clearly complicit enough with the Dynasty Ranch agenda to pass the vetting process and subject her husband to Cornelia’s manipulation, but after Richard’s background makes him less susceptible to suggestion, Penny searches for someone to blame for his “insanity” and death. She never considers her own role or responsibility.
Penny blames Cornelia and Thea, creating an undercurrent of tension that Nora senses and disregards, leading Penny to attack Trevor and, later, plan her escape from Dynasty Ranch. Her irritation with Cornelia is evident from her first meeting with Nora, prompting her to explain, “Really, I love Cornelia, I do. She can’t help that she’s a shrink any more than you can help that you’re a lawyer” (38). The loving and supportive female friendships Nora senses remain intact, then, only while those women toe the line. Penny’s death shows that when someone defies or questions Cornelia’s methods, they lose value, regardless of what genius they might possess. Even Penny’s name seems to signify this: She’s like a coin of very little value. When she resists Cornelia, she is thrown away. Thus, Penny’s character is a foil that reveals Cornelia’s more clearly, and her death provides the method by which Cornelia compels Nora’s silence.