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44 pages 1 hour read

Chloe Benjamin

The Immortalists

Fiction | Novel | Adult | Published in 2018

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Symbols & Motifs

Totemic Objects

Objects often point to the power of fate and magic in the lives of the characters. Magical objects emerge in the prologue in Bruna’s apartment, and objects like the I Ching and a tarot deck intrigue the children. Bruna confesses to Klara, “That stuff’s for show,” she said. “The people who come here? They like to think I know things for a reason. So I got props” (143). Though Bruna asserts that the objects themselves do not have power, they do have the ability to influence the minds of people who enter her apartment.

These objects also act as points of connection among characters. Many of these totemic objects exist in Klara’s life, such as a lacquered box she receives from her magic teacher, Ilya. This box, “made of wood and painted black, accompanied Ilya from sideshows to circuses until he contracted polio in 1931” (35). Klara keeps this box with her throughout her career, returning to it when she feels uninspired. It is a touchstone bringing her back to her passion and her teacher. Another object that emerges is Saul’s gold watch. At first, Klara has it, and she uses it to measure out the knocks she believes she hears from Simon. In this way, the object connects her with her deceased family members. The watch travels to Varya, who keeps it as a reminder of Saul.

Some objects are more seemingly ordinary, such as the paperweight in the shape of the Golden Gate Bridge. Varya gives it as a gift to Daniel, and when she visits the house after his death, she notes “Now, the gold plating had turned a coppery green; she had not known he’d kept it all these years” (290). Thus, this seemingly ordinary object is a link between Varya and Daniel. 

Religious Rituals

Religious rituals are also a frequent motif in The Immortalists. Jewish rituals allow the Golds to connect to their shared heritage. After Saul and Simon’s deaths, the Golds sit shiva, a traditional practice of mourning after a death. This ritual allows the Golds to reconnect with each other and share in grief. After Simon’s death, Klara makes a point to visit home on the High Holy Days, a touchstone for her to reconnect with family and her past.

The author also suggests that these religious rituals have much in common with occult practices. Klara notes of the Rabbi, “When he said the kiddush or lit the candles on Shabbat, he was doing magic tricks” (157). Just as she performs magic, religion can be a performance to unite people. Even Gertie tows the line between religion and superstition: “She spits three times when a funeral goes by, throws salt if the shaker falls over, and never passed a cemetery while pregnant” (24). Though Jewish women engage in these practices, they are not strictly religious. They are cultural practices that unite Jews even if a Rabbi didn’t sanction them. Religious rituals connect; they provide a feeling of order and meaning in life.  

Addictive Practices

Many of the characters engage in various forms of addiction, which facilitates repression. Addiction permits characters to stop coping with difficult feelings; addiction also isolates. Importantly, addiction allows the characters to distance themselves from Bruna’s predictions, while ironically bringing them closer to their deaths. For Simon, addiction comes in the form of sex. Even though he loves Robert and is aware of AIDS, he nonetheless engages in frequent unprotected sex. He lives in a community where this is the norm, and the author even says, “San Francisco is a drug” (69). By the time Simon finds a lesion on his body, it is too late. His fate is sealed.

To cope with Simon’s death, Klara begins drinking heavily, spending “previous anniversaries in bars” (128). In order to temper the pain she experiences, Klara distances herself from reality through alcohol. This becomes a dependency, and she even drinks after she has a daughter. She notes, “The blackouts and retching have been replaced by something steadier, harder to detect: a low-grade but constant remove from the facts of her life” (141). It is during this period that Klara hears the knocking, believing that Simon is communicating with her. The author suggests that the alcohol may be exacerbating a pre-existing state of mental illness, and only pushes her further towards her own suicide. 

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