57 pages • 1 hour read
Ruth WareA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Protagonist Hannah Jones discovers her best friend’s corpse on the floor of their shared suite at Pelham, a fictional college within Oxford University. Hannah remembers vivid details about the campus and the walk back to her suite, particularly the open door to the girl’s shared set of rooms. In retrospect, Hannah believes that she should have known to expect wrongdoing since the door wasn’t closed. Although Hannah repressed the memories of discovering April Coutts-Cliveden’s body, her friend Hugh Bland has since recounted and described the scene to Hannah. Hugh (revealed to be April’s murderer in the plot twist at the novel’s end) is the first person to respond to Hannah’s screams for help. Hannah often wakes at night envisioning her deceased friend’s body while hearing screams.
Jumping ahead 10 years, Hannah lives in Edinburgh, Scotland, and works at Tall Tales Bookshop. She’s married and expecting a child with Will de Chastaigne, Hannah and April’s shared love interest from Pelham. Hannah receives a call from her mother, Jill, while at work. Jill tells Hannah that John Neville, the man convicted of murdering April, has died in prison of a heart attack. While Hannah initially feels relief, she fights an urge to cry and leave work.
The “Before” storyline moves to the beginning of the academic year, chronicling the events leading up to April’s murder. Hannah arrives at Pelham with her mother and explores the school, acknowledging the beauty of the campus and feeling surreal. Unlike when she came for her college interview, Hannah walks through the open campus doors freely, without the assistance of a porter. She retrieves her dorm key from the Porter’s Lodge and finds her room—a suite, which she later learns is one of the more historical and unique living quarters. Hannah meets her suitemate, April, and feels intimidated by April’s apparent wealth. An assistant employed by April’s father helps her unpack her expensive luggage, which is filled with an abundance of extravagant, name-brand possessions. In addition, Hannah is struck by April’s appearance, noting, “She had the kind of beauty that hurt your eyes if you looked at her for too long but made it hard to tear your gaze away” (11). The girls’ suite has two bedrooms with a conjoined living room. Hannah and April drink expensive champagne, a gift from April’s father, toasting to Oxford and each other.
Hannah reacts internally to the news of Neville’s death while she finishes her workday. She’s distracted as she travels home, opting to walk and clear her head despite being tired. Hannah anticipates reading many news stories about Neville’s death and decides to read one BBC report. She sees a recent picture of Neville in which he looks much frailer than when she knew him as a porter at Pelham. The image disturbs her, particularly when she observes Neville’s eyes, which carry “a dark, haunted gaze like he’s beseeching her for something—she just doesn’t know what” (22). Will seems relieved to learn that Neville died, characterizing the news as good and casually asking about dinner. His demeanor shocks Hannah, who thinks his brutality is entirely out of character.
Hannah and April get dinner together in the Great Hall—an aesthetically impressive room by Hannah’s standards but not April’s. They run into Will, and April introduces him to Hannah. Hannah is immediately attracted to Will, but April openly flirts with him upon learning that he recently became single. Will introduces Hugh to Hannah as the “brainiest chap in our year” (29). April alludes to a shared past between her and Hugh, which embarrasses him. Ryan Coates and Emily Lippman introduce themselves to April and Hannah. April flaunts the fact that her father’s wealth helped her achieve admission to Oxford while the others had to be the best in their classes. She invites the group back to her and Hannah’s suite to drink champagne.
While Hannah processes the news of Neville’s death, she considers how the information affects Will. She notes that Will is more restrictive about sharing his thoughts and feelings. She believes that this stems from a demanding upbringing in a wealthy family with high expectations.
Hannah was the sole witness in the trial against Neville, and the prosecution’s case depended on her testimony to incarcerate Neville. Reporters and fanatics have hounded her for the past 10 years, casting doubt on her testimony, which is why she feels incredibly anxious about the media’s attention on Neville’s death. Hannah deletes Gmail from her phone, though she acknowledges that she won’t sleep unless she checks her inbox before bed. One email from a reporter asks about Neville; without thoroughly reading the email, Hannah promptly moves it into a folder titled “Requests.”
Hannah feels protective of her unborn baby and the life she and Will have worked hard to create. The couple remains hopeful that Neville’s death will conclude the tragedy that has influenced most of their adult lives.
April, Hannah, Hugh, Will, Ryan, and Emily play a game of strip poker at April’s beckoning. April pushes the group to continue to play late into the night, even though it’s evident that the other four friends are uncomfortable. The group drinks champagne, which appears in an endless supply from April’s mini fridge. Hannah doesn’t like how the champagne tastes but drinks it anyway. She feels out of place and in awe of her new friends, whom she sees as “exotic, clever, glamorous creatures” (44). All but April decide to end the game. Hannah retreats to her room, where she contemplates reinventing herself to be more like her new group of friends, mainly so she can attract Will. When Hannah looks for Will after the others depart, she finds Will and April locked in an embrace and heading for April’s bedroom.
Hannah awakens the following morning, feeling as though everything is different. She walks to the park and admires the children playing, though she limits herself to a socially acceptable length of time to stare at strangers’ kids. Hannah answers her phone, assuming her mother is calling, but abruptly ends the call when she hears a reporter introduce himself.
Hannah contemplates her role in April’s death—not returning to their suite earlier on the night of April’s murder. She envisions what life would be like if April were still alive.
Lost, Hannah asks John Neville to help her find Dr. Myers’s office. Dr. Myers, Hannah’s advisor, excuses Hannah’s lateness to their meeting, noting that his office is difficult to find, though his suite is across the hall from Hannah and April’s. Dr. Myers asks about Hannah’s identity. Hannah struggles with this inquiry, feeling like a fraud trying to fit in with her upper-class peers. Hannah initially stumbles through a surface-level introduction of herself, describing her divorced parents and small, middle-class hometown. However, Hannah realizes that her admission to Oxford, without family connections or prep school grooming, underscores her academic strength. She expresses her determination to find a sense of belonging at Oxford, and Dr. Myers approves.
When Hannah departs Dr. Myers’s office, Neville is standing in the corridor, and Hannah wonders if he waited for her during the hour-long meeting. Hannah finds Neville intrusive, condescending, and overbearing. She feels disturbed, mainly after they shake hands, and decides to avoid him.
Through limited third-person narration, protagonist Hannah introduces one of the book’s main themes: Identity in the Face of Tragedy. Hannah struggles to control her identity in both the “Before” and “After” timelines. Meeting her advisor at Oxford for the first time, Hannah “[feels] again the crushing sense of imposter syndrome” (55). She frequently feels lost as she considers her identity, mainly when she compares herself to April and her wealthier college friends. While Hannah never felt part of the community she grew up in, she’s motivated to find a sense of belonging at Pelham. Tragedy interrupts what would have been a coming-of-age tale, when April’s murder tremendously disrupts Hannah’s sense of self, providing further commentary on how unpredictable circumstances affect identity.
Hannah allows the tragedy of losing April and the subsequent invasive media presence to dictate every aspect of her adult identity, introducing another of the novel’s primary themes: The Ramifications of Guilt. She moves to Scotland, “a country with its own legal system, its own newspapers, a place almost as far away from Oxford as it was possible to get without leaving the UK altogether” (34), to place as much physical distance as possible between her home and where April died. Hannah changes her appearance and name to hide from reporters. The tragedy also influences Hannah’s career because she doesn’t return to college. Hannah restricts herself from having meaningful friendships aside from Will, whom Hannah knew and loved before April died. Only when Hannah decides to confront her past and her guilt can she regain control over her identity.
The motif of Hannah’s pregnancy in its early stages represents her struggle with feeling stuck between two realities, a before and after. Before her pregnancy becomes visibly noticeable, Hannah “[doesn’t] quite believe the child in her belly [i]s real until she [sees] the images on the screen, hear[s] the strange, subterranean whoosh and echo of its heart” (19). Even though Hannah experienced early pregnancy symptoms, she needed to see physical evidence before emotionally actualizing her baby. Hannah and Will aren’t quite parents yet, and activities like observing children at a playground are socially inappropriate. However, Hannah frequently anticipates the responsibilities she and Will must take on when the baby arrives, particularly the family’s financial planning. Hannah’s pregnancy progresses alongside her journey to confront her past as she takes control of her future.
In various introductory scenes, open and closed doors symbolize elitist politics, highlighting the book’s theme of Elitism and Elitist Politics. Arriving at the campus, Hannah observes, “The huge oak door in front of her was open, unlike on the day she had come for her interview, when she’d had to knock at the medieval grilled door-within-a-door” (7). Not until Oxford formally accepted Hannah was she allowed to enter and walk around the campus freely. Hannah had to work her way into an establishment where wealthier and more privileged students feel naturally entitled to enter. Ryan and Hannah relate to each other because they come from middle-class backgrounds and are sensitive to their peers’ advantages over them.
Open and closed doors also act as harbingers of misfortune. Hannah recalls, “Afterwards, it was the door she would remember. It was open, she kept saying to the police. I should have known something was wrong” (1). Because Hannah has repressed the memories of finding April’s body, the open door to her and April’s shared suite is the last image she can recall. Hugh and the police later fill in the missing gaps in Hannah’s memory for her. The mental image of the open door haunts Hannah and contributes to the guilt that weighs her down and motivates her to investigate April’s murder on her own. Hannah, accustomed to having to work her way through closed doors, sees open doors as dangerous.
By Ruth Ware
Friendship
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Guilt
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Horror, Thrillers, & Suspense
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Loyalty & Betrayal
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Mystery & Crime
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New York Times Best Sellers
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Psychological Fiction
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The Best of "Best Book" Lists
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Trust & Doubt
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YA Horror, Thrillers, & Suspense
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YA Mystery & Crime
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