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57 pages 1 hour read

Ruth Ware

The It Girl

Fiction | Novel | Adult | Published in 2022

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Symbols & Motifs

Doors

Open and closed doors depict the theme of Elitism and Elitist Politics in The It Girl. Hannah sees that the old door to Pelham’s campus is open when she arrives, unlike when she interviewed with admissions. The campus door represents the exclusivity of being an Oxford student. Hannah and Ryan often resent the advantages that their wealthier and more privileged peers have—how much easier it was for the elite to walk through that same door. When Dr. Myers invites Hannah to an exclusive party for his more promising students, April flirts her way into the soiree while flaunting an expensive bottle of champagne, giving Hannah “a dazzling smile and stepped forward [...] and Hannah [sees] her give the smallest of winks over her bare shoulder. And then she disappear[s] and the door close[s] behind her” (92). April uses her wealth and privilege to bypass the hard work that Hannah needs to do to earn an invitation to the same party, which upsets Hannah. Elitism makes Hannah feel as though her efforts are minimized and insignificant.

Likewise, April’s closed bedroom door symbolizes the divide in her and Hannah’s friendship. April keeps secrets from Hannah, even though she’s her best friend. Upon returning to the girls’ suite, Hannah “open[s] the door [and] the sound that greeted her from behind April’s door was the unmistakable one of two people having sex” (78-79). Knowing that April isn’t with Will, Hannah realizes that she’s secretly engaging in an affair. April hides parts of herself from Hannah, like someone hiding behind a closed door, though she occasionally opens the figurative door and lets Hannah see her vulnerability. For example, April discusses her strained relationship with her parents and shares her nervousness about her performance in Medea. April’s secrets later haunt Hannah and prove problematic as she tries to uncover the truth about her murder.

Hannah’s fixation on the open door to her and April’s suite on the night of April’s murder represents her lingering psychological distress. Hannah recalls, “Afterwards, it was the door she would remember. It was open, she kept saying to the police. I should have known something was wrong” (1). Hannah feels false guilt for April’s murder, and this guilt motivates her actions for the entire “After” narrative. Even though she didn’t murder April, Hannah feels responsible for her death. She hypothesizes what April would look like if she’d lived while noting that April might be alive had Hannah decided to return to their suite earlier. Hannah loses sleep thinking about April and sometimes hears screams. She occasionally thinks she sees April or hears her voice in the “After” narrative, which startles her and incites abrupt reactions. Hannah’s psychological distress even causes her blood pressure to spike, alarming her midwife. The fact that Hannah can’t let go of the image of the open door symbolizes her guilt, which affects her mentally and drives her to uncover the truth.

Champagne

Especially when drunk straight from the bottle, champagne symbolizes what it means to be an It Girl specific to April. While moving into Pelham, April opens a present from her father, saying, “‘Oh God, just when I think he barely knows my middle name, he proves me wrong.’ She [holds] up a bottle of champagne and two glasses. ‘Drink, Hannah Jones?’” (15). Champagne is April’s drink of choice, so much so that her father—with whom April has a strained relationship—knows this detail about her. It’s expensive and elegant, though April and her friends drink it straight from the bottle, which is tawdry. Champagne is traditionally consumed at celebrations, but because April doesn’t care to observe social norms, she drinks champagne whenever she wants.

In addition to symbolizing April’s status as an It Girl, Champagne represents the dynamic in Hannah and April’s friendship. Hannah doesn’t like the taste of champagne, but she wants to drink it with April. She thinks, “Maybe Dodsworth Hannah didn’t like champagne. But Pelham College Hannah was different” (15). April exudes confidence and sophistication while taking control of the girl’s relationship. Hannah, less sure of herself, looks up to April and allows April to make decisions that affect both girls. Even though champagne is April’s drink and Hannah doesn’t care for it, she drinks it anyway, if only to impress her friend. It doesn’t even occur to April to ask what Hannah might want to drink.

Hannah’s Pregnancy

Hannah’s is stuck between two realities, and her pregnancy is a motif that represents this feeling. Her pregnancy itself demonstrates the middle ground in which Hannah exists as being childless while also feeling love and protection for her unborn baby. While Hannah walks to the park, she observes an interesting social protocol:

There’s a strict limit to how long a lone adult can watch children playing, she’s discovered. About five minutes before you start to get glances, maybe ten before someone comes over and asks if you’re looking for someone, though her growing belly gives her something of an alibi now (51).

Hannah feels drawn to the playground, where she can envision pushing her child in a swing, yet also feels like an intruder. Until Hannah’s pregnancy is more visibly pronounced and she feels the baby kick, she struggles to accept the pregnancy and her baby as real. At the same time, she feels protective of her baby—so much so that she won’t eat an avocado when her baby measures the same size as the fruit because “it was something else—something more visceral. The idea of eating her own baby” (4). Her pregnancy feels both “real” and “not real” simultaneously.

Hannah’s life and identity are likewise stuck between two realities. She thinks of her life as divided into two parts: “before” April’s murder and “after.” Hannah tries to envision having a perfect life with Will, raising their child together. She realizes that until she confronts her past, finds out the truth about April’s murder, and absolves herself of the guilt that has weighed her down, Hannah can’t move into the future life she craves.

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